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Samuel Palmer Collection

Choose a picture from our Samuel Palmer Collection for your Wall Art and Photo Gifts

213 items

Background imageSamuel Palmer Collection: In Shoreham Garden by Samuel Palmer

In Shoreham Garden by Samuel Palmer
3850797 In Shoreham Garden by Samuel Palmer by Palmer, Samuel (1805-81); (add.info.: In Shoreham Garden by Samuel Palmer, 1830. Watercolour)

Background imageSamuel Palmer Collection: A Concert: Laura Deveria Singing, 1831 (w/c with ink & pastel)

A Concert: Laura Deveria Singing, 1831 (w/c with ink & pastel)
XOS5884177 A Concert: Laura Deveria Singing, 1831 (w/c with ink & pastel by Deveria, Eugene Francois Marie Joseph (1805-65); 23.2x18.5 cm; Cleveland Museum of Art, OH

Background imageSamuel Palmer Collection: Joe Aiello (1891-1930) with his henchmen in police custody, 1928 (b / w photo)

Joe Aiello (1891-1930) with his henchmen in police custody, 1928 (b / w photo)
PNP252300 Joe Aiello (1891-1930) with his henchmen in police custody, 1928 (b/w photo) by American Photographer, (20th century); Private Collection; (add.info)

Background imageSamuel Palmer Collection: Return of the Fore and Aft, Gloucestershire Regiment advancing to the attack

Return of the Fore and Aft, Gloucestershire Regiment advancing to the attack
NAM237825 Return of the Fore and Aft, Gloucestershire Regiment advancing to the attack, India North West Frontier, 1897 (oil on canvas) by Hale, Edward Matthew (1852-1924); National Army Museum

Background imageSamuel Palmer Collection: The Golden Hour, 1865 (w/c and gouache with graphite and scraping)

The Golden Hour, 1865 (w/c and gouache with graphite and scraping)
XOS5884176 The Golden Hour, 1865 (w/c and gouache with graphite and scraping) by Palmer, Samuel (1805-81); 25.6x35.4 cm; Cleveland Museum of Art, OH

Background imageSamuel Palmer Collection: The Rising of the Skylark (oil on board)

The Rising of the Skylark (oil on board)
NGW184296 The Rising of the Skylark (oil on board) by Palmer, Samuel (1805-81); 30.8x24.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageSamuel Palmer Collection: Madame Valentine Fray, 1901 (oil on canvas)

Madame Valentine Fray, 1901 (oil on canvas)
7238035 Madame Valentine Fray, 1901 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 64.8 x 54 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageSamuel Palmer Collection: B1977. 14. 4102

B1977. 14. 4102
cropped to image

Background imageSamuel Palmer Collection: On the Tilt, Perthshire, 1826 (oil on millboard)

On the Tilt, Perthshire, 1826 (oil on millboard)
MAN430867 On the Tilt, Perthshire, 1826 (oil on millboard) by Landseer, Edwin (1802-73); Manchester Art Gallery, UK

Background imageSamuel Palmer Collection: Sunset over the Gleaning Fields, 1855 (pencil, w/c & bodycolour on paper)

Sunset over the Gleaning Fields, 1855 (pencil, w/c & bodycolour on paper)
MAN364958 Sunset over the Gleaning Fields, 1855 (pencil, w/c & bodycolour on paper) by Palmer, Samuel (1805-81); 19x40.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: Three Coins (engraved wooden block)

Three Coins (engraved wooden block)
3929997 Three Coins (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)

The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)
3928982 The Bright Cloud, 1833-34 (oil & tempera on mahogany panel) by Palmer, Samuel (1805-81); 23.3x32 cm; Manchester Art Gallery

Background imageSamuel Palmer Collection: Landscape after Turner's The Dogana, San Giorgio, Citella, from the Steps of Europa (w/c)

Landscape after Turner's The Dogana, San Giorgio, Citella, from the Steps of Europa (w/c)
MAN430849 Landscape after Turner's The Dogana, San Giorgio, Citella, from the Steps of Europa (w/c, bodycolour & pencil on paper) by Brabazon, Hercules Brabazon (1821-1906); Manchester Art Gallery, UK

