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Thomas Girtin Collection

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153 items

Background imageThomas Girtin Collection: Parish museum of tapestries (Museo Parroquial de Tapices de Pastrana). Flemish tapestry

Parish museum of tapestries (Museo Parroquial de Tapices de Pastrana). Flemish tapestry
7208818 Parish museum of tapestries (Museo Parroquial de Tapices de Pastrana). Flemish tapestry. The landing at Arzila (De landing in Arzila, Desembarco en Arzila)

Background imageThomas Girtin Collection: The Ancient Charnel House, Holy Trinity Church, Stratford-upon-Avon

The Ancient Charnel House, Holy Trinity Church, Stratford-upon-Avon
1217403 The Ancient Charnel House, Holy Trinity Church, Stratford-upon-Avon (watercolour over indications in graphite, touched with the reed pen) by Girtin

Background imageThomas Girtin Collection: View of Chepstow, Monmouthshire, c. 1791-92 (watercolour touched with pen

View of Chepstow, Monmouthshire, c. 1791-92 (watercolour touched with pen
1216834 View of Chepstow, Monmouthshire, c.1791-92 (watercolour touched with pen and black ink over indications in graphite) by Girtin, Thomas (1775-1802); 22.8x29.7 cm; Ashmolean Museum

Background imageThomas Girtin Collection: Dunstanborough Castle - The Lilburn Tower (pencil & w / c on paper)

Dunstanborough Castle - The Lilburn Tower (pencil & w / c on paper)
1214627 Dunstanborough Castle - The Lilburn Tower (pencil & w/c on paper) by Girtin, Thomas (1775-1802); 51.4x37.9 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageThomas Girtin Collection: Landscape [The Return Home], date unknown (watercolour on paper)

Landscape [The Return Home], date unknown (watercolour on paper)
7528523 Landscape [The Return Home], date unknown (watercolour on paper) by Barret, George the Younger (1767-1842); 32x21.5 cm; Gallery Oldham

Background imageThomas Girtin Collection: Kirkstall Abbey, 1790-1800 (watercolourand pencil on paper)

Kirkstall Abbey, 1790-1800 (watercolourand pencil on paper)
7528522 Kirkstall Abbey, 1790-1800 (watercolourand pencil on paper) by Girtin, Thomas (1775-1802); 28.3x39.4 cm; Gallery Oldham, UK; (add.info.: copy after Thomas Girtin, Kirkstall Evening)

Background imageThomas Girtin Collection: The Monastery, Locarno, 1890 (w/c & chalk on paper)

The Monastery, Locarno, 1890 (w/c & chalk on paper)
NGW387989 The Monastery, Locarno, 1890 (w/c & chalk on paper) by Goodwin, Albert (1845-1932); 27.5x37.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Girtin Collection: Morpeth Bridge, Northumberland, c.1801 (pencil & w/c on paper)

Morpeth Bridge, Northumberland, c.1801 (pencil & w/c on paper)
NGW387988 Morpeth Bridge, Northumberland, c.1801 (pencil & w/c on paper) by Girtin, Thomas (1775-1802); 32.5x51.9 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Girtin Collection: St. Winifred's Well, Holywell (w/c, ink & pencil on paper)

St. Winifred's Well, Holywell (w/c, ink & pencil on paper)
NGW387991 St. Winifred's Well, Holywell (w/c, ink & pencil on paper) by Griffith, Moses (1747-1819); 18.4x11.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Girtin Collection: Landscape with stormy sky, c.1800 (w/c & bodycolour on paper)

Landscape with stormy sky, c.1800 (w/c & bodycolour on paper)
NGW387987 Landscape with stormy sky, c.1800 (w/c & bodycolour on paper) by Girtin, Thomas (1775-1802); 19.2x35.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Girtin Collection: Place House, Swansea (sepia wash & pencil on paper)

Place House, Swansea (sepia wash & pencil on paper)
NGW322606 Place House, Swansea (sepia wash & pencil on paper) by Delamotte, George Orleans (fl.1809-21); 17.9x23.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Girtin Collection: Bolton Abbey, Yorkshire, 1809 (w/c over pencil on card)

