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The Virgin Mary with Infant Jesus and Infant St. John, 1500-05 (oil on panel)
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The Virgin Mary with Infant Jesus and Infant St. John, 1500-05 (oil on panel)
5973958 The Virgin Mary with Infant Jesus and Infant St. John, 1500-05 (oil on panel) by Francia, (Francesco di Marco Raibolini) Il (1450-1517); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia, Pinacoteca Tosio Martinengo: " Madonna con il Bambino e S. Giovannino", di Francesco de Raibolini, detto Francesco Francia, 1500 - 1505. Olio su tavola.); Ghigo Roli
Media ID 25138244
© Ghigo Roli / Bridgeman Images
Arte Bambin Gesu Brescia Cristianesimo Dipinto A Olio Il Cinquecento Infant Jesus La Vergine Lombardia Oil Panel Painting The Virgin Francesco Francia
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EDITORS COMMENTS
This oil painting, titled "The Virgin Mary with Infant Jesus and Infant St. John" is a masterpiece created by the renowned Italian artist Francesco di Marco Raibolini, also known as Francesco Francia. Painted between 1500-1505, this exquisite piece can be found in the Pinacoteca Tosio Martinengo in Brescia, Italy. The painting depicts the tender moment shared between the Virgin Mary and two young children - her own son Jesus Christ and his cousin St. John the Baptist. The scene exudes a sense of tranquility and maternal love as Mary cradles both infants in her arms. Francia's attention to detail is evident in every brushstroke, from the delicate features of each child's face to the intricate folds of their garments. The soft lighting further enhances the ethereal atmosphere surrounding them. "The Virgin Mary with Infant Jesus and Infant St. John" serves as a testament to Francia's mastery of capturing human emotion through art. It invites viewers to reflect on themes such as motherhood, innocence, and divine grace. This remarkable piece not only showcases Francia's technical skill but also highlights his deep understanding of religious iconography during the Renaissance period. It continues to inspire awe and admiration for its timeless beauty even centuries after its creation.
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