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The Vine (colour litho)

The Vine (colour litho)


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The Vine (colour litho)

2638591 The Vine (colour litho) by Verneuil, Maurice Pillard (1869-1942); Private Collection; (add.info.: Illustrator: Maurice Pillard Verneuil
Illustration from Plants and their application to ornament (La Plante et ses applications ornementales) by Eugene Grasset (1845-1917), 1896); © Purix Verlag Volker Christen

Media ID 25190870

© Purix Verlag Volker Christen / Bridgeman Images

Foliage Grape Vine Grapevine Ornament Ornamentation Ornaments Vigne Vine


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> Fine Art Finder > Botanical: Flowers 19th , 20th & 21st


EDITORS COMMENTS
This print titled "The Vine (colour litho)" by Maurice Pillard Verneuil takes us on a visual journey through the intricate world of plants and their application to ornamentation. The image, part of Eugene Grasset's renowned book "Plants and their application to ornament" showcases Verneuil's exceptional talent as an illustrator. In this vibrant artwork, Verneuil masterfully captures the essence of the grapevine, with its lush foliage and delicate flowers. The meticulous attention to detail brings every leaf and tendril to life, creating a sense of movement within the composition. The playfulness of the design is evident in the way each element intertwines harmoniously, forming an exquisite pattern that mesmerizes the viewer. As we delve into this botanical wonderland, we are reminded of nature's ability to inspire artistry and creativity. This print serves as a testament to both Verneuil's skill as an artist and Grasset's vision for showcasing plants' ornamental potential. "The Vine (colour litho)" invites us to appreciate not only the beauty found in nature but also its capacity for artistic interpretation. It reminds us that even something as humble as a vine can be transformed into a work of art when viewed through an artist's discerning eye. With its rich colors and intricate details, this print is sure to captivate anyone who beholds it—a true celebration of botany merging seamlessly with decorative arts.

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