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Joseph Mallord William (after) Turner Collection

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305 items

Background imageJoseph Mallord William (after) Turner Collection: The Fall of the Reichenbach (engraving)

The Fall of the Reichenbach (engraving)
1610696 The Fall of the Reichenbach (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: The Fall of the Reichenbach)

Background imageJoseph Mallord William (after) Turner Collection: The Pearl Mussel of Scotland (engraving)

The Pearl Mussel of Scotland (engraving)
1613233 The Pearl Mussel of Scotland (engraving) by English School, (19th century); Private Collection; (add.info.: The Pearl Mussel of Scotland)

Background imageJoseph Mallord William (after) Turner Collection: The Landing of William of Orange at Torbay, 1688 (colour litho)

The Landing of William of Orange at Torbay, 1688 (colour litho)
STC373303 The Landing of William of Orange at Torbay, 1688 (colour litho) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: William of Orange (1650-1702)

Background imageJoseph Mallord William (after) Turner Collection: The Rocky Path of a Mountain Burn (engraving)

The Rocky Path of a Mountain Burn (engraving)
1618800 The Rocky Path of a Mountain Burn (engraving) by Jutsum, Henry (1816-69); Private Collection; (add.info.: The Rocky Path of a Mountain Burn)

8628596

8628589

Background imageJoseph Mallord William (after) Turner Collection: Italian peasants (oil on canvas)

Italian peasants (oil on canvas)
NGW388562 Italian peasants (oil on canvas) by Williams, Henry Penry (1798-1885); 51x38.3 cm; National Museum Wales; (add.info)

Background imageJoseph Mallord William (after) Turner Collection: Vale of Elan, 1792 (copperplate line engraving on paper)

Vale of Elan, 1792 (copperplate line engraving on paper)
NGW322632 Vale of Elan, 1792 (copperplate line engraving on paper) by Turner, Joseph Mallord William (1775-1851) (after); 16.6x21 cm; National Museum Wales; (add.info)

Background imageJoseph Mallord William (after) Turner Collection: Cabasset, c. 1570 (steel, black paint, brass rosette rivets)

Cabasset, c. 1570 (steel, black paint, brass rosette rivets)
XOS5864499 Cabasset, c. 1570 (steel, black paint, brass rosette rivets) by Italian School, (16th century); 18.4x25.7 cm; Cleveland Museum of Art, OH, USA; (add.info.: Italy, 16th century)

Background imageJoseph Mallord William (after) Turner Collection: Malta

Malta
3789939 Malta by Turner, Joseph Mallord William (1775-1851) (after); (add.info.: Malta. A view of Valetta harbour, a prosperous and important British station in the Mediterranean)

Background imageJoseph Mallord William (after) Turner Collection: Engraving by Gustave Dore 1832-1883 French artist and illustrator of Sancho Panza being tossed in

Engraving by Gustave Dore 1832-1883 French artist and illustrator of Sancho Panza being tossed in a blanket from Don
2919892 Engraving by Gustave Dore 1832-1883 French artist and illustrator of Sancho Panza being tossed in a blanket from Don Quixote by Miguel de Cervantes Saavedra Part I chapter 16 by Dore

Background imageJoseph Mallord William (after) Turner Collection: Via Mala, from Liber Studiorum, 1896 (mezzotint on paper)

Via Mala, from Liber Studiorum, 1896 (mezzotint on paper)
7387215 Via Mala, from Liber Studiorum, 1896 (mezzotint on paper) by Turner, Joseph Mallord William (1775-1851) (after); Sheffield Galleries and Museums Trust

Background imageJoseph Mallord William (after) Turner Collection: Apollo Killing the Python, from the picture in the National Gallery (engraving)

Apollo Killing the Python, from the picture in the National Gallery (engraving)
5199094 Apollo Killing the Python, from the picture in the National Gallery (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info)

Background imageJoseph Mallord William (after) Turner Collection: Apollo slaying the Python (engraving)

Apollo slaying the Python (engraving)
2771601 Apollo slaying the Python (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Apollo slaying the Python)

