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The Astrologer Albumasar (787-885) copy of an illustration from his

The Astrologer Albumasar (787-885) copy of an illustration from his


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The Astrologer Albumasar (787-885) copy of an illustration from his

STC202530 The Astrologer Albumasar (787-885) copy of an illustration from his Introductorium in Astronomiam, Venice 1506, used in a History of Magic, published late 19th century (woodcut) by Italian School, (16th century) (after); Private Collection; (add.info.: leading astrologer of his day; cast as a wizard in the play, Albumasar by Thomas Tomkins (1615); ); The Stapleton Collection; Italian, out of copyright

Media ID 22931994

© The Stapleton Collection / Bridgeman Images

Astronomer Fork Sorcerer Sorcery Tools Abu Mashar


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EDITORS COMMENTS
This print showcases a copy of an illustration from the Introductorium in Astronomiam by the renowned astrologer Albumasar. Created in Venice in 1506, this woodcut image has been beautifully preserved and is now part of a private collection. Albumasar, also known as Abu Mashar, was considered one of the leading astrologers of his time. This depiction portrays him not only as an astronomer but also as a sorcerer, highlighting the mystical aspects associated with his work. The intricate details captured in this print transport us back to the 16th century, immersing us in a world where astrology and magic were intertwined. The tools surrounding Albumasar hint at his expertise - from celestial maps to mysterious instruments that aid him in deciphering cosmic secrets. Interestingly, Albumasar's influence extended beyond academia; he even became a character in Thomas Tomkins' play titled "Albumasar" written in 1615. This portrayal further solidified his reputation as both an intellectual figure and a wizard-like persona. As we gaze upon this mesmerizing image, we are reminded of the rich history behind astrology and its connection to ancient wisdom. It serves as a testament to humanity's enduring fascination with unlocking the mysteries of our universe through celestial observation and interpretation.

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