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The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno
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The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno
995608 The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent, Inferno, Canto XXV, illustration to the Divine Comedy by Dante Alighieri, 1827 (engraving) by Blake, William (1757-1827); 32.2.x40.1 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: The Divine Comedy (Italian: Divina Commedia) is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is divided into three parts: Inferno, Purgatorio, and Paradiso.); eFitzwilliam Museum; English, out of copyright
Media ID 23518104
© Fitzwilliam Museum / Bridgeman Images
Alighieri Attacked Brunelleschi Canto Circle Comedy Creature Dante Divine Fantastical Inferno Purgatory Romanticism Romanticist Sinner Sinners Sins Thief Thieves Underworld Virgil Agnolo Characters Monster Serpent Snakes
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EDITORS COMMENTS
In this engraving by William Blake, we are transported into the fantastical world of Dante Alighieri's Divine Comedy. The print titled "The Circle of the Thieves: Agnolo Brunelleschi Attacked by a Six-Footed Serpent" depicts a dramatic scene from Inferno, Canto XXV. As we delve into the depths of Purgatory, we witness the unfortunate fate of Agnolo Brunelleschi, an infamous thief. Surrounded by sinners and monstrous creatures alike, he finds himself under attack by a fearsome six-footed serpent. Its menacing presence adds to the eerie atmosphere that permeates throughout this literary masterpiece. Blake's intricate detailing brings these characters to life with his signature romanticist style. Each figure is meticulously crafted, capturing their emotions and struggles as they navigate through their sins in the underworld. The snake itself is rendered with such realism that it almost slithers off the page. This print serves as a reminder of both Dante's poetic brilliance and Blake's artistic genius. It invites us to explore themes of sin, punishment, and redemption while immersing ourselves in a world where imagination knows no bounds. Displayed at Fitzwilliam Museum in Cambridge, UK, this engraving continues to captivate viewers with its rich symbolism and profound storytelling. It stands as a testament to the enduring power of literature and art in shaping our understanding of human nature and morality.
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