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The fire of hell with the seven capital sins, 14th century miniature by Thomas Le Myesier
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The fire of hell with the seven capital sins, 14th century miniature by Thomas Le Myesier
AIS5351972 The fire of hell with the seven capital sins, 14th century miniature by Thomas Le Myesier by Le Myesier, Thomas (d.1336); (add.info.: " The fire of hell with the seven capital sins" Detail of a page of the " Breviculum", collection of the works of Raymond Lulle (in Catalan Ramon Llull, in Spanish Raimundo Lulio (Lullo))
Catalan philosopher, theologian and poet (1235 to 1315) made by Thomas Le Myesier. 14th century.
Location: University Library, Karlsruhe, Germany); © Iberfoto; out of copyright
Media ID 25186292
© Iberfoto / Bridgeman Images
7 Deadly Sins Hell Seven Deadly Sins 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century Fourteenth Century Medieval Period The 14th Century Xiv Century Xivth Century
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The Fire of Hell with the Seven Capital Sins
EDITORS COMMENTS
is a captivating 14th-century miniature by Thomas Le Myesier that delves into the depths of human vice and damnation. This intricate artwork, part of the "Breviculum" collection, showcases Le Myesier's exceptional talent in depicting religious themes. In this particular detail from the page, we are transported to a vivid depiction of hell itself. Flames dance menacingly, engulfing sinners who have succumbed to their darkest desires. The composition is enriched with symbolism as it portrays the seven capital sins: pride, greed, lust, envy, gluttony, wrath, and sloth. Each sin manifests as grotesque figures trapped within the inferno's relentless grasp. Le Myesier's mastery lies not only in his technical skill but also in his ability to evoke emotion through his artistry. As we gaze upon this print held at University Library in Karlsruhe, Germany; we cannot help but feel a sense of unease and introspection. It serves as a reminder that our actions have consequences and that redemption may be sought even amidst such torment. This medieval masterpiece transports us back to an era where faith played a central role in society. It invites us to reflect on our own shortcomings while marveling at Le Myesier's ability to capture both beauty and horror within one frame. A testament to human creativity and spiritual contemplation, this print continues to captivate audiences centuries after its creation.
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