Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Joseph Michael Gandy

Joseph Michael Gandy Collection

Choose a picture from our Joseph Michael Gandy Collection for your Wall Art and Photo Gifts

39 items

Background imageJoseph Michael Gandy Collection: With Violets Wreathed and Robe of Saffron Hue, 1902 (oil on canvas)

With Violets Wreathed and Robe of Saffron Hue, 1902 (oil on canvas)
6452807 With Violets Wreathed and Robe of Saffron Hue, 1902 (oil on canvas) by Godward, John William (1861-1922); 69x54 cm; Private Collection; English, out of copyright

Background imageJoseph Michael Gandy Collection: Interior of Soane Museum, (w / c)

Interior of Soane Museum, (w / c)
SJS12195 Interior of Soane Museum, (w/c) by Gandy, Joseph Michael (1771-1843); Courtesy of the Trustees of Sir John Soanes Museum, London; eSir John Soanes Museum; English, out of copyright

Background imageJoseph Michael Gandy Collection: The Mount of Congregation, 1818 (oil on canvas)

The Mount of Congregation, 1818 (oil on canvas)
1065294 The Mount of Congregation, 1818 (oil on canvas) by Gandy, Joseph Michael (1771-1843); 148.6x179.9 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: Soane office, London: Bank of England, interior perspectives, 1799 (pen & watercolour)

Soane office, London: Bank of England, interior perspectives, 1799 (pen & watercolour)
6449581 Soane office, London: Bank of England, interior perspectives, 1799 (pen & watercolour) by Gandy, Joseph Michael (1771-1843); 71.9x101.8 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: The Distillery; Les Degustateurs d Eau-de-Vie-de Marc ou L Alambic, c

The Distillery; Les Degustateurs d Eau-de-Vie-de Marc ou L Alambic, c
1197510 The Distillery; Les Degustateurs d Eau-de-Vie-de Marc ou L Alambic, c.1872 (charcoal on paper) by Lhermitte, Leon Augustin (1844-1925)

Background imageJoseph Michael Gandy Collection: Design for Waterloo Palace, the proposed town residence of the Duke of Wellington, c

Design for Waterloo Palace, the proposed town residence of the Duke of Wellington, c
1146648 Design for Waterloo Palace, the proposed town residence of the Duke of Wellington, c.1816 (pen & grey & black ink with watercolour & gum arabic on paper) by Gandy

Background imageJoseph Michael Gandy Collection: Luxembourg Gardens, 1906 (oil on canvas)

Luxembourg Gardens, 1906 (oil on canvas)
466496 Luxembourg Gardens, 1906 (oil on canvas) by Glackens, William James (1870-1938); 60.6 x 81.6 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; Museum Purchase, William A

Background imageJoseph Michael Gandy Collection: Roslyn Chapel, 1810 (colour litho)

Roslyn Chapel, 1810 (colour litho)
STC466199 Roslyn Chapel, 1810 (colour litho) by Gandy, Joseph Michael (1771-1843); Private Collection; (add.info.: Rosslyn Chapel or Collegiate Church of St)

Background imageJoseph Michael Gandy Collection: Salcombe Estuary, South Devon, 1882 (oil on canvas)

Salcombe Estuary, South Devon, 1882 (oil on canvas)
RHC12438 Salcombe Estuary, South Devon, 1882 (oil on canvas) by Dawson, Henry (1811-78); 76.1x106.6 cm; Royal Holloway, University of London; eRoyal Holloway, University of London; English

Background imageJoseph Michael Gandy Collection: Admiral von Trumps Barge at the Entrance of the Texel in 1645, c

Admiral von Trumps Barge at the Entrance of the Texel in 1645, c
SJS134749 Admiral von Trumps Barge at the Entrance of the Texel in 1645, c.1831 (oil on canvas) by Turner, Joseph Mallord William (1775-1851)

Background imageJoseph Michael Gandy Collection: Comparative Architecture (w / c on paper)

Comparative Architecture (w / c on paper)
SJS134747 Comparative Architecture (w/c on paper) by Gandy, Joseph Michael (1771-1843); Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: Watching the Deer by a Pine Shaded Stream, 1127-1279 (album leaf, ink & colour on silk)

Watching the Deer by a Pine Shaded Stream, 1127-1279 (album leaf, ink & colour on silk)
1152942 Watching the Deer by a Pine Shaded Stream, 1127-1279 (album leaf, ink & colour on silk) by Ma Yuan (c. 1160-1225); 35.7x30.7 cm; Cleveland Museum of Art, OH, USA; Gift of Mrs. A

