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John Ruskin Collection

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213 items

Background imageJohn Ruskin Collection: Study of Gneiss Rock, Glenfinlas, 1853-54 (pen, wash & gouache on paper)

Study of Gneiss Rock, Glenfinlas, 1853-54 (pen, wash & gouache on paper)
AMO136294 Study of Gneiss Rock, Glenfinlas, 1853-54 (pen, wash & gouache on paper) by Ruskin, John (1819-1900); 47.6x45.4 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageJohn Ruskin Collection: The Thresher (after Millet), 1889 (oil on canvas)

The Thresher (after Millet), 1889 (oil on canvas)
7417946 The Thresher (after Millet), 1889 (oil on canvas) by Gogh, Vincent van (1853-90); 42x28 cm; Van Gogh Museum, Amsterdam, The Netherlands; Photo © Fine Art Images

Background imageJohn Ruskin Collection: d View of Sion, Valais, from the Chateau de Valere, c

d View of Sion, Valais, from the Chateau de Valere, c
XYC284007 d View of Sion, Valais, from the Chateau de Valere, c.1863 (w/c & bodycolour over graphite on paper) by Ruskin, John (1819-1900); 29.2x37.1 cm; Yale Center for British Art

Background imageJohn Ruskin Collection: Study of Moss, Fern and Wood -Sorrel, upon a Rocky River Bank, 1875-79 (pen, ink)

Study of Moss, Fern and Wood -Sorrel, upon a Rocky River Bank, 1875-79 (pen, ink, w/c and bodycolour on paper)
7387225 Study of Moss, Fern and Wood -Sorrel, upon a Rocky River Bank, 1875-79 (pen, ink, w/c and bodycolour on paper) by Ruskin, John (1819-1900); Sheffield Galleries and Museums Trust

Background imageJohn Ruskin Collection: First of the Month's Sculptures, St Mark's, Venice, 1840 (pencil & w/c on card)

First of the Month's Sculptures, St Mark's, Venice, 1840 (pencil & w/c on card)
7417486 First of the Month's Sculptures, St Mark's, Venice, 1840 (pencil & w/c on card) by Ruskin, John (1819-1900); 22.2 x15.4 cm; Gallery Oldham

Background imageJohn Ruskin Collection: Portrait of William Cowdroy, c. 1810 (wax)

Portrait of William Cowdroy, c. 1810 (wax)
4071945 Portrait of William Cowdroy, c.1810 (wax) by Percy, Samuel (1750-1820); Manchester Art Gallery, UK; (add.info.: Portrait of William Cowdroy made in high relief stained waxes)

Background imageJohn Ruskin Collection: Budding Leaves, c. 1880 (engraved boxwood block)

Budding Leaves, c. 1880 (engraved boxwood block)
3930001 Budding Leaves, c.1880 (engraved boxwood block) by Ruskin, John (1819-1900); 10x12 cm; Manchester Art Gallery, UK; (add.info.: A wood engraving block of boxwood carved with a plant design)

Background imageJohn Ruskin Collection: Aues Droit (engraved wooden block)

Aues Droit (engraved wooden block)
3930000 Aues Droit (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Three Coins (engraved wooden block)

Three Coins (engraved wooden block)
3929998 Three Coins (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Three Coins (engraved wooden block)

Three Coins (engraved wooden block)
3929996 Three Coins (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Dragon jar (glazed stoneware)

Dragon jar (glazed stoneware)
3701697 Dragon jar (glazed stoneware) by Korean School, (16th century); 34x29.2 cm; Manchester Art Gallery, UK; (add.info)

Background imageJohn Ruskin Collection: Facade of The Doge's Palace, Venice - The Vine Angle, c. 1870 (w/c, ink & pencil on paper)

Facade of The Doge's Palace, Venice - The Vine Angle, c. 1870 (w/c, ink & pencil on paper)
5243163 Facade of The Doge's Palace, Venice - The Vine Angle, c.1870 (w/c, ink & pencil on paper) by Ruskin, John (1819-1900); 49.6x33.7 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Drawing from the antique: Cast of a faun, 1901 or 1904 (charcoal on paper)

