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Jean Michel the Younger (after) Moreau Collection

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81 items

Background imageJean Michel the Younger (after) Moreau Collection: Jean-Jacques Rousseaus Hermitage in Ermenonville (engraving) (see also 430491)

Jean-Jacques Rousseaus Hermitage in Ermenonville (engraving) (see also 430491)
XIR168374 Jean-Jacques Rousseaus Hermitage in Ermenonville (engraving) (see also 430491) by French School, (18th century); Bibliotheque des Arts Decoratifs, Paris

Background imageJean Michel the Younger (after) Moreau Collection: Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi

Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi
XIR172451 Sainte Vierge!s ecria-t-elle qu allons nous devenir? Un Homme tue chez moi!, illustration from chapter 9 of Candide by Francois Voltaire (1694-1778) engraved by Philippe Triere (1756-1815)

Background imageJean Michel the Younger (after) Moreau Collection: Quelle Chaleur (What Heat) (colour litho)

Quelle Chaleur (What Heat) (colour litho)
3098841 Quelle Chaleur (What Heat) (colour litho) by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; (add.info.: Quelle Chaleur (What Heat)

Background imageJean Michel the Younger (after) Moreau Collection: Opening of the Estates General at Versailles, 5th May 1789

Opening of the Estates General at Versailles, 5th May 1789
CHT168371 Opening of the Estates General at Versailles, 5th May 1789, from Tableaux historiques de la Revolution Francaise (coloured engraving) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: Marie Antoinette, exiting her carriage and surrounded by her cortege

Marie Antoinette, exiting her carriage and surrounded by her cortege
2961208 Marie Antoinette, exiting her carriage and surrounded by her cortege, comforting a peasant, 1773 (pen & ink and wash on paper) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: Fairground entertainers on stage (colour photo)

Fairground entertainers on stage (colour photo)
3098856 Fairground entertainers on stage (colour photo) by French Photographer, (19th century); Private Collection; (add.info.: Fairground entertainers on stage)

Background imageJean Michel the Younger (after) Moreau Collection: Madonna and Child with St. John the Baptist

Madonna and Child with St. John the Baptist
ACI64870 Madonna and Child with St. John the Baptist by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria Palatina & Appartamenti Reali di Palazzo Pitti, Florence

Background imageJean Michel the Younger (after) Moreau Collection: Have no fear, my good friend, engraved by I. S. Helman (1743-1809)

Have no fear, my good friend, engraved by I. S. Helman (1743-1809)
STC64853 Have no fear, my good friend, engraved by I.S. Helman (1743-1809) by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; The Stapleton Collection; French

Background imageJean Michel the Younger (after) Moreau Collection: Autograph letter to Therese or Barbe Durieux, dated 19 April 1770 (pen & ink on vellum

Autograph letter to Therese or Barbe Durieux, dated 19 April 1770 (pen & ink on vellum
2961209 Autograph letter to TherAse or Barbe Durieux, dated 19 April 1770 (pen & ink on vellum) (verso of 2961210) by Habsburg-Lothringen

Background imageJean Michel the Younger (after) Moreau Collection: Angels playing the fiddle and pipe, c. 1475-97 (tempera on panel) (detail of 64871

Angels playing the fiddle and pipe, c. 1475-97 (tempera on panel) (detail of 64871
ACI64874 Angels playing the fiddle and pipe, c.1475-97 (tempera on panel) (detail of 64871, see also 64872 and 64873) by Botticini, Francesco (c.1446-97) (attr)

Background imageJean Michel the Younger (after) Moreau Collection: The Queens Lady-in-Waiting, engraved by P. A. Martini (1739-97)

The Queens Lady-in-Waiting, engraved by P. A. Martini (1739-97)
STC64862 The Queens Lady-in-Waiting, engraved by P.A. Martini (1739-97) by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; The Stapleton Collection; French, out of copyright

Background imageJean Michel the Younger (after) Moreau Collection: The Rendezvous at Marly, engraved by Carl Guttenberg (1743-1790)

The Rendezvous at Marly, engraved by Carl Guttenberg (1743-1790)
STC64854 The Rendezvous at Marly, engraved by Carl Guttenberg (1743-1790) by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; The Stapleton Collection; French, out of copyright

Background imageJean Michel the Younger (after) Moreau Collection: The Fine Supper, 1781, engraved by I. S. Helman (1743-1809)

The Fine Supper, 1781, engraved by I. S. Helman (1743-1809)
STC64851 The Fine Supper, 1781, engraved by I.S. Helman (1743-1809) by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; The Stapleton Collection; French, out of copyright

