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James Abbott McNeill Whistler Collection

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Background imageJames Abbott McNeill Whistler Collection: Monarch of the Glen (oil on canvas)

Monarch of the Glen (oil on canvas)
6816280 Monarch of the Glen (oil on canvas) by Landseer, Edwin (1802-73) (after); 137x132 cm; Lyon & Turnbull; English, out of copyright

Background imageJames Abbott McNeill Whistler Collection: Arrangement in Yellow and Gray : Effie Deans, c. 1876-78 (oil on canvas)

Arrangement in Yellow and Gray : Effie Deans, c. 1876-78 (oil on canvas)
3545921 Arrangement in Yellow and Gray : Effie Deans, c.1876-78 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 194x93 cm; Rijksmuseum, Amsterdam

Background imageJames Abbott McNeill Whistler Collection: Alice Butt, c. 1895 (oil on canvas)

Alice Butt, c. 1895 (oil on canvas)
7296588 Alice Butt, c. 1895 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 51.7 x 38.1 cm; National Gallery of Art, Washington DC

Background imageJames Abbott McNeill Whistler Collection: Hunters in a Stable with a Groom, 1809 (oil on canvas)

Hunters in a Stable with a Groom, 1809 (oil on canvas)
990550 Hunters in a Stable with a Groom, 1809 (oil on canvas) by Weaver, Thomas (1774-1843); 68.6x89.5 cm; Private Collection; (add.info.: Hunters in a Stable with a Groom. Thomas Weaver (1774-1843)

Background imageJames Abbott McNeill Whistler Collection: Old Battersea Bridge, 1879 (etching)

Old Battersea Bridge, 1879 (etching)
6200307 Old Battersea Bridge, 1879 (etching) by Whistler, James Abbott McNeill (1834-1903); 20.3x29.9 cm; The McManus, Dundee

Background imageJames Abbott McNeill Whistler Collection: Nocturne: Grey and Silver - Chelsea Embankment, Winter, c. 1879 (oil on canvas)

Nocturne: Grey and Silver - Chelsea Embankment, Winter, c. 1879 (oil on canvas)
FSG324776 Nocturne: Grey and Silver - Chelsea Embankment, Winter, c.1879 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 62.6x47.5 cm; Freer Gallery of Art, Smithsonian Institution

Background imageJames Abbott McNeill Whistler Collection: Nocturne in Blue and Gold: Valparaiso, c. 1874 (oil on canvas)

Nocturne in Blue and Gold: Valparaiso, c. 1874 (oil on canvas)
2561564 Nocturne in Blue and Gold: Valparaiso, c.1874 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); Freer Gallery of Art, Smithsonian Institution

Background imageJames Abbott McNeill Whistler Collection: A Corner of the Artist's Room in Paris, 1907-09 (oil on canvas on board)

A Corner of the Artist's Room in Paris, 1907-09 (oil on canvas on board)
NGW184204 A Corner of the Artist's Room in Paris, 1907-09 (oil on canvas on board) by John, Gwen (1876-1939); 31.2x24.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageJames Abbott McNeill Whistler Collection: Nocturne, Blue and Gold, St. Mark's, Venice, 1880 (oil on canvas)

Nocturne, Blue and Gold, St. Mark's, Venice, 1880 (oil on canvas)
NGW249047 Nocturne, Blue and Gold, St. Mark's, Venice, 1880 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); National Museum Wales; National Museums & Galleries of Wales

Background imageJames Abbott McNeill Whistler Collection: Cover of Sheet Music for Samson, an Oratorio by Handel, published in 1759 (engraving)

Cover of Sheet Music for Samson, an Oratorio by Handel, published in 1759 (engraving)
XJF323038 Cover of Sheet Music for Samson, an Oratorio by Handel, published in 1759 (engraving) by English School, (18th century); Private Collection; (add.info.: George Frederick Handel (1685-1759)

Background imageJames Abbott McNeill Whistler Collection: General view of the Paris Universal Exhibition in 1889, 1889 (poster)

General view of the Paris Universal Exhibition in 1889, 1889 (poster)
JLJ4682502 General view of the Paris Universal Exhibition in 1889, 1889 (poster) by Unknown Artist, (19th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageJames Abbott McNeill Whistler Collection: Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle (1795-1881) 1872-73 (oil on canvas)

Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle (1795-1881) 1872-73 (oil on canvas)
GLS219808 Arrangement in Grey and Black, No.2: Portrait of Thomas Carlyle (1795-1881) 1872-73 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 171.7x143.5 cm; Art Gallery and Museum

Background imageJames Abbott McNeill Whistler Collection: Countryside Dance, 1883 (oil on canvas)

