Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Thomas Patch

Thomas Patch Collection

Choose a picture from our Thomas Patch Collection for your Wall Art and Photo Gifts

25 items

Background imageThomas Patch Collection: Broadway, at the Adephi Theatre, London, 1926 (print)

Broadway, at the Adephi Theatre, London, 1926 (print)
3775287 Broadway, at the Adephi Theatre, London, 1926 (print); (add.info.: Broadway, at the Adephi Theatre, London. Drama written by Philip Dunning and George Abbott 1926)

Background imageThomas Patch Collection: The Falls of Terni, 1767 (oil on canvas)

The Falls of Terni, 1767 (oil on canvas)
NGW239400 The Falls of Terni, 1767 (oil on canvas) by Patch, Thomas (1720-82); National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Patch Collection: British gentlemen at Sir Horace Manns home in Florence, c. 1763-65 (oil on canvas)

British gentlemen at Sir Horace Manns home in Florence, c. 1763-65 (oil on canvas)
XYC126783 British gentlemen at Sir Horace Manns home in Florence, c.1763-65 (oil on canvas) by Patch, Thomas (1720-82); 96.4x124.3 cm; Yale Center for British Art, Paul Mellon Collection

Background imageThomas Patch Collection: St. Peter, St. James, Dante and Beatrice with St. John Also from The Divine Comedy by Dante

St. Peter, St. James, Dante and Beatrice with St. John Also from The Divine Comedy by Dante Alighieri 1824-27 (pen)
XCF277696 St. Peter, St. James, Dante and Beatrice with St. John Also from The Divine Comedy by Dante Alighieri 1824-27 (pen, ink and w/c over pencil on paper) by Blake

Background imageThomas Patch Collection: The Last of England, 1860 (oil on canvas)

The Last of England, 1860 (oil on canvas)
FIT58804 The Last of England, 1860 (oil on canvas) by Brown, Ford Madox (1821-93); 47.7x43.8 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageThomas Patch Collection: Interior of an Italian Coffee House, c. 1747-55 (oil on canvas)

Interior of an Italian Coffee House, c. 1747-55 (oil on canvas)
FIT58801 Interior of an Italian Coffee House, c.1747-55 (oil on canvas) by Patch, Thomas (1720-82); 38.7x50.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageThomas Patch Collection: View of Verona with the Church of S. Anastasia, the Castel San Pietro

View of Verona with the Church of S. Anastasia, the Castel San Pietro
486986 View of Verona with the Church of S. Anastasia, the Castel San Pietro, the Castel San Felice and the Ponte Nuovo over the River Adige, 1735 (oil on canvas) by Joli

Background imageThomas Patch Collection: View of the Piazza della Signoria, Florence (oil on canvas)

View of the Piazza della Signoria, Florence (oil on canvas)
486605 View of the Piazza della Signoria, Florence (oil on canvas) by Patch, Thomas (1720-82); 87.6x121.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageThomas Patch Collection: The Bowling Champion, 1882 (oil on canvas)

The Bowling Champion, 1882 (oil on canvas)
827080 The Bowling Champion, 1882 (oil on canvas) by Zimmer, Wilhelm (1853-1937); 73x104.7 cm; Private Collection; (add.info.: The Bowling Champion. Wilhelm Carl August Zimmer (1853-1937)

Background imageThomas Patch Collection: A View of the Arno with the Ponte alle Gracie, Florence, (oil on canvas)

A View of the Arno with the Ponte alle Gracie, Florence, (oil on canvas)
824193 A View of the Arno with the Ponte alle Gracie, Florence, (oil on canvas) by Patch, Thomas (1720-82); 83x116 cm; Private Collection; (add.info.: A View of the Arno with the Ponte alle Gracie)

Background imageThomas Patch Collection: Statue of one of the four triumphal quadriga horses of San Marco (bronze)

Statue of one of the four triumphal quadriga horses of San Marco (bronze)
3857330 Statue of one of the four triumphal quadriga horses of San Marco (bronze) by Roman; Museo Marciano, Basilica di San Marco, Venice, Italy; (add.info.: The Triumphal Quadriga)

Background imageThomas Patch Collection: Group in Florence by Thomas Patch

Group in Florence by Thomas Patch
3849895 Group in Florence by Thomas Patch by Patch, Thomas (1720-82); (add.info.: Group in Florence by Thomas Patch, English painter)

Background imageThomas Patch Collection: Flora (gouache & gold paint on paper)

