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Don Alvaro, King of the Congolese on his Throne, plate 42 from

Don Alvaro, King of the Congolese on his Throne, plate 42 from


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Don Alvaro, King of the Congolese on his Throne, plate 42 from

STC222067 Don Alvaro, King of the Congolese on his Throne, plate 42 from Le Costume Ancien et Moderne by Jules Ferrario, engraved by A. Biasioli (1790-1830) published c.1820s-30s (colour litho) by Bottigella, C. (19th) (after); Private Collection; (add.info.: after a painting by Turchia?; ); The Stapleton Collection; Italian, out of copyright

Media ID 22661936

© The Stapleton Collection / Bridgeman Images

Congo Giulio Petitioners Petitioning Torch Tribe West African


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EDITORS COMMENTS
The captivating print titled "Don Alvaro, King of the Congolese on his Throne" transports viewers to a bygone era in West Africa. Plate 42 from Jules Ferrario's renowned work, Le Costume Ancien et Moderne, beautifully captures the regal presence of Don Alvaro as he sits upon his majestic throne. Engraved by A. Biasioli and published in the early 19th century, this color lithograph showcases Bottigella's exceptional talent. In this remarkable portrait, Don Alvaro is depicted surrounded by petitioners who kneel before him with torches held high. The scene exudes an air of reverence and respect as members of his tribe seek audience with their esteemed ruler. The intricate details and vibrant colors bring to life the rich cultural heritage of Congo during the 17th century. This rare find from a private collection offers a glimpse into history that transcends time and space. It raises questions about power dynamics, leadership, and tradition within African societies during this period. While it remains uncertain whether Turchia or Giulio painted the original artwork that inspired this print, its significance cannot be denied. As part of The Stapleton Collection housed in Italy, this image serves as a testament to human creativity throughout centuries past. Its inclusion in Fine Art Finder allows art enthusiasts worldwide to appreciate its beauty while honoring its historical context without commercial intentions

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