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Damned to hell, 1500-02 (fresco)
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Damned to hell, 1500-02 (fresco)
6262763 Damned to hell, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: Orvieto, Basilica Cattedrale di Santa Maria Assunta (o Duomo), interno, Cappella Nova o di San Brizio, lunetta della parete est: " Dannati all inferno", affresco di Luca Signorelli, (1500 - 1502).); Ghigo Roli
Media ID 25140024
© Ghigo Roli / Bridgeman Images
Affresco Arte Basilica Cattedrale Cattedrale Di S Damned Dannato Devil Diavolo Hell Il Cinquecento Inferno Luca Signorelli Lucifer Lucifero Maria Orvieto Pittura Religione Rinascimento Satan Satana Signorelli Luca 1450 1523 Umbria Xvi Secolo
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EDITORS COMMENTS
This print captures the essence of Luca Signorelli's masterpiece, "Damned to Hell" a fresco that adorns the walls of the Duomo in Orvieto, Italy. Painted between 1500 and 1502, this artwork is a testament to Signorelli's incredible talent as a painter during the Renaissance period. The image showcases a section of the Cappella Nova or San Brizio Chapel within the cathedral. The lunetta on the eastern wall depicts an intense scene titled "Dannati all'inferno" or "Damned to Hell". In this chilling portrayal, Signorelli skillfully portrays souls condemned for eternity amidst fiery torment. The artist's attention to detail is evident in every brushstroke, as he vividly brings forth their anguish and despair. Lucifer himself looms large over his damned subjects, exuding malevolence and power. This fresco serves as a stark reminder of humanity's eternal struggle with sin and its consequences. Ghigo Roli has expertly captured this iconic artwork through his lens, preserving its beauty for generations to come. The photograph allows viewers to appreciate both the grandeur of Signorelli's creation and Roli's artistic eye in capturing its essence. As we gaze upon this photo print, we are transported back in time to witness one of history's most haunting masterpieces—a testament not only to Signorelli’s genius but also to our fascination with themes of damnation and redemption throughout art history
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