Bolton Abbey, Yorkshire, 1809 (w/c over pencil on card)
NGW322601 Bolton Abbey, Yorkshire, 1809 (w/c over pencil on card) by Girtin, Thomas (1775-1802); 33.3x54 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageThomas Girtin Collection: The Church Of San Giorgio Maggiore, Venice, c. 1740 (oil on canvas)

The Church Of San Giorgio Maggiore, Venice, c. 1740 (oil on canvas)
7139859 The Church Of San Giorgio Maggiore, Venice, c.1740 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 60.5x95.1 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageThomas Girtin Collection: St Agatha's Abbey, Richmond, Yorkshire, c. 1797 (w/c, gouache, ink, gum arabic & pencil on paper)

St Agatha's Abbey, Richmond, Yorkshire, c. 1797 (w/c, gouache, ink, gum arabic & pencil on paper)
7091160 St Agatha's Abbey, Richmond, Yorkshire, c.1797 (w/c, gouache, ink, gum arabic & pencil on paper) by Girtin, Thomas (1775-1802); 16.6x23.8 cm; Manchester Art Gallery

Background imageThomas Girtin Collection: Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour)

Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour)
7290977 Landscape with Castle and Bridge, about 1808-20 (Gouache and watercolour) by Oldfield, John (1789-1863); 19.1x28.7 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageThomas Girtin Collection: Morpeth Bridge, about 1802 (Ink and watercolour)

Morpeth Bridge, about 1802 (Ink and watercolour)
7290951 Morpeth Bridge, about 1802 (Ink and watercolour) by Girtin, Thomas (1775-1802); 32.1x52.9 cm; Tyne & Wear Archives & Museums; (add.info.: Thomas Girtin (1775-1802) Morpeth Bridge

Background imageThomas Girtin Collection: A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache)

A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache)
7290952 A Welsh Village - Evening, about 1890-1910 (Watercolour and gouache) by Ghent, Peter (1856-1911); 60.8x91.8 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageThomas Girtin Collection: Durham Cathedral, 1795 (Watercolour)

Durham Cathedral, 1795 (Watercolour)
7290950 Durham Cathedral, 1795 (Watercolour) by Girtin, Thomas (1775-1802); 26.5x39.6 cm; Tyne & Wear Archives & Museums; (add.info)

Background imageThomas Girtin Collection: Bolsover Castle, Derbyshire, 1794-5 (w / c on paper)

Bolsover Castle, Derbyshire, 1794-5 (w / c on paper)
7074474 Bolsover Castle, Derbyshire, 1794-5 (w/c on paper) by Girtin, Thomas (1775-1802); Private Collection

Background imageThomas Girtin Collection: A Garden in the South of France (oil on canvas)

A Garden in the South of France (oil on canvas)
259383 A Garden in the South of France (oil on canvas) by Lavery, John (1856-1941); Private Collection

Background imageThomas Girtin Collection: All Saints Pavement, York (pencil and w / c)

All Saints Pavement, York (pencil and w / c)
259379 All Saints Pavement, York (pencil and w/c) by Girtin, Thomas (1775-1802); Private Collection

Background imageThomas Girtin Collection: The Watering Place (w / c)

The Watering Place (w / c)
7085125 The Watering Place (w/c) by Foster, Myles Birket (1825-99); Private Collection; English, out of copyright

Background imageThomas Girtin Collection: Lincoln Cathedral, 1797 (w / c on paper)

Lincoln Cathedral, 1797 (w / c on paper)
7085122 Lincoln Cathedral, 1797 (w/c on paper) by Girtin, Thomas (1775-1802); 14.9x20 cm; Private Collection; English, out of copyright

Background imageThomas Girtin Collection: A Canal in Bruges at Dusk, c. 1898 (oil on canvas)

A Canal in Bruges at Dusk, c. 1898 (oil on canvas)
1217425 A Canal in Bruges at Dusk, c. 1898 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 49x65 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French

Background imageThomas Girtin Collection: West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite)

