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John Robert Cozens Collection

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98 items

Background imageJohn Robert Cozens Collection: He Perceived the Train of Patient Mules, illustration for The Fox

He Perceived the Train of Patient Mules, illustration for The Fox and His Foolish Fear from Animal Legends from Many
IL127252 He Perceived the Train of Patient Mules, illustration for The Fox and His Foolish Fear from Animal Legends from Many Lands, published by Raphael Tuck & Sons Ltd

Background imageJohn Robert Cozens Collection: In the Grisons (pen & ink, w / c on paper)

In the Grisons (pen & ink, w / c on paper)
LMG112951 In the Grisons (pen & ink, w/c on paper) by Cozens, John Robert (1752-99); 26.6x18.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K

Background imageJohn Robert Cozens Collection: The Lake of Albano and Castle Gandolfo (w / c over graphite on wove paper) (see also

The Lake of Albano and Castle Gandolfo (w / c over graphite on wove paper) (see also
XYC252095 The Lake of Albano and Castle Gandolfo (w/c over graphite on wove paper) (see also 151685) by Cozens, John Robert (1752-99); 44.5x64.1 cm; Yale Center for British Art

Background imageJohn Robert Cozens Collection: Sea Piece, 1794-1807 (watercolour on paper)

Sea Piece, 1794-1807 (watercolour on paper)
7528518 Sea Piece, 1794-1807 (watercolour on paper) by Owen, Samuel (1768-1857); 21x14.5 cm; Gallery Oldham, UK; (add.info)

Background imageJohn Robert Cozens Collection: Two Great Temples at Paestum, 1782 (watercolour, pencil and ink on paper)

Two Great Temples at Paestum, 1782 (watercolour, pencil and ink on paper)
7528513 Two Great Temples at Paestum, 1782 (watercolour, pencil and ink on paper) by Cozens, John Robert (1752-99); 37x25 cm; Gallery Oldham

Background imageJohn Robert Cozens Collection: Ruins of Paestum near Salerno: The Three Temples, c.1792 (watercolour, ink and pencil on paper)

Ruins of Paestum near Salerno: The Three Temples, c.1792 (watercolour, ink and pencil on paper)
7528512 Ruins of Paestum near Salerno: The Three Temples, c.1792 (watercolour, ink and pencil on paper) by Cozens, John Robert (1752-99); 36.5x25.5 cm; Gallery Oldham

Background imageJohn Robert Cozens Collection: The Battle of New Orleans, 1910

The Battle of New Orleans, 1910
1579953 The Battle of New Orleans, 1910 by Moran, Percy (1862-1935); (add.info.: The Battle of New Orleans by Percy Moran)

Background imageJohn Robert Cozens Collection: Rome from the Villa Mellini (w/c)

Rome from the Villa Mellini (w/c)
MAL82266 Rome from the Villa Mellini (w/c) by Cozens, John Robert (1752-99); 52.7x74.3 cm; Private Collection; (add.info.: by John Robert Cozens); © Mallett Gallery, London, UK

Background imageJohn Robert Cozens Collection: THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)

THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving)
7262193 THE CORSICAN MUNCHAUSEN -HUMMING THE LADS OF PARIS. 1813 (engraving) by Rowlandson, Thomas (1756-1827) (after); Bromley Museum, Orpington

Background imageJohn Robert Cozens Collection: In the Gardens of the Villa Negroni at Rome (pencil and watercolour with scratching out)

In the Gardens of the Villa Negroni at Rome (pencil and watercolour with scratching out)
7262174 In the Gardens of the Villa Negroni at Rome (pencil and watercolour with scratching out) by Cozens, John Robert (1752-99); 26 x 37.2 cm; Private Collection; Photo © Christies Images

Background imageJohn Robert Cozens Collection: Lake of Albano and Castel Gandolfo

Lake of Albano and Castel Gandolfo
3854259 Lake of Albano and Castel Gandolfo by Cozens, John Robert (1752-99); (add.info.: Lake of Albano and Castel Gandolfo by John Robert Cozens, c. 1783- 88)

Background imageJohn Robert Cozens Collection: Birdlip Mirror, c. 50 AD (bronze)

Birdlip Mirror, c. 50 AD (bronze)
3854279 Birdlip Mirror, c.50 AD (bronze) by Celtic, (1st century); Gloucester City Museum and Art Gallery, Gloucestershire

