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William Blake
William Blake Prints
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Queen Katherines Dream, 1807 (pen with wash over graphite on paper)
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The Three Marys at the Sepulchre, c. 1800 (pen & ink with wash and w / c on paper)
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Cordelias Portion, 1867-75 (oil on canvas)
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Naomi entreating Ruth and Orpah to return to the land of Moab, 1803 (wash, pencil
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Facade of Mefa Dzamissi, the Church of St. Theodore, from
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P. 125-1950. pt46 London: plate 46 from Songs of Innocence and of Experience (copy a) c
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P. 125-1950. pt44 The Garden of Love: plate 44 from Songs of Innocence and of Experience
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P. 125-1950. pt37 The Chimney Sweeper: plate 37 from Songs of Innocence and of Experience
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P. 125-1950. pt28 Frontispiece to Songs of Experience: plate 28 from Songs of Innocence
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P. 124-1950. pt42 The Angel: plate 42 from Songs of Innocence and of Experience
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P. 124-1950. pt35 The Little Girl Lost: plate 35 from from Songs of Innocence
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P. 124-1950. pt34 Holy Thursday: plate 34 from Songs of Innocence and of Experience (copy R)
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P. 124-1950. pt27 A Dream: plate 27 from Songs of Innocence and of Experience (copy R) c
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P. 124-1950. pt20 Night (cont. ): plate 20 from Songs of Innocence and of Experience (copy R)
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P. 124-1950. pt17 The Divine Image: plate 17 from Songs of Innocence and of Experience
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P. 124-1950. pt2 Title page to Songs of Innocence: plate 2 from Songs of Innocence
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P. 124-1950. tp Title page from Songs of Innocence and of Experience (copy R) c
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The First Book of Urizen; title page, showing Urizen (representing the embodiment of
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The Marriage of Heaven and Hell; title-page, 1790-93 (relief etching tinted with w / c)
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The Mountains of St. Gingolph, 1861 (w / c and bodycolour on card)
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Visionary Head of Caractacus (pencil on paper)
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Self Portrait, 1556 (marble)
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The Baffled Devils Fighting, illustration from Inferno of
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Death on a Pale Horse, c. 1800 (ink and w / c)
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Market Day in Spain, 1877
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Tribute Money (St. Peter pays the Tax Collector - detail of 31642), c. 1427 (fresco)
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Night Thoughts, by Thomas Young (Plate 5: Night the second), 1797 O1: Night Thoughts
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Study of a Tree (pencil)
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A Visionary Head, for Varley (pencil)
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A Title Page for The Grave, 1806 (pen & ink and w / c on paper)
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The Conversion of Saul, c. 1800 (pen & ink and w / c on wove paper)
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Book cover for The Fan by Octave Uzanne, with an oval portrait of a woman with
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Studies of proportions of face and eye (with notes)
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Portrait de la reine de Pologne Constance d Autriche (1588-1631)
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The Good and Evil Angels Struggling for Possession of a Child par William Blake
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Job and his Daughters (pencil, brush and grey ink and watercolour)
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A Game of Polo, 1910 (oil on canvas)
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The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
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Plate from Los Caprichos, 1797-1798
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Plate from Los Caprichos, 1797-1798
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Portrait of Godert Kerckrinck (oil on canvas)
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The Terrace of Envious Souls, illustration to the Divine Comedy by Dante Alighieri
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Dante, Virgil and Cato, illustration to the Divine Comedy by Dante Alighieri
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Virgil rescues Dante from the evil demons
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The Circle of the Gluttons, with Cerberus
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Dante and Virgil on the Edge of the Stygian Pool
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Portrait of the Artist, 17th century (coloured chalks on paper)
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Front cover of The Telephone Directory of November 1878, 1878 (paper, print
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On Albions Angels, mid 1790s (elief-etched engraving, blue ink)
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The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink)
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Title page from America, A Prophesy, mid 1790s (relief-etched engraving
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The Throne Room, Carlton House, 1819 (hand-coloured aquatint engraving)
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The Six-Footed Serpent Attacking Agnolo Brunelleschi, c
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Two nostrils bent down to the deep... plate 11, The First Book of Urizen 1794
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Study for Leaning Against the Pillars... plate 32 from Jerusalem
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The Bard: A Pindaric Ode, design 57 from The Poems of Thomas Gray, 1797-98
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I Found Him Beneath a Tree, plate 3 from For Children. The Gates of Paradise
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Title Page, from Marriage of Heaven and Hell
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Frontispiece, from Songs of Innocence
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A Poison Tree, from Songs of Experience
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The Tyger, from Songs of Innocence
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The Sick Rose, from Songs of Innocence (etching, ink & w / c)
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The Shepherd, from Songs of Innocence, 1789 (coloured etching)
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Milton a Poem: Albion on the rock, 1804 (relief etching, white engraving, w / c)
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Jerusalem The Emanation of the Giant Albion: And One stood forth, top to bottom
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Jerusalem The Emanation of The Giant Albion;Such visions have appeared to me
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Illustrations of the Book of Job; Jobs Evil Dreams, showing Jobs God, who
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Illustrations of the Book of Job; Satan smiting Job with Sore Boils, 1825 (pen, w / c
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The Vision of Eliphaz, 1825 (pen, w / c and pencil)
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Illustrations of the Book of Job; Job accepting Charity, 1825 (pen, w / c and pencil)
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The First Book Of Urizen;Los at the forge with Enitharmon and Orc, showing Los
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Book of Urizen; Blakes retelling of the Creation of Eve in the Creation of Enitharmon
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The Book of Thel; Plate 4 Thel in the Vale of Har, 1794 (colour-printed relief etching)
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Book of Urizen; the creation of Urizen in material form by Los, 1794 (colour-printed
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The Book of Thel: title page, 1794 (colour-printed relief etching)
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The Marriage of Heaven and Hell; As a new heaven is begun, c
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Joseph of Arimathea preaching to the inhabitants of Britain
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Chaucers Canterbury Pilgrims, 1810 (engraving)
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Mildew Blighting Ears of Corn
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Preludium, Plate 2a from The First Book of Urizen, 1794 (colour-printed
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Songs of Experience; A Poison Tree, 1794 (relief etching, watercolour, pen)
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The First Book of Urizen; As the stars are apart from the earth, 1794
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Europe a Prophecy; Plague, c. 1794 (relief etching, engraving, w / c)
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Europe a Prophecy Unwilling I look up, 1794 (relief etching with white line engraving
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