Background imageJoseph Mallord William (after) Turner Collection: Apollo Killing the Python (engraving)

Apollo Killing the Python (engraving)
981683 Apollo Killing the Python (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Apollo Killing the Python)

Background imageJoseph Mallord William (after) Turner Collection: Illustration for Madame Bovary by Gustave Flaubert (litho)

Illustration for Madame Bovary by Gustave Flaubert (litho)
6006257 Illustration for Madame Bovary by Gustave Flaubert (litho) by Austen, John (1886-1948); Private Collection; (add.info.: Monsieur Leon delicately hung her long lace shawl on her shoulders)

Background imageJoseph Mallord William (after) Turner Collection: Alaric entering Athens (colour litho)

Alaric entering Athens (colour litho)
3091449 Alaric entering Athens (colour litho) by Stewart, Allan (1865-1951) (after); Private Collection; (add.info.: Alaric entering Athens)

Background imageJoseph Mallord William (after) Turner Collection: Magpie on a Branch (ink & w / c)

Magpie on a Branch (ink & w / c)
6816285 Magpie on a Branch (ink & w/c) by Thorburn, Archibald (1860-1935); 17x12.5 cm; (add.info.: Signed and dated Dec. 31, 1908); Lyon & Turnbull; Scottish, out of copyright

Background imageJoseph Mallord William (after) Turner Collection: Sun Rising Through Vapour (oil on canvas)

Sun Rising Through Vapour (oil on canvas)
6816281 Sun Rising Through Vapour (oil on canvas) by Turner, Joseph Mallord William (1775-1851) (after); 124x176 cm; Lyon & Turnbull; English, out of copyright

Background imageJoseph Mallord William (after) Turner Collection: Youth and Pleasure, from the picture in the Vernon Gallery (engraving)

Youth and Pleasure, from the picture in the Vernon Gallery (engraving)
5199205 Youth and Pleasure, from the picture in the Vernon Gallery (engraving) by Etty, William (1787-1849); Private Collection; (add.info.: Youth and Pleasure)

Background imageJoseph Mallord William (after) Turner Collection: Venice, The Grand Canal, from the picture in the Vernon Gallery (engraving)

Venice, The Grand Canal, from the picture in the Vernon Gallery (engraving)
5199204 Venice, The Grand Canal, from the picture in the Vernon Gallery (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Venice, The Grand Canal)

Background imageJoseph Mallord William (after) Turner Collection: The Drachenfels (colour litho)

The Drachenfels (colour litho)
6004745 The Drachenfels (colour litho) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: The Drachenfels)

Background imageJoseph Mallord William (after) Turner Collection: Liverpool (colour litho)

Liverpool (colour litho)
6004804 Liverpool (colour litho) by English School, (19th century); Private Collection; (add.info.: Liverpool. Illustration for A Gazetteer of the World or Dictionary of Geographical Knowledge)

Background imageJoseph Mallord William (after) Turner Collection: Jaffa, Joppa (colour litho)

Jaffa, Joppa (colour litho)
6004789 Jaffa, Joppa (colour litho) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Jaffa, Joppa)

Background imageJoseph Mallord William (after) Turner Collection: Lausanne (colour litho)

Lausanne (colour litho)
6004777 Lausanne (colour litho) by Fielding, A.V. Copley (1787-1855) (after); Private Collection; (add.info.: Lausanne. Illustration for A Gazetteer of the World or Dictionary of Geographical)

Background imageJoseph Mallord William (after) Turner Collection: Babylon (colour litho)

Babylon (colour litho)
6004767 Babylon (colour litho) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Babylon)

Background imageJoseph Mallord William (after) Turner Collection: Tombs of the Bereed Kings, Beeder (colour litho)

Tombs of the Bereed Kings, Beeder (colour litho)
6004758 Tombs of the Bereed Kings, Beeder (colour litho) by Howse, George (fl.1830-60) (after); Private Collection; (add.info.: Tombs of the Bereed Kings, Beeder)

Background imageJoseph Mallord William (after) Turner Collection: Mussooree and the Dhoon, from Landour (engraving)