Background imageSamuel Palmer Collection: Conway Castle, 1836 (w/c, bodycolour & chalk on paper)

Conway Castle, 1836 (w/c, bodycolour & chalk on paper)
MAN370314 Conway Castle, 1836 (w/c, bodycolour & chalk on paper) by Palmer, Samuel (1805-81); 37.8x47.5 cm; Manchester Art Gallery, UK; (add.info.: Conwy Castle)

Background imageSamuel Palmer Collection: Persian falconer tile panel, Pilkington's Tiles Group Plc, c. 1910 (slip-coated earthenware)

Persian falconer tile panel, Pilkington's Tiles Group Plc, c. 1910 (slip-coated earthenware)
3085183 Persian falconer tile panel, Pilkington's Tiles Group Plc, c.1910 (slip-coated earthenware) by Forsyth, Gordon Mitchell (1879-1952); 109x78 cm; Manchester Art Gallery

Background imageSamuel Palmer Collection: Study of a Willow Tree, c. 1850 (w/c on paper)

Study of a Willow Tree, c. 1850 (w/c on paper)
3275224 Study of a Willow Tree, c.1850 (w/c on paper) by Palmer, Samuel (1805-81); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: Corset (view N), 1840-50 (cotton, metal, leather & satin)

Corset (view N), 1840-50 (cotton, metal, leather & satin)
3073110 Corset (view N), 1840-50 (cotton, metal, leather & satin) by Unknown Artist, (19th century); height: 39 cm; Manchester Art Gallery

Background imageSamuel Palmer Collection: The Bright Cloud, 1833-34 (oil on panel)

The Bright Cloud, 1833-34 (oil on panel)
3055576 The Bright Cloud, 1833-34 (oil on panel) by Palmer, Samuel (1805-81); 23x32 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: A Home Agricultural Show, 1927 (colour litho)

A Home Agricultural Show, 1927 (colour litho)
MAN464486 A Home Agricultural Show, 1927 (colour litho) by Brown, Gregory (1887-1941); Manchester Art Gallery, UK; (add.info.: commissioned by the Empire Marketing Board and printed by Haycock)

Background imageSamuel Palmer Collection: The Sheepshearers, c. 1863 (w/c & bodycolour over traces of pencil on paper)

The Sheepshearers, c. 1863 (w/c & bodycolour over traces of pencil on paper)
MAN276850 The Sheepshearers, c.1863 (w/c & bodycolour over traces of pencil on paper) by Palmer, Samuel (1805-81); 19.2x41.9 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageSamuel Palmer Collection: The Pert Fairies and The Dapper Elves (w / c and pen and black ink)

The Pert Fairies and The Dapper Elves (w / c and pen and black ink)
6452812 The Pert Fairies and The Dapper Elves (w/c and pen and black ink) by Rackham, Arthur (1867-1939); 37.8x37 cm; Private Collection; English, out of copyright

Background imageSamuel Palmer Collection: A Mountain Road in Italy (pencil, w / c and body colour)

A Mountain Road in Italy (pencil, w / c and body colour)
6452811 A Mountain Road in Italy (pencil, w/c and body colour) by Palmer, Samuel (1805-81); 29.8x45.4 cm; Private Collection; English, out of copyright

Background imageSamuel Palmer Collection: Rocking the Cradle ( oil on canvas)

Rocking the Cradle ( oil on canvas)
6816310 Rocking the Cradle ( oil on canvas) by McGregor, Robert (1848-1922); 61x51 cm; (add.info.: Robert Mcgregor R.S.A. (Scottish 1847-1922) Signed); Lyon & Turnbull; English, out of copyright

Background imageSamuel Palmer Collection: The Lonely Tower (etching)

The Lonely Tower (etching)
6816303 The Lonely Tower (etching) by Palmer, Samuel (1805-81); 20.5x27 cm; (add.info.: Etching, state 7, inscribed in ink to margin No.1 of 8 Proofs taken by M.R.L. Ca)

