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The Sacrifice of Abraham, 1635 (oil on canvas)

The Sacrifice of Abraham, 1635 (oil on canvas)


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The Sacrifice of Abraham, 1635 (oil on canvas)

XIR167525 The Sacrifice of Abraham, 1635 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 193.5x132.8 cm; State Hermitage Museum, St. Petersburg, Russia; Dutch, out of copyright

Media ID 23798280

© Bridgeman Images

Abraham Bible Act Of God Dagger Divine Intervention Infanticide Isaac Knife Loyalty Messenger Painte Rembrandt 1606 1669 Rembrandt Harmenszoon Van Rijn Rembrandt Van Ryn 1606 1669 Sacrifice Sacrificial Slaying Test Of Devotion Flemish Art Killing Parent Parents


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The Sacrifice of Abraham

EDITORS COMMENTS
by Rembrandt Harmensz. van Rijn is a captivating depiction of a pivotal biblical moment frozen in time. This powerful oil on canvas print, housed at the State Hermitage Museum in St. Petersburg, Russia, transports viewers to the 17th century and immerses them in the emotional turmoil of this religious narrative. In this scene from the Old Testament, we witness Abraham's unwavering loyalty and test of devotion to God. The artist masterfully captures the tension as Abraham raises his dagger above his beloved son Isaac, while an angelic messenger intervenes with divine intervention. The vibrant colors and meticulous brushwork bring life to every detail - from the intricate folds of their garments to the pained expressions etched upon their faces. Rembrandt's profound understanding of human emotion shines through as he explores themes of sacrifice, faith, and obedience within Christianity. This painting serves as a poignant reminder that even in moments where our beliefs are tested beyond measure, there may be unseen forces guiding us towards redemption. As we gaze upon "The Sacrifice of Abraham" we are reminded not only of its artistic brilliance but also its timeless relevance across cultures and religions. It prompts contemplation about what it means to be faithful and devoted amidst life's trials and tribulations – a universal theme that resonates with audiences today just as powerfully as it did centuries ago.

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