Mussooree and the Dhoon, from Landour (engraving)
669691 Mussooree and the Dhoon, from Landour (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Mussooree and the Dhoon, from Landour)

Background imageJoseph Mallord William (after) Turner Collection: Syrian Musicians, plate 4 from Natural History of Aleppo, pub

Syrian Musicians, plate 4 from Natural History of Aleppo, pub
STC90277 Syrian Musicians, plate 4 from Natural History of Aleppo, pub. by Patrick Russell, 1794 (engraving) by Russell, Alexander (c.1716-68) (after)

Background imageJoseph Mallord William (after) Turner Collection: F. 67. I East Gate, Winchelsea, from the Liber Studiorum

F. 67. I East Gate, Winchelsea, from the Liber Studiorum
FIT90258 F.67.I East Gate, Winchelsea, from the Liber Studiorum, engraved by Samuel William Reynolds, 1819 (etching) by Turner

Background imageJoseph Mallord William (after) Turner Collection: F. 63. I Isleworth, from the Liber Studiorum, engraved by Henry Dawe

F. 63. I Isleworth, from the Liber Studiorum, engraved by Henry Dawe
FIT90255 F.63.I Isleworth, from the Liber Studiorum, engraved by Henry Dawe, 1819 (etching) by Turner, Joseph Mallord William (1775-1851) (after); 20.8x29.2 cm; Fitzwilliam Museum

Background imageJoseph Mallord William (after) Turner Collection: F. 61. I The Tenth Plague of Egypt, from the Liber Studiorum

F. 61. I The Tenth Plague of Egypt, from the Liber Studiorum
FIT90253 F.61.I The Tenth Plague of Egypt, from the Liber Studiorum, engraved by William Say, 1816 (etching) by Turner, Joseph Mallord William (1775-1851) (after); 20.9x29 cm; Fitzwilliam Museum

Background imageJoseph Mallord William (after) Turner Collection: F. 60. I The Source of the Arveron, from the Liber Studiorum

F. 60. I The Source of the Arveron, from the Liber Studiorum
FIT90252 F.60.I The Source of the Arveron, from the Liber Studiorum, engraved by the artist, 1816 (etching) by Turner, Joseph Mallord William (1775-1851); 21.6x29.2 cm; Fitzwilliam Museum

Background imageJoseph Mallord William (after) Turner Collection: F. 56. II Dumblain Abbey, from the Liber Studiorum, engraved by Thomas Lupton

F. 56. II Dumblain Abbey, from the Liber Studiorum, engraved by Thomas Lupton
FIT90248 F.56.II Dumblain Abbey, from the Liber Studiorum, engraved by Thomas Lupton, 1816 (etching) by Turner, Joseph Mallord William (1775-1851) (after); 20.6x28.9 cm; Fitzwilliam Museum

Background imageJoseph Mallord William (after) Turner Collection: F. 39. I The Crypt of Kirkstall Abbey, from the Liber Studiorum, 1812 (etching)

F. 39. I The Crypt of Kirkstall Abbey, from the Liber Studiorum, 1812 (etching)
FIT90234 F.39.I The Crypt of Kirkstall Abbey, from the Liber Studiorum, 1812 (etching) by Turner, Joseph Mallord William (1775-1851); 20.9x29.2 cm; Fitzwilliam Museum, University of Cambridge

Background imageJoseph Mallord William (after) Turner Collection: F. 34. II Martello Towers near Bexhill, Sussex, from the Liber Studiorum

F. 34. II Martello Towers near Bexhill, Sussex, from the Liber Studiorum
FIT90229 F.34.II Martello Towers near Bexhill, Sussex, from the Liber Studiorum, engraved by William Say, 1811 (etching) by Turner

Background imageJoseph Mallord William (after) Turner Collection: F. 28. I Junction of Severn and Wye, from the Liber Studiorum, 1811 (etching)

