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Damned to hell, detail with devils and damned, 1500-02 (fresco)
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Damned to hell, detail with devils and damned, 1500-02 (fresco)
6262767 Damned to hell, detail with devils and damned, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St. Brizio Chapel, lunette of the east wall.
Orvieto, Basilica Cattedrale di Santa Maria Assunta (o Duomo), interno, Cappella Nova o di San Brizio, lunetta della parete est: " Dannati all inferno", affresco di Luca Signorelli, (1500 - 1502). Particolare con diavoli e dannati.); Ghigo Roli
Media ID 25148920
© Ghigo Roli / Bridgeman Images
Affresco Arte Basilica Cattedrale Cattedrale Di S Damned Dannato Devil Diavolo Hell Il Cinquecento Inferno Luca Signorelli Lucifer Lucifero Maria Orvieto Pittura Religione Rinascimento Satan Satana Signorelli Luca 1450 1523 Umbria Xvi Secolo
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EDITORS COMMENTS
This print captures the intricate detail of Luca Signorelli's masterpiece, "Damned to Hell". Created between 1500-02 as a fresco in the Duomo (Cathedral of Santa Maria Assunta) in Orvieto, Umbria, Italy, this artwork is housed within the Chapel Nova or St. Brizio Chapel. The photograph focuses on a specific section of the fresco that depicts devils and damned souls. Signorelli's skillful brushwork brings these figures to life, showcasing his mastery as a painter during the Renaissance period. The composition exudes an eerie atmosphere with its dark tones and haunting imagery. Every element in this detailed scene tells a story of damnation and torment. The diabolical creatures twist and contort their bodies around the condemned souls who suffer eternally. It is an unsettling portrayal that reflects Signorelli's exploration of religious themes prevalent during his time. Ghigo Roli expertly captured this moment through his lens, emphasizing every intricate line and texture present in Signorelli's original work. The photograph allows viewers to appreciate the artist's craftsmanship up close while preserving its historical significance. As we gaze upon this powerful image, we are reminded of both the artistic brilliance of Luca Signorelli and our own contemplation about good versus evil, heaven versus hell—a timeless subject that continues to captivate audiences centuries later.
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