Background imageJohn Robert Cozens Collection: Anemone double, from Fleurs Dessinees d apres Nature, c. 1800 (stipple engraving)

Anemone double, from Fleurs Dessinees d apres Nature, c. 1800 (stipple engraving)
880299 Anemone double, from Fleurs Dessinees d apres Nature, c.1800 (stipple engraving) by Spaendonck, Gerard van (1746-1822); Minneapolis Institute of Arts, MN, USA; (add.info.: 18 1/2 x 13 in)

Background imageJohn Robert Cozens Collection: Mount Parnassus from the Road Between Livadia and Delphi, c. 1790 (w / c on paper)

Mount Parnassus from the Road Between Livadia and Delphi, c. 1790 (w / c on paper)
880283 Mount Parnassus from the Road Between Livadia and Delphi, c.1790 (w/c on paper) by Cozens, John Robert (1752-99); Minneapolis Institute of Arts, MN, USA; (add.info.: 19 1/2 x 26 5/8 in)

Background imageJohn Robert Cozens Collection: Karamanid Woman (coloured engraving)

Karamanid Woman (coloured engraving)
STC468903 Karamanid Woman (coloured engraving) by Nicolai, David (1707-76); Private Collection; (add.info.: Femme de Caramanie; The Karamanid Emirate was a principality within the Ottoman Empire;)

Background imageJohn Robert Cozens Collection: Mountainous Landscape with Beech Trees, 1792 (w / c on paper)

Mountainous Landscape with Beech Trees, 1792 (w / c on paper)
STC468893 Mountainous Landscape with Beech Trees, 1792 (w/c on paper) by Cozens, John Robert (1752-99); Private Collection; The Stapleton Collection; English, out of copyright

Background imageJohn Robert Cozens Collection: View in Painshill Park, Surrey (oil on board)

View in Painshill Park, Surrey (oil on board)
AGN356173 View in Painshill Park, Surrey (oil on board) by Creswick, Thomas (1811-69); Private Collection; (add.info.: one of a pair; ); Photo eAgnew s, London; English, out of copyright

Background imageJohn Robert Cozens Collection: The Grand Chartreuse (w / c on paper)

The Grand Chartreuse (w / c on paper)
AGN356144 The Grand Chartreuse (w/c on paper) by Cozens, John Robert (1752-99); Private Collection; (add.info.: head monastery of the Carthusian Order near Grenoble; ); Photo eAgnew s

Background imageJohn Robert Cozens Collection: The Woman Taken in Adultery, 1527 (pen & ink on paper)

The Woman Taken in Adultery, 1527 (pen & ink on paper)
AMO112274 The Woman Taken in Adultery, 1527 (pen & ink on paper) by Manuel, Niklaus (c.1484-1530); 34.2x30.9 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Swiss, out of copyright

Background imageJohn Robert Cozens Collection: In the Canton of Unterwalden (w / c on paper)

In the Canton of Unterwalden (w / c on paper)
LMG108866 In the Canton of Unterwalden (w/c on paper) by Cozens, John Robert (1752-99); 23.8x36.2 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageJohn Robert Cozens Collection: A Roman Beggar Woman, 1857 (oil on canvas)

A Roman Beggar Woman, 1857 (oil on canvas)
BIR102311 A Roman Beggar Woman, 1857 (oil on canvas) by Degas, Edgar (1834-1917); 100.3x75.2 cm; Birmingham Museums and Art Gallery; (add.info.: Une Mendiante romaine; Rome; ); French

Background imageJohn Robert Cozens Collection: Isola Bella, Lake Maggiore (w / c on paper)

Isola Bella, Lake Maggiore (w / c on paper)
BIR102308 Isola Bella, Lake Maggiore (w/c on paper) by Cozens, John Robert (1752-99); Birmingham Museums and Art Gallery; eBirmingham Museums Trust; English, out of copyright

Background imageJohn Robert Cozens Collection: Kirkstall Abbey, 1801 (pencil on paper)

Kirkstall Abbey, 1801 (pencil on paper)
LMG148385 Kirkstall Abbey, 1801 (pencil on paper) by Farington, Joseph (1747-1821); 30.1x47.3 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageJohn Robert Cozens Collection: The Castle of Salerno, near Cetara (w / c on paper)

The Castle of Salerno, near Cetara (w / c on paper)
LMG148381 The Castle of Salerno, near Cetara (w/c on paper) by Cozens, John Robert (1752-99); 66.8x93 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageJohn Robert Cozens Collection: The Gorge, Ronda, Spain (w / c & gouache on paper)