Background imageSamuel Palmer Collection: The Bad News (oil on canvas)

The Bad News (oil on canvas)
7085137 The Bad News (oil on canvas) by Fragonard, Jean-Honore (1732-1806); Private Collection; French, out of copyright

Background imageSamuel Palmer Collection: The Bay of Naples (w / c on paper)

The Bay of Naples (w / c on paper)
7085135 The Bay of Naples (w/c on paper) by Palmer, Samuel (1805-81); Private Collection; (add.info.: Palmer was on honeymoon in Italy in 1838 with wife Hannah, daughter of John Linnell.); English

Background imageSamuel Palmer Collection: Portsmouth Harbour from Gosport, (pencil and watercolour)

Portsmouth Harbour from Gosport, (pencil and watercolour)
824126 Portsmouth Harbour from Gosport, (pencil and watercolour) by Shepherd, George Sidney (1784-1862); 17.3x26.2 cm; Private Collection; (add.info.: Portsmouth Harbour from Gosport)

Background imageSamuel Palmer Collection: James Guthrie Orchar, 1885-86 (oil on canvas)

James Guthrie Orchar, 1885-86 (oil on canvas)
6200842 James Guthrie Orchar, 1885-86 (oil on canvas) by Pettie, John (1839-93); 114x98 cm; The McManus, Dundee, UK; (add.info.: James Guthrie Orchar (1825-1898)

Background imageSamuel Palmer Collection: The Rising Moon, c. 1857 (etching)

The Rising Moon, c. 1857 (etching)
6200828 The Rising Moon, c.1857 (etching) by Palmer, Samuel (1805-81); 11.7x19.1 cm; The McManus, Dundee, UK; (add.info.: Orchar Collection); Dundee Art Galleries and Museums; English

Background imageSamuel Palmer Collection: The White Cloud, c. 1833-34 (oil on canvas)

The White Cloud, c. 1833-34 (oil on canvas)
1199785 The White Cloud, c.1833-34 (oil on canvas) by Palmer, Samuel (1805-81); 22.3x27.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSamuel Palmer Collection: Portrait of a Flaxen-Haired Woman (oil on canvas)

Portrait of a Flaxen-Haired Woman (oil on canvas)
810553 Portrait of a Flaxen-Haired Woman (oil on canvas) by Croegaert, Georges (1848-1923); 33x24 cm; Haworth Art Gallery, Accrington, Lancashire, UK; eHaworth Art Gallery; Belgian, out of copyright

Background imageSamuel Palmer Collection: Landscape with a Barn, Shoreham, Kent (w / c on paper)

Landscape with a Barn, Shoreham, Kent (w / c on paper)
810407 Landscape with a Barn, Shoreham, Kent (w/c on paper) by Palmer, Samuel (1805-81); Private Collection; The Stapleton Collection; English, out of copyright

Background imageSamuel Palmer Collection: Haymaking, 1832 (w / c on paper)

Haymaking, 1832 (w / c on paper)
AGN270949 Haymaking, 1832 (w/c on paper) by Shepherd, George Sidney (1784-1862); 53.3x66 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: The Gypsy Dell - Moonlight (w / c & bodycolour with touches of gold on paper)

The Gypsy Dell - Moonlight (w / c & bodycolour with touches of gold on paper)
AGN270939 The Gypsy Dell - Moonlight (w/c & bodycolour with touches of gold on paper) by Palmer, Samuel (1805-81); 32.4x47.6 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: James Hare, M. P. (oil on canvas)

James Hare, M. P. (oil on canvas)
CTS336407 James Hare, M.P. (oil on canvas) by Reynolds, Joshua (1723-92) (after); 76.2x63.6 cm; eThe Devonshire Collections

Background imageSamuel Palmer Collection: The Bellman (w / c & bodycolour on board)

The Bellman (w / c & bodycolour on board)
CTS336390 The Bellman (w/c & bodycolour on board) by Palmer, Samuel (1805-81); 50x69.7 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

