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Maximilien de Bethune, marquis de Rosny, duc de Sully in 1600, 1834 (oil on canvas)

Maximilien de Bethune, marquis de Rosny, duc de Sully in 1600, 1834 (oil on canvas)


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Maximilien de Bethune, marquis de Rosny, duc de Sully in 1600, 1834 (oil on canvas)

1726583 Maximilien de Bethune, marquis de Rosny, duc de Sully in 1600, 1834 (oil on canvas) by Norblin, Jean Pierre (1745-1830); 296x143 cm; Chateau de Versailles, France; (add.info.: Maximilian of Bethune, Marquis of Rosny, Duke of Sully (1559-1641) - represented in 1600, superintendent of finance during the reign of King Henry V.); French, out of copyright

Media ID 24769780

© Bridgeman Images

Duke Formal Staff


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EDITORS COMMENTS
This oil on canvas portrait, titled "Maximilien de Bethune, marquis de Rosny, duc de Sully in 1600" is a masterpiece created by Jean Pierre Norblin in 1834. The painting measures an impressive 296x143 cm and can be found at the Chateau de Versailles in France. The subject of this remarkable artwork is Maximilian of Bethune, Marquis of Rosny, Duke of Sully (1559-1641). He was a prominent figure during the reign of King Henry V and served as superintendent of finance. In this portrayal from 1600, Maximilian exudes power and authority with his full-length fur coat and commanding presence. Norblin's attention to detail is evident in every brushstroke. The intricate depiction captures Maximilian's aristocratic features, including his well-groomed beard and formal attire. Holding a staff symbolizing his position as duke, he stands confidently against a backdrop that showcases the opulence of the era. This painting transports us back to the seventeenth century when aristocracy reigned supreme. It offers us a glimpse into the life and status enjoyed by individuals like Maximilian de Bethune. With its grandeur and historical significance, this artwork serves as both an exquisite piece for art enthusiasts and a valuable record of past societal structures. Bridgeman Images has preserved this exceptional work through their fine art print collection. As we admire it today, we are reminded not only

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