The Gorge, Ronda, Spain (w / c & gouache on paper)
Ma110251 The Gorge, Ronda, Spain (w/c & gouache on paper) by Goodall, Edward Angelo (1819-1908); 52.1x34.9 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageJohn Robert Cozens Collection: Entrance to the Valley of the Grande Chartreuse, 18th century (w / c on paper)

Entrance to the Valley of the Grande Chartreuse, 18th century (w / c on paper)
AMO110248 Entrance to the Valley of the Grande Chartreuse, 18th century (w/c on paper) by Cozens, John Robert (1752-99); 26.2x37.7 cm; Ashmolean Museum, University of Oxford

Background imageJohn Robert Cozens Collection: The Lake of Nemi and the town of Genzano, 18th century (w / c on paper)

The Lake of Nemi and the town of Genzano, 18th century (w / c on paper)
AMO110246 The Lake of Nemi and the town of Genzano, 18th century (w/c on paper) by Cozens, John Robert (1752-99); 49.6x67 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English

Background imageJohn Robert Cozens Collection: The Print Room, pub. in Lasst Licht Hinin ( Let in More Light ), 1910

The Print Room, pub. in Lasst Licht Hinin ( Let in More Light ), 1910
STC61914 The Print Room, pub. in Lasst Licht Hinin ( Let in More Light ), 1910 by Larsson, Carl (1853-1919); Private Collection; The Stapleton Collection; Swedish, out of copyright

Background imageJohn Robert Cozens Collection: In the Gardens of the Villa Pamphili (w / c over pencil on laid paper)

In the Gardens of the Villa Pamphili (w / c over pencil on laid paper)
AGN59543 In the Gardens of the Villa Pamphili (w/c over pencil on laid paper) by Cozens, John Robert (1752-99); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageJohn Robert Cozens Collection: Grace Darling and her father saving the shipwrecked crew, 17th September 1838 (w / c)

Grace Darling and her father saving the shipwrecked crew, 17th September 1838 (w / c)
SC27833 Grace Darling and her father saving the shipwrecked crew, 17th September 1838 (w/c) by Scott, William Bell (1811-90); Victoria & Albert Museum, London, UK; Scottish, out of copyright

Background imageJohn Robert Cozens Collection: View of a Schloss between Bolzano and Trent, (w / c)

View of a Schloss between Bolzano and Trent, (w / c)
SC27805 View of a Schloss between Bolzano and Trent, (w/c) by Cozens, John Robert (1752-99); Victoria & Albert Museum, London, UK; (add.info.: View of a castle between Bolzano and Trento)

Background imageJohn Robert Cozens Collection: Christ in the House of Martha and Mary (oil on panel)

Christ in the House of Martha and Mary (oil on panel)
696638 Christ in the House of Martha and Mary (oil on panel) by Brueghel, Jan the Younger (1601-78); 68x104.7 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Background imageJohn Robert Cozens Collection: London from Greenwich Hill, (pencil and watercolour)

London from Greenwich Hill, (pencil and watercolour)
651976 London from Greenwich Hill, (pencil and watercolour) by Cozens, John Robert (1752-99); 45.7x62.1 cm; Private Collection; (add.info.: London from Greenwich Hill. John Robert Cozens (1752-1797)

Background imageJohn Robert Cozens Collection: The Age of Bronze, 1875-6 (this piece cast in 1906) (bronze)

The Age of Bronze, 1875-6 (this piece cast in 1906) (bronze)
LMG112959 The Age of Bronze, 1875-6 (this piece cast in 1906) (bronze) by Rodin, Auguste (1840-1917); 178x59x61.5 cm; Leeds Museums and Galleries (Leeds Art Fund)

Background imageJohn Robert Cozens Collection: Near Chiavenna (pen & ink, w / c on paper)

Near Chiavenna (pen & ink, w / c on paper)
LMG112950 Near Chiavenna (pen & ink, w/c on paper) by Cozens, John Robert (1752-99); 18.6x26.6 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageJohn Robert Cozens Collection: Kirkstall Abbey, Leeds (w / c on paper)

Kirkstall Abbey, Leeds (w / c on paper)
LMG108888 Kirkstall Abbey, Leeds (w/c on paper) by Alexander, George (1832-1913); 40.3x55.8 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; British