Countryside Dance, 1883 (oil on canvas)
JLJ4612320 Countryside Dance, 1883 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 180x90 cm; Musee d'Orsay, Paris, France; (add.info.: Countryside Dance)

Background imageJames Abbott McNeill Whistler Collection: Nocturne: Blue and Gold - Old Battersea Bridge, 1863 (oil on canvas)

Nocturne: Blue and Gold - Old Battersea Bridge, 1863 (oil on canvas)
JLJ4611088 Nocturne: Blue and Gold - Old Battersea Bridge, 1863 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 51x68 cm; The Art Institute of Chicago, IL

Background imageJames Abbott McNeill Whistler Collection: The beach of Sainte Adresse, 1867 (oil on canvas)

The beach of Sainte Adresse, 1867 (oil on canvas)
JLJ4650657 The beach of Sainte Adresse, 1867 (oil on canvas) by Monet, Claude (1840-1926); 93x130 cm; (add.info.: the beach of Sainte Adresse. Painting by Claude Monet (1840-1926) 1867 Dim

Background imageJames Abbott McNeill Whistler Collection: The artist's mother or arrangement in grey and black n°1, 1871 (Oil on canvas)

The artist's mother or arrangement in grey and black n°1, 1871 (Oil on canvas)
JLJ4655259 The artist's mother or arrangement in grey and black n°1, 1871 (Oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 144x162 cm; (add.info)

Background imageJames Abbott McNeill Whistler Collection: The Yellow Room, c. 1883-84 (w/c and gouache on paperboard)

The Yellow Room, c. 1883-84 (w/c and gouache on paperboard)
7328093 The Yellow Room, c.1883-84 (w/c and gouache on paperboard by Whistler, James Abbott McNeill (1834-1903); 24.8 -- 17.8 cm; Metropolitan Museum of Art, New York

Background imageJames Abbott McNeill Whistler Collection: The House of Cards, c. 1737 (oil on canvas)

The House of Cards, c. 1737 (oil on canvas)
7296600 The House of Cards, c.1737 (oil on canvas) by Chardin, Jean-Baptiste Simeon (1699-1779); 82.2 x 66 cm; National Gallery of Art, Washington DC

Background imageJames Abbott McNeill Whistler Collection: Mother of Pearl and Silver: The Andalusian, c. 1888--1900 (oil on canvas)

Mother of Pearl and Silver: The Andalusian, c. 1888--1900 (oil on canvas)
7296568 Mother of Pearl and Silver: The Andalusian, c.1888--1900 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 191.5 x 89.8 cm; National Gallery of Art, Washington DC

Background imageJames Abbott McNeill Whistler Collection: Grey and Silver: Chelsea Wharf, c. 1864-68 (oil on canvas)

Grey and Silver: Chelsea Wharf, c. 1864-68 (oil on canvas)
7296544 Grey and Silver: Chelsea Wharf, c.1864-68 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 61 x 46 cm; National Gallery of Art, Washington DC

Background imageJames Abbott McNeill Whistler Collection: The Little Schoolmistress, after 1740 (oil on canvas)

The Little Schoolmistress, after 1740 (oil on canvas)
7296601 The Little Schoolmistress, after 1740 (oil on canvas) by Chardin, Jean-Baptiste Simeon (1699-1779); 58.3 x 74 cm; National Gallery of Art, Washington DC

Background imageJames Abbott McNeill Whistler Collection: A French Harbour Scene (oil on millboard)

A French Harbour Scene (oil on millboard)
XYC172886 A French Harbour Scene (oil on millboard) by Bonington, Richard Parkes (1802-28) (circle of); 28.8x34 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageJames Abbott McNeill Whistler Collection: Dry-Dock, Southampton, from a set of twelve etchings entitled The Naval Review, 1887 (etching)

Dry-Dock, Southampton, from a set of twelve etchings entitled The Naval Review, 1887 (etching)
XYC251006 Dry-Dock, Southampton, from a set of twelve etchings entitled The Naval Review, 1887 (etching) by Whistler, James Abbott McNeill (1834-1903); Yale Center for British Art, Gift of Robert N

Background imageJames Abbott McNeill Whistler Collection: Troop Ships, from a set of twelve etchings entitled The Naval Review, 1887 (etching)

Troop Ships, from a set of twelve etchings entitled The Naval Review, 1887 (etching)
XYC251003 Troop Ships, from a set of twelve etchings entitled The Naval Review, 1887 (etching) by Whistler, James Abbott McNeill (1834-1903); Yale Center for British Art, Gift of Robert N. Whittemore

Background imageJames Abbott McNeill Whistler Collection: Carts for transporting the Champagne, from Le France Vinicole, engraved by B. Arnaud, pub

