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The Jeweller, 1549 (oil on board)

The Jeweller, 1549 (oil on board)


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The Jeweller, 1549 (oil on board)

BFM286836 The Jeweller, 1549 (oil on board) by Mor, Anthonis van Dashorst (Antonio Moro) (c.1519-1576/77); 87x67 cm; Schlossmuseum, Schloss Friedenstein, Gotha, Germany; (add.info.: Der Juwelier; ); Bildarchiv Foto Marburg

Media ID 23374974

© Bildarchiv Foto Marburg / Bridgeman Images

Ring Rings Jewels Joaillier


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> Arts > Artists > M > Antonio Moro

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Germany > Paintings

> Fine Art Finder > Artists > Anthonis van Dashorst (c.1519-1576/77)

> Fine Art Finder > Men Up To 16th Century


EDITORS COMMENTS
This portrait, titled "The Jeweller" and painted in 1549 by Anthonis van Dashorst (Antonio Moro), offers a glimpse into the world of a skilled craftsman during the Renaissance era. The oil on board artwork measures 87x67 cm and is currently housed at the Schlossmuseum in Schloss Friedenstein, Gotha, Germany. In this mesmerizing piece, we see a distinguished male figure seated with an air of confidence and expertise. His meticulously groomed beard and moustache frame his face, drawing attention to his piercing gaze that seems to hold secrets only known to him. A stylish hat adorns his head while he dons various rings on his fingers, showcasing both his personal style and professional success as a jeweller. The artist's attention to detail is evident in every brushstroke; from the intricate cap worn by the subject to the delicate rendering of each jewel displayed before him. This painting not only captures the essence of its time but also immortalizes the artistry involved in creating exquisite pieces of jewelry. "The Jeweller" invites viewers into a world where craftsmanship meets beauty, where skillful hands transform precious materials into objects that inspire awe. It serves as a testament to human creativity and dedication throughout history. As we admire this remarkable work of art captured by Bridgeman Images' lens, let us appreciate not just its aesthetic appeal but also acknowledge the significance it holds within our cultural heritage.

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