Background imageJohn Robert Cozens Collection: Arriccia near Albano (w / c on paper)

Arriccia near Albano (w / c on paper)
LMG108867 Arriccia near Albano (w/c on paper) by Cozens, John Robert (1752-99); 36.9x53.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageJohn Robert Cozens Collection: Lake Albano and Castel Gandolfo (w / c on paper)

Lake Albano and Castel Gandolfo (w / c on paper)
LMG108861 Lake Albano and Castel Gandolfo (w/c on paper) by Cozens, John Robert (1752-99); 60.2x85.4 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageJohn Robert Cozens Collection: Visions of the Daughters of Albion: Title Page, designed in 1793, completed c

Visions of the Daughters of Albion: Title Page, designed in 1793, completed c
FIT111241 Visions of the Daughters of Albion: Title Page, designed in 1793, completed c.1815 (relief etching with pen and w/c on paper) by Blake

Background imageJohn Robert Cozens Collection: Lake Como (pencil and wash on paper) (pair of 111239)

Lake Como (pencil and wash on paper) (pair of 111239)
LMG111238 Lake Como (pencil and wash on paper) (pair of 111239) by Cozens, John Robert (1752-99); 18.5x26.8 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageJohn Robert Cozens Collection: Portrait of Richard Oliver Gascoigne, c. 1815 (oil on canvas)

Portrait of Richard Oliver Gascoigne, c. 1815 (oil on canvas)
LMG148377 Portrait of Richard Oliver Gascoigne, c.1815 (oil on canvas) by English School, (19th century); 76.5x63.4 cm; Leeds Museums and Galleries (Lotherton Hall)

Background imageJohn Robert Cozens Collection: Via Mala in the Grisons (pen and ink and wash on paper)

Via Mala in the Grisons (pen and ink and wash on paper)
LMG148374 Via Mala in the Grisons (pen and ink and wash on paper) by Cozens, John Robert (1752-99); 26.6x18.4 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageJohn Robert Cozens Collection: Tintern Abbey by Moonlight (pen & brown ink and w / c on paper)

Tintern Abbey by Moonlight (pen & brown ink and w / c on paper)
BAC155883 Tintern Abbey by Moonlight (pen & brown ink and w/c on paper) by Cotman, John Sell (1782-1842); 15.4x10.4 cm; Private Collection; English, out of copyright

Background imageJohn Robert Cozens Collection: Interior of the Lower Ambulatory of the Colosseum, Rome, 1778 (w / c on paper)

Interior of the Lower Ambulatory of the Colosseum, Rome, 1778 (w / c on paper)
BAC155868 Interior of the Lower Ambulatory of the Colosseum, Rome, 1778 (w/c on paper) by Cozens, John Robert (1752-99); 45.1x62.2 cm; Private Collection; English, out of copyright

Background imageJohn Robert Cozens Collection: Wells Cathedral, 1821 (w / c)

Wells Cathedral, 1821 (w / c)
STC60165 Wells Cathedral, 1821 (w/c) by Buckler, John (1770-1851); 46.1x66.7 cm; Victoria & Albert Museum, London, UK; The Stapleton Collection; English, out of copyright

Background imageJohn Robert Cozens Collection: A Shepherds Hut between Naples and Portici (w / c)

A Shepherds Hut between Naples and Portici (w / c)
STC60157 A Shepherds Hut between Naples and Portici (w/c) by Cozens, John Robert (1752-99); 26.1x36.5 cm; Victoria & Albert Museum, London, UK; The Stapleton Collection; English, out of copyright

Background imageJohn Robert Cozens Collection: A Cottage Madonna, 1907 (oil on canvas)

A Cottage Madonna, 1907 (oil on canvas)
HMP90721 A Cottage Madonna, 1907 (oil on canvas) by Stott, William Edward (1859-1918); 61x61 cm; Harris Museum and Art Gallery, Preston, Lancashire, UK; eHarris Museum and Art Gallery; English

Background imageJohn Robert Cozens Collection: The Palazzo Vecchio from the Boboli Gardens, Florence (w / c & pencil on paper)

The Palazzo Vecchio from the Boboli Gardens, Florence (w / c & pencil on paper)
BOL93963 The Palazzo Vecchio from the Boboli Gardens, Florence (w/c & pencil on paper) by Cozens, John Robert (1752-99); 36.8x26 cm; Bolton Museum and Art Gallery, Lancashire



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