Carts for transporting the Champagne, from Le France Vinicole, engraved by B. Arnaud, pub
STC312836 Carts for transporting the Champagne, from Le France Vinicole, engraved by B. Arnaud, pub. by Moet & Chandon, Epernay (photolitho) by Choque, E.M

Background imageJames Abbott McNeill Whistler Collection: Bunting, from a set of twelve etchings entitled The Naval Review, 1887 (etching)

Bunting, from a set of twelve etchings entitled The Naval Review, 1887 (etching)
XYC251008 Bunting, from a set of twelve etchings entitled The Naval Review, 1887 (etching) by Whistler, James Abbott McNeill (1834-1903); Yale Center for British Art, Gift of Robert N. Whittemore

Background imageJames Abbott McNeill Whistler Collection: Visitors Boat, from a set of twelve etchings entitled The Naval Review, 1887 (etching)

Visitors Boat, from a set of twelve etchings entitled The Naval Review, 1887 (etching)
XYC251004 Visitors Boat, from a set of twelve etchings entitled The Naval Review, 1887 (etching) by Whistler, James Abbott McNeill (1834-1903); Yale Center for British Art, Gift of Robert N

Background imageJames Abbott McNeill Whistler Collection: Boats at Braydon, 1825 (etching)

Boats at Braydon, 1825 (etching)
XYC237817 Boats at Braydon, 1825 (etching) by Stannard, Joseph (1797-1830); 13.7x21.6 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageJames Abbott McNeill Whistler Collection: The Fleet: Evening, from a set of twelve etchings entitled The Naval Review, 1887 (etching)

The Fleet: Evening, from a set of twelve etchings entitled The Naval Review, 1887 (etching)
XYC251010 The Fleet: Evening, from a set of twelve etchings entitled The Naval Review, 1887 (etching) by Whistler, James Abbott McNeill (1834-1903); Yale Center for British Art, Gift of Robert N

Background imageJames Abbott McNeill Whistler Collection: Turning bottles, from La France Vinicole, published by Moet & Chandon, Epernay (photolitho)

Turning bottles, from La France Vinicole, published by Moet & Chandon, Epernay (photolitho)
STC214420 Turning bottles, from La France Vinicole, published by Moet & Chandon, Epernay (photolitho) by Choque, E.M. (19th-20th century); Private Collection; (add.info)

Background imageJames Abbott McNeill Whistler Collection: Portsmouth Children, from a set of twelve etchings entitled The Naval Review, 1887 (etching)

Portsmouth Children, from a set of twelve etchings entitled The Naval Review, 1887 (etching)
XYC251007 Portsmouth Children, from a set of twelve etchings entitled The Naval Review, 1887 (etching) by Whistler, James Abbott McNeill (1834-1903); Yale Center for British Art, Gift of Robert N

Background imageJames Abbott McNeill Whistler Collection: 'Portrait of the Mennonite Preacher Cornelius Claesz Anslo and his Wife Aaltje Gerritsdr Shouten'

"Portrait of the Mennonite Preacher Cornelius Claesz Anslo and his Wife Aaltje Gerritsdr Shouten"
FIA5379024 " Portrait of the Mennonite Preacher Cornelius Claesz Anslo and his Wife Aaltje Gerritsdr Shouten" (Le predicateur mennonite Cornelius Claesz Anslo et son epouse Aaltje Gerritsdr)

Background imageJames Abbott McNeill Whistler Collection: 'La princesse du pays de la porcelaine'(Rose and Silver: The Princess from the Land of Porcelain)

"La princesse du pays de la porcelaine"(Rose and Silver: The Princess from the Land of Porcelain)
FIA5378983 " La princesse du pays de la porcelaine" (Rose and Silver: The Princess from the Land of Porcelain) Jeune femme vetue a la japonaise en kimono

Background imageJames Abbott McNeill Whistler Collection: 'Caprice en pourpre et or : le paravent dore'Jeune femme vetue a la japonaise en kimono

"Caprice en pourpre et or : le paravent dore"Jeune femme vetue a la japonaise en kimono
FIA5378977 " Caprice en pourpre et or : le paravent dore" Jeune femme vetue a la japonaise en kimono, regardant des estampes - (Japonisme)

Background imageJames Abbott McNeill Whistler Collection: 'Harmonie en vert et rose : la salle de musique'(Harmony in Green and Rose)

"Harmonie en vert et rose : la salle de musique"(Harmony in Green and Rose)
FIA5378992 " Harmonie en vert et rose : la salle de musique" (Harmony in Green and Rose : The Music Room) Peinture de James Abbott McNeill Whistler (1834-1903) 1860 Freer Gallery of Art

Background imageJames Abbott McNeill Whistler Collection: Bibi Lalouette (etching)

