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Virgin with child and Scenes from the Life of St Anne - oil on panel, c. 1450
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Virgin with child and Scenes from the Life of St Anne - oil on panel, c. 1450
LRI4575832 Virgin with child and Scenes from the Life of St Anne - oil on panel, c.1450 by Lippi, Filippo (c.1406-69); Palatine Gallery, Pitti Palace, Florence; (add.info.: Virgin with child and Scenes from the Life of St Anne Painting by Filippo Lippi (ca. 1406-1469) 1450 approx. Diam 135 cm Florence, Palazzo Pitti, Galleria Palatina); Luisa Ricciarini; Italian, out of copyright
Media ID 22539908
© Luisa Ricciarini / Bridgeman Images
Birth Grenade Saint Anne Saint Joachim Aureole Quattrocento
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This print showcases the exquisite oil painting titled "Virgin with child and Scenes from the Life of St Anne" by Filippo Lippi, a renowned Italian artist of the Quattrocento period. Created around 1450, this masterpiece is displayed in all its glory at the Palatine Gallery within Florence's majestic Pitti Palace. The painting depicts a holy scene featuring the Virgin Mary holding baby Jesus, surrounded by scenes from St Anne's life. The artist skillfully captures their divine presence through delicate brushstrokes and vibrant colors that bring this religious narrative to life. Luisa Ricciarini has expertly captured every intricate detail of this artwork in her photograph, allowing viewers to appreciate its beauty even if they cannot witness it firsthand. From the aureole surrounding Mary and Jesus to the symbolic grenade representing fertility and resurrection, every element holds significant meaning within Christian iconography. This piece not only represents religious devotion but also exemplifies Renaissance art at its finest. It showcases Lippi's mastery of composition and his ability to convey emotion through portraiture. Moreover, it highlights his deep understanding of biblical stories as he incorporates various characters like Saint Joachim into this visual narrative. Through Ricciarini's lens, we can marvel at how art intertwines with history, religion, botany (as seen in botanical elements), natural history (depicted through fruit), and science itself. This photograph serves as a testament to both Lippi's artistic genius and Ricciarini's
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