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A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)
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A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)
7262207 A CHECK TO CORSICAN ASSURANCE, 1805 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington, UK; (add.info.: A CHECK TO CORSICAN ASSURANCE, by C.Williams published by Fores Nov 20th 1805 cat: 10440. Napoleon addresses the Duchess of Wurtemberg who answers him looking down at him.)
Media ID 25304286
© Bridgeman Images
7 Deadly Sins Allegoric Allegories Allergoric Alllegorical Figure Army And Navy Badge Behaviour Belittling Bonaparte Bonaparte 1769 1821 Bonaparte Family Cockade Communications Corsica Derides Derision Emperor Napoleon I Feather Feathered Feathers First French Empire 1804 1815 Foolery Grotesque Grotesques Ier Empire Imperials Make Fun Of Measure Measurer Military Uniforms Mockery Napoleon 1st Napoleon Empereur Napoleon I Napoleon I 1769 1821 Napoleon I 1st 1st Bonaparte 1769 1821 Napoleon I Of France Napoleon Ist Napoleon Ist Of France Nobelwoman Nobilty Noble Women Nobleman Nobles Noblewoman Noblewomen Plumage Pretension Pride Proud Proudness Ridicule Ridiculous Scaler Scoff Seven Deadly Sins Sombreros Symbole Symbolical Representation Symbolised Symbolising Symbology Vanity Weights And Measures Allegorical C European Economic Community C European Union Emotions Feeling Noble Societies Symbolic Symbols The Woman
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A Check to Corsican Assurance, 1805
EDITORS COMMENTS
is a captivating engraving that captures a significant moment in history. The artwork, created by C. Williams in the 19th century, depicts an allegorical scene where Napoleon Bonaparte addresses the Duchess of Wurtemberg. In this satirical drawing, Napoleon stands tall and confident while addressing the duchess who looks down at him with a sense of superiority. The artist skillfully portrays their interaction through intricate details such as their clothing, military uniforms, and badges. The engraving serves as a symbol of power dynamics and communication between nations during the First French Empire. It reflects on Europe's political landscape at that time and highlights France's dominance under Napoleon's rule. Through its use of ridicule and derision, this artwork mocks not only Napoleon but also his family and nobility. It delves into themes of pride, society's behavior, and even touches upon the seven deadly sins. This print from Bromley Museum in Orpington offers viewers an opportunity to delve into history while appreciating the artistic techniques employed by Williams in creating this grotesque yet thought-provoking piece. As we observe this allegoric representation from the late nineteenth century, it reminds us of how art can be used to convey complex historical narratives while simultaneously challenging societal norms.
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