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John Everett Millais
John Everett Millais Prints
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Self-Portrait (tempera on panel)
From £69.98
Study for a Window Design, 1853 (pencil & wash on paper)
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A Haul on the Mainsheet, 1910 (w / c & bodycolour on paper)
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Rossetti Painting Something Large, 1854 (pen & ink on paper)
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Blackwells Island Bridge, New York City, USA, c. 1910 (b / w photo)
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The Eve of St Agnes, 1850 (oil on millboard)
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Li vessel, bearing the taotie design, Erligang period, Shang Dynasty, c
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The Escape of a Heretic, 1559, 1857 (oil on canvas)
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Jo The Crossing Sweeper, illustration from Bleak House
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Portrait of Mamie Dickens (oil on canvas)
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General map including Arabia, Japan, the Korean peninsula
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Elizabeth Siddal: Study for Ophelia, 1852 (pencil on paper)
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Portrait of Marc Chagall, c. 1910 (oil on canvas)
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Portrait of a Girl, 1857 (oil on paper laid over panel)
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Pharaoh and his Army Drowning in the Red Sea, 1900 (oil on canvas)
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Rocks at Tintagel (oil on canvas)
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Sketch of a Young Girl, 1863 (pencil on paper)
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Mythical Beast tile panel (ceramic)
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A Party at Bowerswell, 1853 (pen & ink on paper)
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Colonel Henry Bouquet (1719-65) c. 1760 (oil on canvas)
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Portrait of Henry Irving (1870-1919) (oil on canvas)
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An Actor (pencil on paper)
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A Musical Party, 1660s (panel)
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Cuckoo! (oil on canvas)
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Portrait of Samuel Woodburn, c. 1820 (oil on panel)
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The Bridesmaid, 1851 (oil on panel)
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Summer, 1919 (oil on cardboard)
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The Return of the Dove to the Ark, 1851 (oil on canvas)
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The Marriage of Tobias, detail from a series of panels on the organ parapet depicting
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The Order of Release, 1853 (oil on canvas)
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Beatrice Meeting Dante at a Marriage Feast Denies Him Her Salutation
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Portrait of Holman Hunt, 1854 (w / c and pencil on paper)
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An old man in fanciful costume (oil on canvas)
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Spencer Compton Cavendish, Marquess of Hartington, later 8th Duke of Devonshire
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Richmond Castle, Yorkshire (oil on canvas)
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Meditation, 1879 (oil on canvas)
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Drapery study for Day and the Dawnstar (pink, blue
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Seated Female Nude, 1847 (black & white chalk on brown paper)
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Cupid and Psyche
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The Departure of the Crusaders (oil on canvas)
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La Vie Seigneuriale: Reading, Loire Workshop, c. 1500 (tapestry)
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Trust Me, 1862 (oil on canvas)
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Study for the left-hand Portion of a View of Bruges from the South-West
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John Ruskin, 1854 (oil on canvas)
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Crouching by the Marge (pen and black ink on pink paper)
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Mariana (pen & black ink)
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Self-Portrait of the Artist, half length, 1915 (oil on canvas)
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Portrait of Cecil Webb, seated full length, wearing a Black Coat with a Fur Collar
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The Beautiful Period; La Belle Epoque, 1880 (oil on canvas)
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Garland Weavers, c. 1846 (oil on panel)
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Portrait of the singer George Henschel playing Alma-Tademas piano, Townshend House
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A Bull of the Alderney Breed (oil on canvas)
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The Order of Release (w / c on paper)
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Winter Landscape with two wooden Huts (bodycolour and oil on board, mounted as a drawing)
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St Agnes Eve (pen and black ink)
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Portrait of the Artists Wife, Nina, c. 1830 (graphite on paper)
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The Sleeping Palace (pen and black ink)
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The Last March of Edward I (colour litho)
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The Twins, Portrait of Kate Edith and Grace Maud Hoare, 1876 (oil on canvas)
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Madonna and Child, c. 1310 (tempera & gold ground on poplar panel)
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Peace Concluded, 1856 (oil on canvas)
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The Recapture of the Buda Fortress by the Hungarian Insurgents on 21st May 1849
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A Christmas letter written with pictograms (pen & ink and w / c on paper
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The Parables (engraving)
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Pre-Raphaelite Sketching Inconvenience in Windy Weather (pen & ink on paper)
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A Wife (w / c on paper)
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Portrait of Cardinal Newman (1801-90) (oil on canvas)
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Garretts Patent Horse Hoe (engraving)
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The Music Mistress (oil on canvas)
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Man drying his leg (oil on canvas)
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Portrait of Mrs. Joseph Chamberlain (1864-1957), 1891 (oil on canvas)
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Lady in a Feathered Hat (w / c)
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Married for Rank, 1853 (pencil, pen & ink on paper)
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A Conversation at the Surgeons Hall, Old Bailey
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Portrait of Alice Sophia Caroline Stuart Wortley, the artists daughter
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Portrait of a lady, bust length in a green dress with a white collar (oil on canvas)
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The Girlhood of St. Theresa (oil on canvas)
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The Yacht Race (Dublin Bay) (w / c on paper)
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Joan of Arc, 1865 (oil on canvas)
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Happy Springtime (etching on paper)
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Painted panel of the Hotel de Peyrenc realized by Nicolas Lancret (1690-1743) 1725 Paris
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Autumn Leaves Painting by John Everett Millais (1829-1896), 1856 Sun
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The Vale of Ffestiniog, Merionethshire (watercolour on paper)
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The Return of the Dove to the Ark, 1851 (oil on canvas)
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