Background imageSamuel Palmer Collection: Moonrise (pen & ink and wash on paper)

Moonrise (pen & ink and wash on paper)
LMG109101 Moonrise (pen & ink and wash on paper) by Palmer, Samuel (1805-81); 11.3x13.2 cm; Leeds Museums and Galleries (Leeds Art Fund); eLeeds Museums and Galleries; English, out of copyright

Background imageSamuel Palmer Collection: The Baptism of Christ, 15th century (tempera on panel)

The Baptism of Christ, 15th century (tempera on panel)
AMO99115 The Baptism of Christ, 15th century (tempera on panel) by Giovanni di Paolo di Grazia (1403-82); 25x36 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Italian

Background imageSamuel Palmer Collection: The Rest on the Flight into Egypt, 19th century (oil on panel)

The Rest on the Flight into Egypt, 19th century (oil on panel)
AMO99112 The Rest on the Flight into Egypt, 19th century (oil on panel) by Palmer, Samuel (1805-81); 31x39 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSamuel Palmer Collection: Proserpina, 1871 (coloured chalk on paper)

Proserpina, 1871 (coloured chalk on paper)
AMO101429 Proserpina, 1871 (coloured chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); 22x11 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: model is Jane Morris (1839-1914)

Background imageSamuel Palmer Collection: Early Morning, 1825 (pen and brush in sepia)

Early Morning, 1825 (pen and brush in sepia)
AMO101424 Early Morning, 1825 (pen and brush in sepia) by Palmer, Samuel (1805-81); 18, 8x23, 2 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageSamuel Palmer Collection: Saints Zosimus and Sabbatheus of Solovetsk with scenes from their lives

Saints Zosimus and Sabbatheus of Solovetsk with scenes from their lives
GIP129460 Saints Zosimus and Sabbatheus of Solovetsk with scenes from their lives, 18th century (tempera on panel) by Russian School (18th century); 171x138 cm; Kizhi Open-Air Museum, Lake Onega

Background imageSamuel Palmer Collection: Illustration to Miltons Lycidas (w / c and gouache on paper)

Illustration to Miltons Lycidas (w / c and gouache on paper)
AGN125677 Illustration to Miltons Lycidas (w/c and gouache on paper) by Palmer, Samuel (1805-81); 39.4x58.4 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: The Bay of Baiae from Monte Nuovo (w / c on paper)

The Bay of Baiae from Monte Nuovo (w / c on paper)
AGN125684 The Bay of Baiae from Monte Nuovo (w/c on paper) by Palmer, Samuel (1805-81); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSamuel Palmer Collection: Mr Addison, engraved by George Vertue (1684-1756), 1721 (engraving)

Mr Addison, engraved by George Vertue (1684-1756), 1721 (engraving)
CWA123959 Mr Addison, engraved by George Vertue (1684-1756), 1721 (engraving) by Kneller, Godfrey (1646-1723) (after); City of Westminster Archive Centre, London

Background imageSamuel Palmer Collection: Harvest in the Vineyard, 1859 (w / c, gouache and gum arabic on paper)

Harvest in the Vineyard, 1859 (w / c, gouache and gum arabic on paper)
CEC128108 Harvest in the Vineyard, 1859 (w/c, gouache and gum arabic on paper) by Palmer, Samuel (1805-81); 19.9x42.7 cm; The Higgins Art Gallery & Museum, Bedford

Background imageSamuel Palmer Collection: Finishing skivers demonstrating their techniques (sepia print)

Finishing skivers demonstrating their techniques (sepia print)
STC235541 Finishing skivers demonstrating their techniques (sepia print) by English Photographer, (19th century); Private Collection; (add.info)

Background imageSamuel Palmer Collection: Cornfield and Church by Moonlight (brush & black ink on paper)

Cornfield and Church by Moonlight (brush & black ink on paper)
XYC238493 Cornfield and Church by Moonlight (brush & black ink on paper) by Palmer, Samuel (1805-81); 15.2x18.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright



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