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Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze)

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze)


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Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze)

6336326 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze) by Bertoldo, Giovanni di (c.1420-91); Galleria e Museo Estense, Modena, Italy; (add.info.: Bertoldo di Giovanni (Florence, about 1420 - Poggio a Caiano, December 28, 1491) was an Italian sculptor and medalist. Pupil of Donatello, was the first master of Michelangelo.
Ercole, dopo avere ucciso il leone di Nemea a mani nude, ne porta le spoglie cingendosi della sua pelle e tenendo con la mano destra la bocca aperta della belva.
Particolare.
Bertoldo di Giovanni (Firenze, circa 1420 - Poggio a Caiano, 28 dicembre 1491) e stato uno scultore e medaglista italiano. Allievo di Donatello, fu il primo maestro d arte di Michelangelo.); Ghigo Roli

Media ID 25183448

© Ghigo Roli / Bridgeman Images

Arte Bronze Figurine Bronzetto Bronzo Cavallo Emilia Romagna Eracle Ercole Galleria Estense Greek Myth Heracles Hercules Il Quattrocento Mito Greco Mitología Modena Museo Rinascimento Scultura Statua Xv Secolo Bertoldo Di Giovanni Early Xv Century Late Xv Century Shire Horse Stallions


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EDITORS COMMENTS
This print captures the incredible strength and triumph of Hercules, as he proudly displays his victory over the Nemean lion. Created by Italian sculptor Bertoldo di Giovanni in 1473, this bronze masterpiece showcases the artist's exceptional skill and attention to detail. In this particular detail of the artwork, we witness Hercules wearing the skin of the slain beast, a symbol of his bravery and power. With his right hand firmly grasping the open mouth of the lion, Hercules exudes an aura of dominance and control. The intensity in his eyes reflects both determination and satisfaction for having accomplished such a formidable feat. Bertoldo di Giovanni was not only a pupil of Donatello but also had the privilege of being Michelangelo's first master. This fact adds further significance to this artwork as it represents an important link between two legendary artists. Displayed at Galleria e Museo Estense in Modena, Italy, this photograph by Ghigo Roli beautifully captures every intricate detail and texture present in Bertoldo's sculpture. It allows viewers to appreciate not only Hercules' physical prowess but also highlights Bertoldo's mastery in capturing human anatomy with precision. This print serves as a testament to both ancient mythology and artistic excellence that continues to inspire awe even centuries after its creation.

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