Flora (gouache & gold paint on paper)
PNH356926 Flora (gouache & gold paint on paper) by Burne-Jones, Edward Coley (1833-98); 152x58 cm; Private Collection; (add.info.: in Roman mythology)

Background imageThomas Patch Collection: A Street in Seville, sketch for the stage set for Bizets opera Carmen

A Street in Seville, sketch for the stage set for Bizets opera Carmen
SRM75097 A Street in Seville, sketch for the stage set for Bizets opera Carmen, 1906 (tempera on paper) by Golovin, Aleksandr Jakovlevic (1863-1930); 69x101 cm; State Russian Museum, St

Background imageThomas Patch Collection: Lord William Cavendish (later 5th Duke of Devonshire), William FitzHerbert and Mr Short

Lord William Cavendish (later 5th Duke of Devonshire), William FitzHerbert and Mr Short
SRF77280 Lord William Cavendish (later 5th Duke of Devonshire), William FitzHerbert and Mr Short (the tutor), c.1780 by Patch, Thomas (1720-82); 60x86 cm; Private Collection; English, out of copyright

Background imageThomas Patch Collection: The Arno at Florence (oil on canvas)

The Arno at Florence (oil on canvas)
CTS336394 The Arno at Florence (oil on canvas) by Patch, Thomas (1720-82); 114.9x231.8 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

Background imageThomas Patch Collection: The Honorable John Neville Manners (oil on canvas)

The Honorable John Neville Manners (oil on canvas)
PNH356904 The Honorable John Neville Manners (oil on canvas) by Millais, John Everett (1829-96); 127x81 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; English

Background imageThomas Patch Collection: View of the Arno with Ponte Santa Trinita (oil on canvas)

View of the Arno with Ponte Santa Trinita (oil on canvas)
AGN358249 View of the Arno with Ponte Santa Trinita (oil on canvas) by Patch, Thomas (1720-82); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageThomas Patch Collection: Self portrait caricature from 25 Caricatures, 1768-9 (engraving)

Self portrait caricature from 25 Caricatures, 1768-9 (engraving)
XJF863031 Self portrait caricature from 25 Caricatures, 1768-9 (engraving) by Patch, Thomas (1720-82); Private Collection; (add.info)

Background imageThomas Patch Collection: Caricature of Raimondo Cocchi (etching)

Caricature of Raimondo Cocchi (etching)
XJF477740 Caricature of Raimondo Cocchi (etching) by Patch, Thomas (1720-82); Private Collection; (add.info.: Raimondo Cocchi (1735-75)

Background imageThomas Patch Collection: Caricature of Francis Harwood, c. 1770 (etching)

Caricature of Francis Harwood, c. 1770 (etching)
XJF477739 Caricature of Francis Harwood, c.1770 (etching) by Patch, Thomas (1720-82); Private Collection; (add.info.: Francis Harwood (1726-83)

Background imageThomas Patch Collection: Self Portrait holding callipers over a mask, c. 1768-70 (engraving) (b / w photo)

Self Portrait holding callipers over a mask, c. 1768-70 (engraving) (b / w photo)
XJF368414 Self Portrait holding callipers over a mask, c.1768-70 (engraving) (b/w photo) by Patch, Thomas (1720-82); Private Collection; English, out of copyright

Background imageThomas Patch Collection: A Panoramic View of Florence from Bellosguardo, 1775 (oil on canvas)

A Panoramic View of Florence from Bellosguardo, 1775 (oil on canvas)
XYC192202 A Panoramic View of Florence from Bellosguardo, 1775 (oil on canvas) by Patch, Thomas (1720-82); 94.6x158.2 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageThomas Patch Collection: A View of Tivoli, c. 1750-55 (oil on canvas)

A View of Tivoli, c. 1750-55 (oil on canvas)
XYC228389 A View of Tivoli, c.1750-55 (oil on canvas) by Patch, Thomas (1720-82); 83.5x115.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageThomas Patch Collection: Portrait of a Man, called Edward Gibbon (1737-94) from Sketchbook of Portrait Studies

Portrait of a Man, called Edward Gibbon (1737-94) from Sketchbook of Portrait Studies
XYC151678 Portrait of a Man, called Edward Gibbon (1737-94) from Sketchbook of Portrait Studies, 1760s (red crayon on paper) by Patch, Thomas (1720-82); 22.2x16.1 cm; Yale Center for British Art


All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site