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Marsh Man on his way to cut Schoof-stuff, c. 1886 (photo)

Marsh Man on his way to cut Schoof-stuff, c. 1886 (photo)


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Marsh Man on his way to cut Schoof-stuff, c. 1886 (photo)

STC119926 Marsh Man on his way to cut Schoof-stuff, c.1886 (photo) by Emerson, Peter (1856-1936) & Goodall, Thomas (1857-1944); Private Collection; (add.info.: Life and Landscape on the Norfolk Broads; ); The Stapleton Collection; English, out of copyright

Media ID 23226840

© The Stapleton Collection / Bridgeman Images

Differential Focusing East Anglia Fen Country Marsh Naturalistic Photography Waders


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> Fine Art Finder > Artists > Peter & Goodall Thomas (1857-1944)


EDITORS COMMENTS
Marsh Man on his way to cut Schoof-stuff, c. 1886 (photo) captures the essence of rural life in East Anglia during the late 19th century. This photograph, taken by Peter Emerson and Thomas Goodall, showcases their mastery of naturalistic photography. The image transports us to the tranquil Norfolk Broads, where we witness a Marsh Man navigating through the marshes on his boat. The viewer is immediately drawn to the man's determined expression as he embarks on his mission to cut Schoof-stuff - a term used for reeds or rushes that were harvested for various purposes. Emerson and Goodall skillfully employ differential focusing techniques, allowing us to appreciate both the foreground and background elements of this picturesque scene. The soft focus accentuates the beauty of the surrounding fen country while highlighting the Marsh Man's solitary presence amidst nature's splendor. Wearing waders and armed with tools necessary for cutting Schoof-stuff, this hardworking individual symbolizes an era when manual labor was essential for survival in these marshy landscapes. His stoic demeanor reflects a deep connection with his environment and an unwavering commitment to his craft. This extraordinary print from Fine Art Finder's Stapleton Collection not only serves as a visual delight but also offers valuable insights into historical practices within East Anglia. It stands as a testament to Emerson and Goodall's artistic vision and their ability to capture timeless moments in time through their lens.

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