F. 28. I Junction of Severn and Wye, from the Liber Studiorum, 1811 (etching)
FIT90225 F.28.I Junction of Severn and Wye, from the Liber Studiorum, 1811 (etching) by Turner, Joseph Mallord William (1775-1851); 20.8x29.2 cm; Fitzwilliam Museum, University of Cambridge

Background imageJoseph Mallord William (after) Turner Collection: F. 14. I Dunstanborough Castle, from the Liber Studiorum

F. 14. I Dunstanborough Castle, from the Liber Studiorum
FIT90219 F.14.I Dunstanborough Castle, from the Liber Studiorum, engraved by Charles Turner, 1808 (etching) by Turner, Joseph Mallord William (1775-1851) (after); 20.8x29.2 cm; Fitzwilliam Museum

Background imageJoseph Mallord William (after) Turner Collection: F. 3. I The Woman and the Tambourine, from the Liber Studiorum

F. 3. I The Woman and the Tambourine, from the Liber Studiorum
FIT90211 F.3.I The Woman and the Tambourine, from the Liber Studiorum, engraved by Charles Turner and the artist, 1807 (etching) by Turner

Background imageJoseph Mallord William (after) Turner Collection: Henrietta, Madamoiselle Sontag (engraving)

Henrietta, Madamoiselle Sontag (engraving)
969809 Henrietta, Madamoiselle Sontag (engraving) by Grevedon, Henri (1776-1860) (after); Private Collection; (add.info.: Henrietta, Madamoiselle Sontag)

Background imageJoseph Mallord William (after) Turner Collection: Death of the Stag, engraved by John Cousen (1804-80), 1851 (steel engraving)

Death of the Stag, engraved by John Cousen (1804-80), 1851 (steel engraving)
1067419 Death of the Stag, engraved by John Cousen (1804-80), 1851 (steel engraving) by Landseer, Edwin (1802-73) (after); 19.1x24.8 cm; Dallas Museum of Art, Texas, USA; (add.info.: Printed by E)

Background imageJoseph Mallord William (after) Turner Collection: The Golden Bough, mid-19th century (litho)

The Golden Bough, mid-19th century (litho)
1067418 The Golden Bough, mid-19th century (litho) by Turner, Joseph Mallord William (1775-1851) (after); 16.5x25.4 cm; Dallas Museum of Art, Texas

Background imageJoseph Mallord William (after) Turner Collection: Rievaulx Abbey in Yorkshire (engraving)

Rievaulx Abbey in Yorkshire (engraving)
819033 Rievaulx Abbey in Yorkshire (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Rievaulx Abbey in Yorkshire)

Background imageJoseph Mallord William (after) Turner Collection: The Pool of Bethesda (engraving)

The Pool of Bethesda (engraving)
819043 The Pool of Bethesda (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The Pool of Bethesda.); Look and Learn / Elgar Collection; English, out of copyright

Background imageJoseph Mallord William (after) Turner Collection: Tottenham Mills, London (w / c on paper)

Tottenham Mills, London (w / c on paper)
603080 Tottenham Mills, London (w/c on paper) by English School, (19th century); Private Collection; (add.info.: Tottenham Mills, London); Look and Learn / Peter Jackson Collection; English

Background imageJoseph Mallord William (after) Turner Collection: Lord Howard, Drake and others playing bowls just before the Spanish Armada came in sight

Lord Howard, Drake and others playing bowls just before the Spanish Armada came in sight (chromolitho)
668708 Lord Howard, Drake and others playing bowls just before the Spanish Armada came in sight (chromolitho) by English School, (20th century); Private Collection; (add.info.: Lord Howard)

Background imageJoseph Mallord William (after) Turner Collection: The Eddystone Lighthouse (colour litho)

The Eddystone Lighthouse (colour litho)
668683 The Eddystone Lighthouse (colour litho) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: The Eddystone Lighthouse)

Background imageJoseph Mallord William (after) Turner Collection: The Merchant seeking goodly Pearls (engraving)

The Merchant seeking goodly Pearls (engraving)
668198 The Merchant seeking goodly Pearls (engraving) by English School, (19th century); Private Collection; (add.info.: The Merchant seeking goodly Pearls)



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