Drawing from the antique: Cast of a faun, 1901 or 1904 (charcoal on paper)
5648389 Drawing from the antique: Cast of a faun, 1901 or 1904 (charcoal on paper) by Valette, Adolphe (1876-1942); 61x45.5 cm; Manchester Art Gallery

Background imageJohn Ruskin Collection: The Staubbach, Switzerland (pen & ink and w/c on wood)

The Staubbach, Switzerland (pen & ink and w/c on wood)
4603412 The Staubbach, Switzerland (pen & ink and w/c on wood) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving)

The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving)
3960781 The Triumph of the Innocents, engraved by Charles Robert Ashbee (engraving) by Hunt, William Holman (1827-1910); 98x131.6 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Flower (engraved wooden block)

Flower (engraved wooden block)
3930002 Flower (engraved wooden block) by Ruskin, John (1819-1900); 6x10x2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Wing from Durer (engraved wooden block)

Wing from Durer (engraved wooden block)
3929999 Wing from Durer (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Three Coins (engraved wooden block)

Three Coins (engraved wooden block)
3929997 Three Coins (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Rochdale Road Gas Works - Drawing Coke, 1893-94 (w/c gouache on paper)

Rochdale Road Gas Works - Drawing Coke, 1893-94 (w/c gouache on paper)
6342765 Rochdale Road Gas Works - Drawing Coke, 1893-94 (w/c gouache on paper) by Tidmarsh, Henry Edward (1855-1939); 38 53x26 40.5 cm; Manchester Art Gallery

Background imageJohn Ruskin Collection: Aiguille Charmoz, c. 1856 (pen & ink and w/c on wood)

Aiguille Charmoz, c. 1856 (pen & ink and w/c on wood)
4603404 Aiguille Charmoz, c.1856 (pen & ink and w/c on wood) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; (add.info)

Background imageJohn Ruskin Collection: Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)

Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)
3959779 Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.3x34.5 cm; Manchester Art Gallery

Background imageJohn Ruskin Collection: Facade of The Doge's Palace, Venice - Head of Adam, c. 1845 (w/c & pencil on paper)

Facade of The Doge's Palace, Venice - Head of Adam, c. 1845 (w/c & pencil on paper)
5243154 Facade of The Doge's Palace, Venice - Head of Adam, c.1845 (w/c & pencil on paper) by Ruskin, John (1819-1900); 34.4x26.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Diana and Endymion, 1901 (oil on canvas)

Diana and Endymion, 1901 (oil on canvas)
5642830 Diana and Endymion, 1901 (oil on canvas) by Poynter, Edward John (1836-1919); 77.5x57.1 cm; Manchester Art Gallery

Background imageJohn Ruskin Collection: Study of Willow Leaves, c. 1857 (pencil & w/c on paper)

Study of Willow Leaves, c. 1857 (pencil & w/c on paper)
3960778 Study of Willow Leaves, c.1857 (pencil & w/c on paper) by Ruskin, John (1819-1900); 29.9x13.9 cm; Manchester Art Gallery

Background imageJohn Ruskin Collection: No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageJohn Ruskin Collection: The Trench of the Valley of Chamonix and the Peaks above the Trench, c

The Trench of the Valley of Chamonix and the Peaks above the Trench, c. 1856 (pen & ink and w/c on wood)
4603415 The Trench of the Valley of Chamonix and the Peaks above the Trench, c.1856 (pen & ink and w/c on wood) by Ruskin, John (1819-1900); Manchester Art Gallery

Background imageJohn Ruskin Collection: Sandling Park, Kent, 1924 (oil on canvas)

Sandling Park, Kent, 1924 (oil on canvas)
5947234 Sandling Park, Kent, 1924 (oil on canvas) by Nash, Paul (1889-1946); 91.9x71 cm; Manchester Art Gallery, UK; (add.info.: A view of Sandling Park in Kent (close to Hythe)