Background imageJoseph Michael Gandy Collection: View of the Corridor next to the Breakfast Room, 28 October 1826 (w / c on paper)

View of the Corridor next to the Breakfast Room, 28 October 1826 (w / c on paper)
1152878 View of the Corridor next to the Breakfast Room, 28 October 1826 (w/c on paper) by Gandy, Joseph Michael (1771-1843); Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: Night Market in Antwerp (oil on panel)

Night Market in Antwerp (oil on panel)
CH402161 Night Market in Antwerp (oil on panel) by Schendel, Petrus van (1806-70); 77x59.9 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageJoseph Michael Gandy Collection: A Capriccio of a Roman Port during a Storm (pencil & w / c with scratching out on paper)

A Capriccio of a Roman Port during a Storm (pencil & w / c with scratching out on paper)
CH402150 A Capriccio of a Roman Port during a Storm (pencil & w/c with scratching out on paper) by Gandy, Joseph Michael (1771-1843); Private Collection; Photo eChristies Images; English

Background imageJoseph Michael Gandy Collection: Dancer with Tambourine, c. 1895 (brown wax)

Dancer with Tambourine, c. 1895 (brown wax)
FIT308395 Dancer with Tambourine, c.1895 (brown wax) by Degas, Edgar (1834-1917); height: 29.6 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Background imageJoseph Michael Gandy Collection: Bank of England as a Ruin, 1830 (w / c on paper)

Bank of England as a Ruin, 1830 (w / c on paper)
SJS308344 Bank of England as a Ruin, 1830 (w/c on paper) by Gandy, Joseph Michael (1771-1843); Courtesy of the Trustees of Sir John Soanes Museum, London; eSir John Soanes Museum; English

Background imageJoseph Michael Gandy Collection: Atotarho, the First Iroouols Ruler, from Information Respecting the History

Atotarho, the First Iroouols Ruler, from Information Respecting the History
TRV173939 Atotarho, the First Iroouols Ruler, from Information Respecting the History, Condition and Prospects of the Indian Tribes of the United States by Henry R

Background imageJoseph Michael Gandy Collection: Architectural Visions of Early Fancy, in the Gay Morning of Youth

Architectural Visions of Early Fancy, in the Gay Morning of Youth
SJS173926 Architectural Visions of Early Fancy, in the Gay Morning of Youth, and Dreams in the Evening of Life, 1820 (pen and ink and w/c on paper) by Gandy

Background imageJoseph Michael Gandy Collection: Peinture / Nature Morte, 1929-30 (oil & pencil on canvas)

Peinture / Nature Morte, 1929-30 (oil & pencil on canvas)
2639856 Peinture/Nature Morte, 1929-30 (oil & pencil on canvas) by Bruce, Patrick Henry (1881-1936); 59.7x92.1 cm; Private Collection; American, out of copyright

Background imageJoseph Michael Gandy Collection: Design for a Cenotaph, 1804 (pen, ink & w / c on paper)

Design for a Cenotaph, 1804 (pen, ink & w / c on paper)
2639838 Design for a Cenotaph, 1804 (pen, ink & w/c on paper) by Gandy, Joseph Michael (1771-1843); 75x130 cm; Private Collection; English, out of copyright

Background imageJoseph Michael Gandy Collection: A Corner of the Forest of Fontainebleau (etching)

A Corner of the Forest of Fontainebleau (etching)
1066724 A Corner of the Forest of Fontainebleau (etching) by Jacque, Charles Emile (1813-94); 8.6x13.6 cm; Dallas Museum of Art, Texas

Background imageJoseph Michael Gandy Collection: Classical Composition, a Tomb (oil on canvas)

Classical Composition, a Tomb (oil on canvas)
1065293 Classical Composition, a Tomb (oil on canvas) by Gandy, Joseph Michael (1771-1843); 47.3x32.4 cm; Courtesy of the Trustees of Sir John Soanes Museum, London; eSir John Soanes Museum; English

Background imageJoseph Michael Gandy Collection: Cover of 'L Plate au beurre', number 410

Cover of "L Plate au beurre", number 410
ICA4912465 Cover of " L Plate au beurre", number 410, Satirique en Couleurs, 1909_2_6: Les bonnes paroles du Comrade Briand - Social, Radicalism, Justice Proces - Briand Aristide

Background imageJoseph Michael Gandy Collection: View of the east and south sides of Soanes second Picture Room, c

View of the east and south sides of Soanes second Picture Room, c
6133490 View of the east and south sides of Soanes second Picture Room, c.1825 (w/c on paper) by Gandy, Joseph Michael (1771-1843); 20.1x16 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: Design for an extended elevation for 13-15 Lincolns Inn Fields. 1813 (w / c on paper)