Background imageJean Michel the Younger (after) Moreau Collection: Sophie et Emile, illustration from L Emile

Sophie et Emile, illustration from L Emile
CHT253077 Sophie et Emile, illustration from L Emile by Jean-Jacques Rousseau (1712-78) published in 1846, Paris (engraving) (b/w photo) by Johannot

Background imageJean Michel the Younger (after) Moreau Collection: Illustration from L Emile by Jean-Jacques Rousseau (1712-78

Illustration from L Emile by Jean-Jacques Rousseau (1712-78
XIR253071 Illustration from L Emile by Jean-Jacques Rousseau (1712-78) engraved by Noel Le Mire (1724-1800) published in 1778 (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: Adoration of the Child with the young St. John the Baptist (panel)

Adoration of the Child with the young St. John the Baptist (panel)
ACI64868 Adoration of the Child with the young St. John the Baptist (panel) by Pseudo Pier Francesco Fiorentino, (fl.1475-1500); 110x68 cm; Museo e Galleria Mozzi Bardini, Florence, Tuscany

Background imageJean Michel the Younger (after) Moreau Collection: The Whist Party, 1783, engraved by Jean Dambrun (1741-c. 1808)

The Whist Party, 1783, engraved by Jean Dambrun (1741-c. 1808)
STC64856 The Whist Party, 1783, engraved by Jean Dambrun (1741-c.1808) by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; The Stapleton Collection; French, out of copyright

Background imageJean Michel the Younger (after) Moreau Collection: Interior of the Basilica of San Paulo Fuori le Mura, Rome

Interior of the Basilica of San Paulo Fuori le Mura, Rome
CHT225184 Interior of the Basilica of San Paulo Fuori le Mura, Rome, from Le Antichita Romane de G.B. Piranesi (1756), published in Paris, 1835 (engraving) by Piranesi

Background imageJean Michel the Younger (after) Moreau Collection: Arrival of Jean-Jacques Rousseau (1712-78) in the Elysian Fields, 1782 (colour engraving)

Arrival of Jean-Jacques Rousseau (1712-78) in the Elysian Fields, 1782 (colour engraving)
CHT225179 Arrival of Jean-Jacques Rousseau (1712-78) in the Elysian Fields, 1782 (colour engraving) by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; (add.info)

Background imageJean Michel the Younger (after) Moreau Collection: Helmet with the Deesis (steel with gold and silver inlay)

Helmet with the Deesis (steel with gold and silver inlay)
BAL167001 Helmet with the Deesis (steel with gold and silver inlay) by Byzantine, (13th century); height:30 cm; Armoury Museum, Kremlin, Moscow

Background imageJean Michel the Younger (after) Moreau Collection: The Last Words of Jean-Jacques Rousseau (1712-78) at Ermenonville in 1778

The Last Words of Jean-Jacques Rousseau (1712-78) at Ermenonville in 1778
CHT168367 The Last Words of Jean-Jacques Rousseau (1712-78) at Ermenonville in 1778 (coloured engraving) by Moreau, Jean Michel the Younger (1741-1814) (after); Musee de la Ville de Paris

Background imageJean Michel the Younger (after) Moreau Collection: St Jerome Writing, c. 1605 (oil on canvas)

St Jerome Writing, c. 1605 (oil on canvas)
AII64911 St Jerome Writing, c.1605 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 112x157 cm; Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Background imageJean Michel the Younger (after) Moreau Collection: Trip to the Opera, engraved by P. C. Baquoy (1759-1829) and C. E. Patas (1744-1802)

Trip to the Opera, engraved by P. C. Baquoy (1759-1829) and C. E. Patas (1744-1802)
STC64863 Trip to the Opera, engraved by P.C. Baquoy (1759-1829) and C.E. Patas (1744-1802) by Moreau, Jean Michel the Younger (1741-1814) (after)

Background imageJean Michel the Younger (after) Moreau Collection: Under the Mistletoe (colour litho)

Under the Mistletoe (colour litho)
972720 Under the Mistletoe (colour litho) by English School, (20th century); Private Collection; (add.info.: Under the Mistletoe. A man placing a ring on his sweethearts finger)

Background imageJean Michel the Younger (after) Moreau Collection: The coronation oath of King Louis XVI of France, 1775 (engraving)

The coronation oath of King Louis XVI of France, 1775 (engraving)
972708 The coronation oath of King Louis XVI of France, 1775 (engraving) by Moreau, Jean Michel the Younger (1741-1814) (after); Private Collection; (add.info)