Background imageJohn Ruskin Collection: Aiguille Du Midi, France (pen & ink and w/c on wood)

Aiguille Du Midi, France (pen & ink and w/c on wood)
4603407 Aiguille Du Midi, France (pen & ink and w/c on wood) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; (add.info.: Ink and watercolour drawing on wood block of a stark mountain ridge)

Background imageJohn Ruskin Collection: A Flood, 1876 (oil on canvas)

A Flood, 1876 (oil on canvas)
MAN443311 A Flood, 1876 (oil on canvas) by Lhermitte, Leon Augustin (1844-1925); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Lily (engraved wooden block)

Lily (engraved wooden block)
3929994 Lily (engraved wooden block) by Ruskin, John (1819-1900); 7x6x2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageJohn Ruskin Collection: Hercules in the Garden of the Hesperides, 1887 (painted plaster)

Hercules in the Garden of the Hesperides, 1887 (painted plaster)
MAN63023 Hercules in the Garden of the Hesperides, 1887 (painted plaster) by Hunt, William Holman (1827-1910); 69.2x52 cm; Manchester Art Gallery

Background imageJohn Ruskin Collection: Interior of San Frediano, Lucca, 1845 (pen, brown ink & wash over pencil on paper)

Interior of San Frediano, Lucca, 1845 (pen, brown ink & wash over pencil on paper)
MAN430861 Interior of San Frediano, Lucca, 1845 (pen, brown ink & wash over pencil on paper) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; (add.info.: Basilica of San Frediano, Lucca)

Background imageJohn Ruskin Collection: On the bow, ca 1890 (oil on canvas)

On the bow, ca 1890 (oil on canvas)
7404268 On the bow, ca 1890 (oil on canvas) by Krohg, Christian (1852-1925); 137x203 cm; Private Collection; (add.info.: Christian Krohg (1852-1925) Size

Background imageJohn Ruskin Collection: Riva degli Schiavoni, the Ducal Palace and the Campanile of St. Marks, c

Riva degli Schiavoni, the Ducal Palace and the Campanile of St. Marks, c. 1819-1900 (graphite & w/c on paper)
7400191 Riva degli Schiavoni, the Ducal Palace and the Campanile of St. Marks, c.1819-1900 (graphite & w/c on paper) by Ruskin, John (1819-1900); 24.8x37 cm; Fitzwilliam Museum

Background imageJohn Ruskin Collection: Wooded landscape with herdsman, cows and church tower, 1753-1757 (graphite on laid paper)

Wooded landscape with herdsman, cows and church tower, 1753-1757 (graphite on laid paper)
7394147 Wooded landscape with herdsman, cows and church tower, 1753-1757 (graphite on laid paper) by Gainsborough, Thomas (1727-88); 15.3x19.9 cm; Ashmolean Museum, University of Oxford

Background imageJohn Ruskin Collection: Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour)

Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper)
7394141 Study of a Panel on the Font of the Baptistery, Pisa, 1872 (watercolour and bodycolour over graphite on paper) by Ruskin, John (1819-1900); 51.5x30.6 cm; Ashmolean Museum

Background imageJohn Ruskin Collection: Seated female figure on a cloud, gazing upwards, 1600-1675 (black chalk with white bodycolour)

Seated female figure on a cloud, gazing upwards, 1600-1675 (black chalk with white bodycolour on blue paper)
7394148 Seated female figure on a cloud, gazing upwards, 1600-1675 (black chalk with white bodycolour on blue paper) by Italian School, (17th century); 32.1x25.8 cm; Ashmolean Museum

Background imageJohn Ruskin Collection: Pencil Outline of a Part of the Fresco of The Friends of Job in the Camposanto, Pisa

Pencil Outline of a Part of the Fresco of The Friends of Job in the Camposanto, Pisa, attributed to Taddeo Gaddi
7394140 Pencil Outline of a Part of the Fresco of The Friends of Job in the Camposanto, Pisa, attributed to Taddeo Gaddi, 1845 (graphite on paper) by Ruskin