Design for an extended elevation for 13-15 Lincolns Inn Fields. 1813 (w / c on paper)
1152917 Design for an extended elevation for 13-15 Lincolns Inn Fields. 1813 (w/c on paper) by Gandy, Joseph Michael (1771-1843); Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: The Breakfast Room, Pitzhanger Manor, 1802 (pen & ink with w / c on paper)

The Breakfast Room, Pitzhanger Manor, 1802 (pen & ink with w / c on paper)
2830757 The Breakfast Room, Pitzhanger Manor, 1802 (pen & ink with w/c on paper) by Gandy, Joseph Michael (1771-1843); Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: Sevres footed ice-cup stand from the Service de la Reine

Sevres footed ice-cup stand from the Service de la Reine
495240 Sevres footed ice-cup stand from the Service de la Reine, made for and delivered to Marie Antoinette, 1784 (ceramic) by French School

Background imageJoseph Michael Gandy Collection: Pandemonium: The Bridge Over Chaos (pencil & w / c on paper)

Pandemonium: The Bridge Over Chaos (pencil & w / c on paper)
495239 Pandemonium: The Bridge Over Chaos (pencil & w/c on paper) by Gandy, Joseph Michael (1771-1843); 102x67.3 cm; Private Collection; (add.info)

Background imageJoseph Michael Gandy Collection: Ivanhoe, 1871 (oil on canvas)

Ivanhoe, 1871 (oil on canvas)
CH402153 Ivanhoe, 1871 (oil on canvas) by Hunt, Charles (1829-1900); 72.4x92.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageJoseph Michael Gandy Collection: A Reconstruction of Sparta: the Persian Porch and Place of Consultation of

A Reconstruction of Sparta: the Persian Porch and Place of Consultation of
CH402151 A Reconstruction of Sparta: the Persian Porch and Place of Consultation of the Lacedemonians (pencil, pen & black ink and w/c on paper) by Gandy

Background imageJoseph Michael Gandy Collection: The Union of Drawing and Colour (oil on canvas)

The Union of Drawing and Colour (oil on canvas)
CHT181987 The Union of Drawing and Colour (oil on canvas) by Reni, Guido (1575-1642); Louvre, Paris, France; (add.info.: L Union du Dessin et de la Couleur; ); eArchives Charmet; Italian

Background imageJoseph Michael Gandy Collection: Sir John Soanes Rotunda of the Bank of England in Ruins

Sir John Soanes Rotunda of the Bank of England in Ruins
SJS183891 Sir John Soanes Rotunda of the Bank of England in Ruins (w/c heightened with white on paper) by Gandy, Joseph Michael (1771-1843); Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: Mr G. V. Brooke as Othello and James Bennett as Iago, Act III Scene 3

Mr G. V. Brooke as Othello and James Bennett as Iago, Act III Scene 3
STC134757 Mr G. V. Brooke as Othello and James Bennett as Iago, Act III Scene 3, in Othello by William Shakespeare (1564-1616) (engraving) by English School

Background imageJoseph Michael Gandy Collection: Architecture: Its Natural Model, c. 1838 (w / c on paper)

Architecture: Its Natural Model, c. 1838 (w / c on paper)
SJS134728 Architecture: Its Natural Model, c.1838 (w/c on paper) by Gandy, Joseph Michael (1771-1843); Courtesy of the Trustees of Sir John Soanes Museum, London; eSir John Soanes Museum; English

Background imageJoseph Michael Gandy Collection: View in the Model Room, from the Description of Soanes museum

View in the Model Room, from the Description of Soanes museum
1152886 View in the Model Room, from the Description of Soanes museum, 1835 (litho) by English School, (19th century); Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: View of the Court of the Monks Grave, 22 August 1825 (w / c on paper)

View of the Court of the Monks Grave, 22 August 1825 (w / c on paper)
1152866 View of the Court of the Monks Grave, 22 August 1825 (w/c on paper) by Gandy, Joseph Michael (1771-1843); 26.2x20.8 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageJoseph Michael Gandy Collection: A Scene in Ancient Rome, A Setting for Titus Andronicus, Act I, scene 3, c. 1830

A Scene in Ancient Rome, A Setting for Titus Andronicus, Act I, scene 3, c. 1830
XYC281151 A Scene in Ancient Rome, A Setting for Titus Andronicus, Act I, scene 3, c.1830 (w/c & gouache with pen & ink on paper) by Gandy


All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2003, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site