Background imageJean Michel the Younger (after) Moreau Collection: Jean Mairet (1604-1686), French drama writer

Jean Mairet (1604-1686), French drama writer
XEE4413747 Jean Mairet (1604-1686), French drama writer. by Unknown Artist, (19th century); Private Collection; (add.info.: Jean Mairet (1604-1686)

Background imageJean Michel the Younger (after) Moreau Collection: Establishment of ecclesiastical tithes by Pepin le Brief and Carloman (743)

Establishment of ecclesiastical tithes by Pepin le Brief and Carloman (743)
XEE4413721 Establishment of ecclesiastical tithes by Pepin le Brief and Carloman (743). Engraving after Moreau the young 18th century engraving. Private collection

Background imageJean Michel the Younger (after) Moreau Collection: Womens embroidered jacket, known in the 17th century as a waistcoat

Womens embroidered jacket, known in the 17th century as a waistcoat
619970 Womens embroidered jacket, known in the 17th century as a waistcoat by English School, (17th century); Fashion Museum Bath; (add.info.: See also 619971.); eFashion Museum Bath; English

Background imageJean Michel the Younger (after) Moreau Collection: Ah! Leave me, and save Telasco!, illustration from The Incas

Ah! Leave me, and save Telasco!, illustration from The Incas
617598 Ah! Leave me, and save Telasco!, illustration from The Incas, or the Destruction of the Empire of Peru by Jean-Francois Marmontel, engraved by Nicolas Delaunay

Background imageJean Michel the Younger (after) Moreau Collection: Portrait of Francis Lolonois (or L Ollonois) also calls Jean-David (Jean David

Portrait of Francis Lolonois (or L Ollonois) also calls Jean-David (Jean David
XEE4403999 Portrait of Francis Lolonois (or L Ollonois) also calls Jean-David (Jean David) Nau (1630-1671). Engraving from " Bucaniers of America"

Background imageJean Michel the Younger (after) Moreau Collection: Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman

Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman
XEE4403996 Treve of the Lord under Henry I in 1004: The Virgin appearing at the Timberman, near the Puy-en-Velay (Puy en Velay, Haute Loire)

Background imageJean Michel the Younger (after) Moreau Collection: Portrait of Michel III Obrenovic 1823-1868 Prince of Serbia - Mihailo Obrenovic III

Portrait of Michel III Obrenovic 1823-1868 Prince of Serbia - Mihailo Obrenovic III
XEE4157013 Portrait of Michel III Obrenovic 1823-1868 Prince of Serbia - Mihailo Obrenovic III Prince of Serbia by Unknown Artist

Background imageJean Michel the Younger (after) Moreau Collection: Le supper fin - engraving by Moreau Jean Michel, le Jeune (1741-1814

Le supper fin - engraving by Moreau Jean Michel, le Jeune (1741-1814
XEE4157008 Le supper fin - engraving by Moreau Jean Michel, le Jeune (1741-1814) - the Gourmet Supper, engraved by Isidore Stanislas Helman (1743-1809) 1781 after Moreau

Background imageJean Michel the Younger (after) Moreau Collection: The Small Box, engraved by Charles Emmanuel Patas (1744-1802) c. 1777 (engraving)

The Small Box, engraved by Charles Emmanuel Patas (1744-1802) c. 1777 (engraving)
XIR64864 The Small Box, engraved by Charles Emmanuel Patas (1744-1802) c.1777 (engraving) (b/w photo) by Moreau, Jean Michel the Younger (1741-1814) (after); Musee de la Ville de Paris

Background imageJean Michel the Younger (after) Moreau Collection: The Capitouls of Toulouse welcoming the Dukes of Burgundy and Berry in 1701 (oil

The Capitouls of Toulouse welcoming the Dukes of Burgundy and Berry in 1701 (oil
XCF349845 The Capitouls of Toulouse welcoming the Dukes of Burgundy and Berry in 1701 (oil on canvas) by Michel, Jean (1659-1709); 48.5 x 71.5 cm; Musee des Augustins, Toulouse

Background imageJean Michel the Younger (after) Moreau Collection: Abelard welcoming Heloise at Paraclete, illustration from Lettres d Heloise

Abelard welcoming Heloise at Paraclete, illustration from Lettres d Heloise
XIR346154 Abelard welcoming Heloise at Paraclete, illustration from Lettres d Heloise et d Abelard, volume I, 1795 (engraving) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: The first kiss of love, volume I, page 37, illustration from La Nouvelle Heloise

