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Religion Overthrowing Heresy and Hatred, c. 1697 (marble)
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Religion Overthrowing Heresy and Hatred, c. 1697 (marble)
704374 Religion Overthrowing Heresy and Hatred, c.1697 (marble) by Le Gros, Pierre the Younger (1666-1719); Church of the Gesu, Rome, Italy; (add.info.: The vices of Hatred and Heresy are represented as an old woman and a man falling over, respectively. A putto to the left of the group tears apart a volume by the reformist Zwingli and the figure of Heresy stumbles over a book by Luther.); Italian, out of copyright
Media ID 23538530
© Bridgeman Images
Belief Cherubim Counter Reformation Crucifix Faith Falling Gesu Hate Hatred Heresy Jesuit Jesuits Overthrowing Personification Personifications Putti Society Of Jesus Triumph Vanquishing Vice Vices Virtue Allegorical Cherub Cherubs Heretical
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EDITORS COMMENTS
The print captures the magnificent marble sculpture titled "Religion Overthrowing Heresy and Hatred" by Pierre Le Gros the Younger. Located in the Church of the Gesu in Rome, Italy, this baroque masterpiece depicts a powerful allegory of religious triumph over vices. In this artwork, two personifications are represented as an old woman symbolizing Hatred and a falling man representing Heresy. The figure of Heresy stumbles over a book by Luther while a putto tears apart a volume by Zwingli, both reformists whose ideas were considered heretical at that time. These symbolic actions emphasize the victory of Catholicism over these dissenting beliefs. The sculpture showcases intricate details and expert craftsmanship. The figures seem to come alive with their dynamic poses and expressions, conveying intense emotions of struggle and defeat. A crucifix stands tall amidst this chaotic scene, serving as a symbol of faith and virtue. This artwork is not only visually stunning but also carries significant historical context. It reflects the Counter Reformation period when Catholicism sought to combat Protestant influences across Europe. Through its grandeur and symbolism, "Religion Overthrowing Heresy and Hatred" serves as a reminder of the enduring power of religion in shaping society's beliefs. Vincenzo Pirozzi's photograph beautifully captures every detail of this remarkable sculpture, allowing viewers to appreciate its artistic brilliance even from afar.
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