West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite)
1217402 West Front of Peterborough Cathedral, 1794 (watercolour over indications in graphite) by Girtin, Thomas (1775-1802); 38.2x28.8 cm; Ashmolean Museum, University of Oxford

Background imageThomas Girtin Collection: River Valley (recto), after 1830 (oil on wood-pulp board)

River Valley (recto), after 1830 (oil on wood-pulp board)
877387 River Valley (recto), after 1830 (oil on wood-pulp board) by Churchyard, Thomas (1798-1865); 17.7x22.9 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageThomas Girtin Collection: Lydford Castle, 1800 (w / c & gouache over graphite on white laid paper)

Lydford Castle, 1800 (w / c & gouache over graphite on white laid paper)
877384 Lydford Castle, 1800 (w/c & gouache over graphite on white laid paper) by Girtin, Thomas (1775-1802); 31.8x52.1 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageThomas Girtin Collection: Two embracing figures (graphite on white wove paper)

Two embracing figures (graphite on white wove paper)
1216904 Two embracing figures (graphite on white wove paper) by Rodin, Auguste (1840-1917); 32.3x23.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; French, out of copyright

Background imageThomas Girtin Collection: Moorland View, c. 1800 (grey washes on paper)

Moorland View, c. 1800 (grey washes on paper)
1216903 Moorland View, c.1800 (grey washes on paper) by Girtin, Thomas (1775-1802); 11.6x18.8 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageThomas Girtin Collection: The Ruins of the Chapel in the Savoy Palace, London, c. 1795-96

The Ruins of the Chapel in the Savoy Palace, London, c. 1795-96
1216902 The Ruins of the Chapel in the Savoy Palace, London, c.1795-96 (watercolour with some brown ink, over indications in graphite) by Girtin, Thomas (1775-1802); 22.8x28.8 cm; Ashmolean Museum

Background imageThomas Girtin Collection: St Pauls Cathedral, c. 1790 (blue and grey washes over graphite)

St Pauls Cathedral, c. 1790 (blue and grey washes over graphite)
1216901 St Pauls Cathedral, c.1790 (blue and grey washes over graphite) by Girtin, Thomas (1775-1802); 14.6x13.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageThomas Girtin Collection: A November Rainbow, Dolwyddelan Valley, November 11 1866, 1 p. m

A November Rainbow, Dolwyddelan Valley, November 11 1866, 1 p. m
1216835 A November Rainbow, Dolwyddelan Valley, November 11 1866, 1 p.m. 1866, 1866 (watercolour on paper) by Hunt, Alfred William (1830-96); 50.3x75.5 cm; Ashmolean Museum, University of Oxford

Background imageThomas Girtin Collection: Ruth the Gleaner (oil on canvas)

Ruth the Gleaner (oil on canvas)
AGN284379 Ruth the Gleaner (oil on canvas) by Giaquinto, Corrado (1690-1765); 38.1x48.3 cm; Private Collection; (add.info.: collected grain to support Naomi)

Background imageThomas Girtin Collection: Durham Cathedral (w / c on paper)

Durham Cathedral (w / c on paper)
AGN284369 Durham Cathedral (w/c on paper) by Girtin, Thomas (1775-1802); 45.1x39.4 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageThomas Girtin Collection: Jedburgh Abbey from the South-East (w / c on paper)

Jedburgh Abbey from the South-East (w / c on paper)
AGN284368 Jedburgh Abbey from the South-East (w/c on paper) by Girtin, Thomas (1775-1802); 42.2x55.2 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageThomas Girtin Collection: Tintern Abbey (w / c on paper)

Tintern Abbey (w / c on paper)
NCM93561 Tintern Abbey (w/c on paper) by Girtin, Thomas (1775-1802); 38.2x27.1 cm; Norwich Castle Museum and Art Gallery; eNorwich Castle Museum & Art Gallery; English, out of copyright

Background imageThomas Girtin Collection: Kirkstall Abbey, Yorkshire, 18th century (ink & w / c on paper)

