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Interior of North Porch of St Mary Redcliffe, 1824 (pencil & w / c on paper)

Interior of North Porch of St Mary Redcliffe, 1824 (pencil & w  /  c on paper)


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Interior of North Porch of St Mary Redcliffe, 1824 (pencil & w / c on paper)

2831435 Interior of North Porch of St Mary Redcliffe, 1824 (pencil & w/c on paper) by Mackenzie, Frederick (c.1788-1854); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; English, out of copyright

Media ID 23131752

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

North Porch Ecclesiastical


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Gothic Architecture

> Arts > Art Movements > Medieval Art

> Arts > Artists > C > Frederick Church

> Arts > Artists > M > Frederick Mackenzie

> Arts > Fine Art

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > London > Politics > Frederick North

> Fine Art Finder > Architecture: London, Ecclesiastical

> Fine Art Finder > Artists > Frederick Mackenzie

> Fine Art Finder > Artists > Thomas Leeson the Elder Rowbotham


EDITORS COMMENTS
This print captures the serene beauty of the interior of the North Porch of St Mary Redcliffe in 1824. Created by Frederick Mackenzie, a renowned artist from the late 18th to mid-19th century, this piece showcases his exceptional talent in pencil and watercolor on paper. The image transports us back to a time when religion played a central role in people's lives. The atmosphere is hushed and reverent, with soft light filtering through stained glass windows, casting colorful patterns on the stone walls. The intricate details of the Gothic architecture are meticulously rendered, showcasing its grandeur and craftsmanship. As we gaze upon this artwork, we can almost hear echoes of prayers whispered within these sacred walls. The medieval charm is palpable; it speaks volumes about Britain's rich architectural heritage and its enduring love for ecclesiastical structures. This painting serves as a testament to Mackenzie's skillful ability to capture not only physical spaces but also intangible emotions. It invites viewers to contemplate their own spirituality and reflect on the profound impact that religious buildings have had throughout history. Displayed at Bristol Museum and Art Gallery in the UK since being bequeathed by William Jerdone Braikenridge in 1908, this remarkable piece continues to inspire awe and admiration for both art enthusiasts and those fascinated by British history alike.

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