The first kiss of love, volume I, page 37, illustration from La Nouvelle Heloise
XIR346147 The first kiss of love, volume I, page 37, illustration from La Nouvelle Heloise by Jean-Jacques Rousseau (1712-78) engraved by Noel Le Mire (1724-1800) (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: Abelard lecturing among disciples in the deserted Champagne, illustration from Lettres

Abelard lecturing among disciples in the deserted Champagne, illustration from Lettres
XIR346153 Abelard lecturing among disciples in the deserted Champagne, illustration from Lettres d Heloise et D Abelard, volume I, page 49

Background imageJean Michel the Younger (after) Moreau Collection: Heloise taking the veil, illustration from Lettres d Heloise et d Abelard

Heloise taking the veil, illustration from Lettres d Heloise et d Abelard
XIR346151 Heloise taking the veil, illustration from Lettres d Heloise et d Abelard, volume I, page 39, engraved by Remi Delvaux (1748-1823) 1795 (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: The meeting at the Bois de Boulogne, engraved by Heinrich Guttenberg (1749-1818) c

The meeting at the Bois de Boulogne, engraved by Heinrich Guttenberg (1749-1818) c
XIR346143 The meeting at the Bois de Boulogne, engraved by Heinrich Guttenberg (1749-1818) c.1777 (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: Heloise and Abelard in their study, illustration from Lettres d Heloise

Heloise and Abelard in their study, illustration from Lettres d Heloise
XIR346150 Heloise and Abelard in their study, illustration from Lettres d Heloise et d Abelard, volume I, page 25, engraved by Noel Le Mire (1724-1800) 1795 (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: Saint-Preux escaping, volume I, page 279, illustration from La Nouvelle Heloise

Saint-Preux escaping, volume I, page 279, illustration from La Nouvelle Heloise
XIR346148 Saint-Preux escaping, volume I, page 279, illustration from La Nouvelle Heloise by Jean-Jacques Rousseau (1712-78) engraved by Noel Le Mire (1724-1800) (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: Have no fear my good friend, engraved by Isidore Stanislas Helman (1749-1809) 1776

Have no fear my good friend, engraved by Isidore Stanislas Helman (1749-1809) 1776
XIR346138 Have no fear my good friend, engraved by Isidore Stanislas Helman (1749-1809) 1776 (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: The lady at the Palais de la Reine, engraved by Pietro Antonio Martini (1739-97) 1777

The lady at the Palais de la Reine, engraved by Pietro Antonio Martini (1739-97) 1777
XIR346144 The lady at the Palais de la Reine, engraved by Pietro Antonio Martini (1739-97) 1777 (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: The horse race, engraved by Heinrich Guttenberg (1749-1818) c

The horse race, engraved by Heinrich Guttenberg (1749-1818) c
XIR346145 The horse race, engraved by Heinrich Guttenberg (1749-1818) c.1777 (engraving) (b/w photo) by Moreau, Jean Michel the Younger (1741-1814) (after); Musee de la Ville de Paris

Background imageJean Michel the Younger (after) Moreau Collection: Taking up a bet, engraved by Camligue (fl. 1785) c. 1777 (engraving) (b / w photo)

Taking up a bet, engraved by Camligue (fl. 1785) c. 1777 (engraving) (b / w photo)
XIR346146 Taking up a bet, engraved by Camligue (fl.1785) c.1777 (engraving) (b/w photo) by Moreau, Jean Michel the Younger (1741-1814) (after); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageJean Michel the Younger (after) Moreau Collection: The Little Godfathers, 1776, engraved in 1777 by Pierre Charles Baquoy (1759-1829)

The Little Godfathers, 1776, engraved in 1777 by Pierre Charles Baquoy (1759-1829)
XIR346130 The Little Godfathers, 1776, engraved in 1777 by Pierre Charles Baquoy (1759-1829) and Charles Emmanuel Patas (1744-1802) (engraving) (b/w photo) by Moreau

Background imageJean Michel the Younger (after) Moreau Collection: The rendezvous for Marly, engraved by Carl Guttenberg (1743-90) c. 1777 (engraving)

The rendezvous for Marly, engraved by Carl Guttenberg (1743-90) c. 1777 (engraving)
XIR346142 The rendezvous for Marly, engraved by Carl Guttenberg (1743-90) c.1777 (engraving) (b/w photo) by Moreau, Jean Michel the Younger (1741-1814) (after); Musee de la Ville de Paris



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