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Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari
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Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari
RGL212685 Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari, working the Rites of Isis, Paris, 1899 (pen & ink on paper) by English School, (19th century); Private Collection; (add.info.: Hermetic Order of the Golden Dawn; ); English, out of copyright
Media ID 23358832
© Bridgeman Images
Columns Cult Esoteric Fin De Siecle Hathor Hebrew Pillar Pillars Rosicrucian Rosicrucianism Rosicrucianist Sect Egyptian Goddess Neo Classical
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This black and white sketch captures the enigmatic Moina Mathers in her role as the High Priestess Anari, performing the sacred Rites of Isis. Created by an anonymous English artist in 1899, this pen and ink drawing showcases Mathers' deep connection to esoteric practices and her prominent position within the Hermetic Order of the Golden Dawn. Dressed in elaborate robes adorned with mystical symbols, Mathers stands between two towering pillars that symbolize strength and wisdom. The intricate details of her costume reflect a fusion of Hebrew and Egyptian influences, highlighting her profound knowledge of ancient traditions. As she conducts this ritualistic ceremony at the turn of the century, Mathers embodies both power and grace. Her gaze is focused yet serene, emanating an aura of mysticism that captivates all who behold it. The image transports us to a time when secret societies like Rosicrucianism were gaining popularity among intellectuals seeking spiritual enlightenment. It serves as a testament to Mathers' dedication to these teachings and her commitment to preserving ancient wisdom amidst a rapidly changing world. This rare glimpse into Mathers' life offers insight into not only her personal journey but also into the broader cultural fascination with neo-classical symbolism during fin de siècle Europe. Through this exquisite sketch, we are reminded of humanity's enduring quest for meaning beyond what meets the eye.
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