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Totila, king of the Ostrogoths visiting Benedict of Nursia - Detail of Predelle, c. 1470
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Totila, king of the Ostrogoths visiting Benedict of Nursia - Detail of Predelle, c. 1470
LRI4573646 Totila, king of the Ostrogoths visiting Benedict of Nursia - Detail of Predelle, c. 1470 by Landi, Neroccio di (Neroccio da Siena) (1447-1500); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: The Ostrogoth King Totila (Baduila) (6th century) Visit Saint Benedict of Nursie, Abbe of Mount Cassin (Totila, king of the Ostrogoths visiting Benedict of Nursia) Detail Painting by Neroccio di Bartolomeo Landi (1447-1500) Detail of Predelle 1470 around Florence Galleria degli Uffizi (Offices)); Luisa Ricciarini; Italian, out of copyright
Media ID 22539938
© Luisa Ricciarini / Bridgeman Images
6th 6th 6th Vi Vith Vith Century Barbaric Benedictine Ostrogoth Prostration Saint Benedict Quattrocento
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EDITORS COMMENTS
This print captures a significant historical moment in exquisite detail. The painting, titled "Totila, king of the Ostrogoths visiting Benedict of Nursia - Detail of Predelle, c. 1470" was created by Neroccio di Bartolomeo Landi and is housed in the Galleria degli Uffizi in Florence, Italy. The scene depicted here transports us back to the 6th century when King Totila (Baduila), leader of the Ostrogoths, pays a visit to Saint Benedict of Nursia at Mount Cassin Abbey. This encounter between royalty and religious authority is beautifully portrayed through delicate brushstrokes and vibrant colors. As we gaze upon this artwork, we are reminded of the power dynamics at play during that time period. The juxtaposition between the holy and barbaric is evident as King Totila humbly prostrates himself before Saint Benedict. It serves as a testament to both their faiths and their roles within society. Neroccio di Bartolomeo Landi's attention to detail brings this historical event to life. From the intricate garments worn by both figures to the expressions on their faces, every element tells a story. This painting not only showcases Renaissance artistry but also provides insight into religious orders and beliefs during this era. It reminds us of an important chapter in Italian history while highlighting key themes such as religion, power dynamics, and cultural exchange. Luisa Ricciarini has skillfully captured this masterpiece through her lens for all art enthusiasts to appreciate its beauty for generations to come.
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