Kirkstall Abbey, Yorkshire, 18th century (ink & w / c on paper)
AMO110738 Kirkstall Abbey, Yorkshire, 18th century (ink & w/c on paper) by Girtin, Thomas (1775-1802); 16.9x21.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageThomas Girtin Collection: Conway Castle, 18th century (w / c & pencil on paper)

Conway Castle, 18th century (w / c & pencil on paper)
AMO110735 Conway Castle, 18th century (w/c & pencil on paper) by Girtin, Thomas (1775-1802); 16.8x21.7 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageThomas Girtin Collection: The Burial of Count Orgaz, from a legend of 1323, detail of a boy

The Burial of Count Orgaz, from a legend of 1323, detail of a boy
BEN124300 The Burial of Count Orgaz, from a legend of 1323, detail of a boy, thought to be the son of the painter, Jorge Manuel, 1586-88 (oil on canvas) (detail of 44240) by Greco

Background imageThomas Girtin Collection: Jedburgh Abbey from the River, c. 1798-99 (w / c on paper)

Jedburgh Abbey from the River, c. 1798-99 (w / c on paper)
CEC128175 Jedburgh Abbey from the River, c.1798-99 (w/c on paper) by Girtin, Thomas (1775-1802); 41.9x54.6 cm; The Higgins Art Gallery & Museum, Bedford, UK; (add.info.: Jed Water)

Background imageThomas Girtin Collection: Fort Sumter, Interior View of Three Gun Battery, December 1863 (engraving) (b&w photo)

Fort Sumter, Interior View of Three Gun Battery, December 1863 (engraving) (b&w photo)
BAL124118 Fort Sumter, Interior View of Three Gun Battery, December 1863 (engraving) (b&w photo) by Key, John Ross (1832-1920) (after); Private Collection; American, out of copyright

Background imageThomas Girtin Collection: The Palace of the Louvre, 1801-2 (w / c on paper)

The Palace of the Louvre, 1801-2 (w / c on paper)
CEC128132 The Palace of the Louvre, 1801-2 (w/c on paper) by Girtin, Thomas (1775-1802); 37.4x31 cm; The Higgins Art Gallery & Museum, Bedford, UK; eThe Higgins Art Gallery & Museum; English

Background imageThomas Girtin Collection: Loch Etive, Argyllshire (w / c on paper)

Loch Etive, Argyllshire (w / c on paper)
AGN125626 Loch Etive, Argyllshire (w/c on paper) by Fielding, A.V. Copley (1787-1855) (after); 54x76.2 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageThomas Girtin Collection: Tintern Abbey (w / c on paper)

Tintern Abbey (w / c on paper)
AGN125618 Tintern Abbey (w/c on paper) by Girtin, Thomas (1775-1802); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageThomas Girtin Collection: Interior, Rutland Lodge: vista through open doors, 1920 (oil on canvas)

Interior, Rutland Lodge: vista through open doors, 1920 (oil on canvas)
LMG108886 Interior, Rutland Lodge: vista through open doors, 1920 (oil on canvas) by Adam, Patrick William (1854-1930); 67.3x45.7 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageThomas Girtin Collection: The Gorge of Watendlath with the Falls of Lodore (w / c on paper)

The Gorge of Watendlath with the Falls of Lodore (w / c on paper)
AMO112283 The Gorge of Watendlath with the Falls of Lodore (w/c on paper) by Girtin, Thomas (1775-1802); 53.6x44.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageThomas Girtin Collection: Brignall Banks on the Greta (pencil and w / c)

Brignall Banks on the Greta (pencil and w / c)
LMG108873 Brignall Banks on the Greta (pencil and w/c) by Cotman, John Sell (1782-1842); 18.8x28.3 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageThomas Girtin Collection: Dunstanburgh Castle in a Thunderstorm, 18th century (w / c on paper)

Dunstanburgh Castle in a Thunderstorm, 18th century (w / c on paper)
AMO112269 Dunstanburgh Castle in a Thunderstorm, 18th century (w/c on paper) by Girtin, Thomas (1775-1802); 16.5x22.5 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English



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