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Mock-Adam-izing: the Colossus of Roads, a lampoon of John MacAdam, 1827 (print)

Mock-Adam-izing: the Colossus of Roads, a lampoon of John MacAdam, 1827 (print)


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Mock-Adam-izing: the Colossus of Roads, a lampoon of John MacAdam, 1827 (print)

XTD70019 Mock-Adam-izing: the Colossus of Roads, a lampoon of John MacAdam, 1827 (print) by Anonymous; Private Collection; (add.info.: John Loudon Macadam (1756-1836); inventor of the of the macadamised system of road building, 1827 (print)); out of copyright

Media ID 12924270

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Dust Gaiters Kilt Sovereign Sporran Tam Oshanter Windmill Great North Road


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EDITORS COMMENTS
The print titled "Mock-Adam-izing: the Colossus of Roads" is a satirical masterpiece that humorously depicts John MacAdam, the inventor of the macadamised system of road building. Created in 1827 by an anonymous artist, this lampooning artwork showcases MacAdam as a larger-than-life figure with exaggerated features and comical attire. In the foreground, we see MacAdam wearing a traditional Scottish tam o'shanter hat and kilt, complete with gaiters and sporran. He stands proudly next to a windmill, symbolizing his innovative approach to road construction. The artist cleverly incorporates elements such as breakstone mill and dust clouds to highlight MacAdam's revolutionary technique. The print captures not only the essence of satire but also provides historical insight into transportation advancements during this era. As one gazes at this amusing portrayal, it becomes evident that MacAdam was both revered for his contributions and subject to playful mockery. This particular piece is part of a private collection but holds immense cultural significance due to its representation of early 19th-century British society. It serves as a reminder that even influential figures like John Loudon Macadam were not immune to caricatured depictions in popular media. With its intricate details and witty commentary on road-building techniques, "Mock-Adam-izing: the Colossus of Roads" remains an enduring testament to artistic creativity intertwined with social commentary from centuries past.

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