Background imageJohn Ruskin Collection: Portrait of a Dutch Family (oil on canvas)

Portrait of a Dutch Family (oil on canvas)
XIR222286 Portrait of a Dutch Family (oil on canvas) by Noordt, Jan or Joan van (fl.1644-76); 191x162 cm; Musee des Beaux-Arts, Dunkirk, France

Background imageJohn Ruskin Collection: Study of foliage, 1845 (w / c & bodycolour on paper)

Study of foliage, 1845 (w / c & bodycolour on paper)
Ma201269 Study of foliage, 1845 (w/c & bodycolour on paper) by Ruskin, John (1819-1900); Private Collection; Photo © The Ms Gallery, London

Background imageJohn Ruskin Collection: An Old Moorish Gateway, Granada, 1883 (pencil and watercolour with white heightening)

An Old Moorish Gateway, Granada, 1883 (pencil and watercolour with white heightening)
652044 An Old Moorish Gateway, Granada, 1883 (pencil and watercolour with white heightening) by Roberts, David (1796-1864); 25x17.2 cm; Private Collection; (add.info.: An Old Moorish Gateway)

Background imageJohn Ruskin Collection: The South West Portico of St, (pencil and brown wash heightened with white

The South West Portico of St, (pencil and brown wash heightened with white
652043 The South West Portico of St, (pencil and brown wash heightened with white, on an etched base) by Ruskin, John (1819-1900); 43.2x26.7 cm; Private Collection; (add.info)

Background imageJohn Ruskin Collection: History of Saint Piat and Saint Eleuthere, Scene 12: The resurrection of the tribiun

History of Saint Piat and Saint Eleuthere, Scene 12: The resurrection of the tribiun
6261540 History of Saint Piat and Saint EleuthAre, Scene 12: The resurrection of the tribiuns daughter by Unknown Artist, (14th-15th century); Cathedral treasure, Cathedrale Notre-Dame, Tournai

Background imageJohn Ruskin Collection: Study of the Head of the Angel Gabriel in Filippo Lippis

Study of the Head of the Angel Gabriel in Filippo Lippis
6263793 Study of the Head of the Angel Gabriel in Filippo Lippis The Announcing Angel, 28 June 1870 (graphite, w/c and bodycolour on blue wove paper) by Ruskin

Background imageJohn Ruskin Collection: The Gryphon bearing the north Shaft of the west Entrance of the Duomo, Verona

The Gryphon bearing the north Shaft of the west Entrance of the Duomo, Verona
6263790 The Gryphon bearing the north Shaft of the west Entrance of the Duomo, Verona, 18-28 June 1869 (w/c and bodycolour over graphite on wove paper) by Ruskin

Background imageJohn Ruskin Collection: Head of a Girl (coloured chalks on buff paper)

Head of a Girl (coloured chalks on buff paper)
5889060 Head of a Girl (coloured chalks on buff paper) by Morgan, Evelyn De (1855-1919); 29.2x20.3 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageJohn Ruskin Collection: The Earth, c. 1878 (pencil, pen & ink & w / c heightened with white on ochre paper)

The Earth, c. 1878 (pencil, pen & ink & w / c heightened with white on ochre paper)
5889058 The Earth, c.1878 (pencil, pen & ink & w/c heightened with white on ochre paper) by Ruskin, John (1819-1900); 44.4x10.2 cm; Private Collection; Photo eThe Ms Gallery, London; English

Background imageJohn Ruskin Collection: The Mandolin Player, 1886 (oil on panel)

The Mandolin Player, 1886 (oil on panel)
5889081 The Mandolin Player, 1886 (oil on panel) by Long, Edwin Longsden (1829-91); 68.6x50.8 cm; Private Collection; (add.info.: One of a pair, see also image 5889080); Photo eThe Ms Gallery



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