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A Sammelband of 6 German theological and liturgical works, 1572-75 (leather & paper)
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A Sammelband of 6 German theological and liturgical works, 1572-75 (leather & paper)
1268743 A Sammelband of 6 German theological and liturgical works, 1572-75 (leather & paper)
by German School, (16th century); 147x96 cm; Private Collection; (add.info.: A Sammelband of 6 German theological and liturgical works, including: Der Geistlich Herpst. 1575 - Von dem hochwAordigen Sacrament der heyligen Firmung. 1572 - Von der Gnadreichen, HochberAompten weitaussgebraiten und langhergebrachten BrAoderschafft des Psalters oder Rosenkrantz Marie... 1572 - Der Seelen LustgAartlin. 1575. Gar schAone andAachtige und krAafftige Gebett vor der wandlung des heyligen HochwAordigen Sacraments... (lacks title) - one blank volume. All Dilingen: Sebald Mayer.
8o and 16o (147 x 96 mm). Contemporary six-fold, backless binding of brown calf, the covers divided into two panels, one decorated with an arabesque design heightened with reddish and white paint, the other with a coat-of-arms (only faintly discernible) all four edges gilt, gauffered and colored with floral design (restored, with contemporary sides laid down, new endpapers).); Photo eChristies Images; German, out of copyright
Media ID 23693560
© Christie's Images / Bridgeman Images
Album Binding Liturgical Liturgy Protestant Theological Theology Northern Renaissance
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EDITORS COMMENTS
This print showcases a Sammelband of 6 German theological and liturgical works, dating back to the years 1572-75. The print features a leather and paper binding, measuring an impressive 147x96 cm. This remarkable piece is part of a private collection. The Sammelband includes various significant works such as "Der Geistlich Herpst" from 1575, "Von dem hochwAordigen Sacrament der heyligen Firmung" from 1572, and "Von der Gnadreichen, HochberAompten weitaussgebraiten und langhergebrachten BrAoderschafft des Psalters oder Rosenkrantz Marie" also from 1572. Additionally, it contains "Der Seelen LustgAartlin" from 1575 along with a blank volume lacking its title. The binding itself is an exquisite example of craftsmanship. It consists of a contemporary six-fold design made of brown calf leather. The covers are divided into two panels: one adorned with an arabesque pattern enhanced by reddish and white paint, while the other panel displays a coat-of-arms (although faintly discernible). All four edges are gilt, gauffered, and colored with floral designs that add to its overall beauty. Although restored over time with contemporary sides laid down and new endpapers added for preservation purposes, this stunning piece still retains its historical charm. Its significance lies not only in the content it holds but also in the testament it provides to the artistry and dedication put into bookbinding during the Renaissance period. This print captures both the scholarly value and aesthetic appeal of this extraordinary Sammelband for all admirers of religious literature and fine craftsmanship alike.
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