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Wolverhampton - Lichfield Street: sepia drawing, 1846 (drawing)

Wolverhampton - Lichfield Street: sepia drawing, 1846 (drawing)


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Wolverhampton - Lichfield Street: sepia drawing, 1846 (drawing)

5899181 Wolverhampton - Lichfield Street: sepia drawing, 1846 (drawing) by Buckler, John (1770-1851); 17.8x20.3 cm; The William Salt Library, Stafford, UK; (add.info.: The entrance of Lichfield Street from the Market Place, Wolverhampton, [?looking towards the Market Place]. On the right are two gables overhanging, on the left is a half-timber house, and in the distance is Harleys block [since removed].); eWilliam Salt Library; English, out of copyright

Media ID 22768504

© William Salt Library / Bridgeman Images

Chapels


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EDITORS COMMENTS
This sepia drawing, created in 1846 by John Buckler, offers a glimpse into the historical streets of Wolverhampton. The print showcases Lichfield Street, with its bustling entrance from the Market Place. As we peer into the scene, our eyes are immediately drawn to the two gables overhanging on the right side of the street. These architectural features add a touch of charm and character to this vibrant cityscape. On the left side of Lichfield Street stands a half-timber house, further enhancing the old-world atmosphere captured in this artwork. In the distance, we catch a glimpse of Harleys block, which has since been removed but remains an integral part of Wolverhampton's history. The artist's attention to detail is evident as he skillfully portrays various buildings and landmarks that dot this lively street. From chapels and churches to houses and shops, each element contributes to painting a vivid picture of life in Wolverhampton during this era. Preserved within The William Salt Library in Stafford, UK, this print serves as an invaluable historical document for those interested in exploring England's past. It allows us to step back in time and appreciate how much has changed while also recognizing elements that have stood steadfast throughout generations. Through Buckler's masterful strokes and use of sepia tones, viewers can transport themselves back to 19th-century Wolverhampton - immersing themselves in its rich architectural heritage and imagining what life was like for those who once walked

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