Bibi Lalouette (etching)
6816265 Bibi Lalouette (etching) by Whistler, James Abbott McNeill (1834-1903); 22.5x15 cm; (add.info.: Etching with drypoint, signed and dated 1859 in plate)

Background imageJames Abbott McNeill Whistler Collection: Valparaiso Harbour, 1866 (oil on canvas)

Valparaiso Harbour, 1866 (oil on canvas)
6432473 Valparaiso Harbour, 1866 (oil on canvas) by Whistler, James Abbott McNeill (1834-1903); 76.6x51.1 cm; American Art Museum, Smithsonian Institute, USA; American, out of copyright

Background imageJames Abbott McNeill Whistler Collection: The Man Has The Pipe Painting by James Mac Neil Whistler (1834-1903), 1859 Sun

The Man Has The Pipe Painting by James Mac Neil Whistler (1834-1903), 1859 Sun
JLJ4587293 The Man Has The Pipe Painting by James Mac Neil Whistler (1834-1903), 1859 Sun. 0, 41x0, 33 m Paris, msuee d Orsay by Whistler, James Abbott McNeill (1834-1903); Musee d Orsay, Paris

Background imageJames Abbott McNeill Whistler Collection: The Sacramento River Valley (oil)

The Sacramento River Valley (oil)
CH204233 The Sacramento River Valley (oil) by Bierstadt, Albert (1830-1902); Private Collection; Photo eChristies Images; American, out of copyright

Background imageJames Abbott McNeill Whistler Collection: An Autumn Day, Mt. McKinley (oil on canvas)

An Autumn Day, Mt. McKinley (oil on canvas)
CH204800 An Autumn Day, Mt. McKinley (oil on canvas) by Laurence, Sidney (1865-1939); Private Collection; Photo eChristies Images; American, out of copyright

Background imageJames Abbott McNeill Whistler Collection: By the Shore, St. Ives (oil on board)

By the Shore, St. Ives (oil on board)
CH204224 By the Shore, St. Ives (oil on board) by Whistler, James Abbott McNeill (1834-1903); Private Collection; Photo eChristies Images; American, out of copyright

Background imageJames Abbott McNeill Whistler Collection: The Rendez-vous, 1892 (pen, ink & w / c on paper)

The Rendez-vous, 1892 (pen, ink & w / c on paper)
CH378301 The Rendez-vous, 1892 (pen, ink & w/c on paper) by Schwabe, Carlos (1866-1926); Private Collection; Photo eChristies Images; French, out of copyright

Background imageJames Abbott McNeill Whistler Collection: Green and Silver - The Bright Sea, Dieppe, c. 1883-85 (w / c & gouache on paper)

Green and Silver - The Bright Sea, Dieppe, c. 1883-85 (w / c & gouache on paper)
CH378292 Green and Silver - The Bright Sea, Dieppe, c.1883-85 (w/c & gouache on paper) by Whistler, James Abbott McNeill (1834-1903)

Background imageJames Abbott McNeill Whistler Collection: Portrait of Lord William Campbell, M. P. (oil on canvas)

Portrait of Lord William Campbell, M. P. (oil on canvas)
CH441557 Portrait of Lord William Campbell, M. P. (oil on canvas) by Gainsborough, Thomas (1727-88); 76.3x63.5 cm; Private Collection; (add.info)

Background imageJames Abbott McNeill Whistler Collection: Fishing Boat, 1879-80 (etching)

Fishing Boat, 1879-80 (etching)
CH441544 Fishing Boat, 1879-80 (etching) by Whistler, James Abbott McNeill (1834-1903); 15.4x23.3 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageJames Abbott McNeill Whistler Collection: An Afternoon at the Beach, (watercolour and pencil on board)

An Afternoon at the Beach, (watercolour and pencil on board)
822785 An Afternoon at the Beach, (watercolour and pencil on board) by Woodward, Mabel (1877-1945); 38x56 cm; Private Collection; (add.info.: An Afternoon at the Beach. Mabel Woodward (1877-1945)

Background imageJames Abbott McNeill Whistler Collection: A Venetian Courtyard, (charcoal and pastel on gray paper)

A Venetian Courtyard, (charcoal and pastel on gray paper)
822768 A Venetian Courtyard, (charcoal and pastel on gray paper) by Whistler, James Abbott McNeill (1834-1903); 30x20.2 cm; Private Collection; (add.info.: A Venetian Courtyard)

Background imageJames Abbott McNeill Whistler Collection: Karamono tea caddy, bunrin type, Tea caddy (karamono taikai chaire)

Karamono tea caddy, bunrin type, Tea caddy (karamono taikai chaire)
3741997 Karamono tea caddy, bunrin type, Tea caddy (karamono taikai chaire), 13th-15th century (stoneware with iron and ash glazes)



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