Fraud Blocker Skip to main content

Home > Fine Art Finder > Artists > Howard (after) Pyle

Howard (after) Pyle Collection

Choose a picture from our Howard (after) Pyle Collection for your Wall Art and Photo Gifts

236 items

Background imageHoward (after) Pyle Collection: Extorting tribute from the citizens (colour litho)

Extorting tribute from the citizens (colour litho)
2817215 Extorting tribute from the citizens (colour litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Extorting tribute from the citizens)

Background imageHoward (after) Pyle Collection: Vegetables, Plantes potageres

Vegetables, Plantes potageres
5324553 Vegetables, Plantes potageres by Maubert, Louis Joseph Edouard (1806-1879); (add.info.: Vegetables, Plantes potageres. Artichokes, Cynara cardunculus var)

Background imageHoward (after) Pyle Collection: Wreck in the Offing!, an illustration from Harpers Weekly, 1878 (litho)

Wreck in the Offing!, an illustration from Harpers Weekly, 1878 (litho)
STC311037 Wreck in the Offing!, an illustration from Harpers Weekly, 1878 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; The Stapleton Collection; American, out of copyright

Background imageHoward (after) Pyle Collection: Alarming Prospect, the Single Ladies off to the Diggings (coloured engraving)

Alarming Prospect, the Single Ladies off to the Diggings (coloured engraving)
2818057 Alarming Prospect, the Single Ladies off to the Diggings (coloured engraving) by Leech, John (1817-64) (after); Private Collection; (add.info.: Alarming Prospect)

Background imageHoward (after) Pyle Collection: Bullfighting, 1815-16 (red chalk on paper)

Bullfighting, 1815-16 (red chalk on paper)
XKH179017 Bullfighting, 1815-16 (red chalk on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.3x29.5 cm; Hamburger Kunsthalle, Hamburg, Germany

Background imageHoward (after) Pyle Collection: Burial Scene after the Battle of Fredericksburg, 1862 (b / w photo)

Burial Scene after the Battle of Fredericksburg, 1862 (b / w photo)
STC354372 Burial Scene after the Battle of Fredericksburg, 1862 (b/w photo) by Brady, Mathew (1823-96) & studio; Private Collection; (add.info)

Background imageHoward (after) Pyle Collection: Morgan at Porto Bello, 1887 (litho)

Morgan at Porto Bello, 1887 (litho)
PNP268184 Morgan at Porto Bello, 1887 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Henry Morgan (c.1665-88)

Background imageHoward (after) Pyle Collection: The Plains of the Dakota Sioux, c. 1905 (b / w photo)

The Plains of the Dakota Sioux, c. 1905 (b / w photo)
BAL145741 The Plains of the Dakota Sioux, c.1905 (b/w photo) by Curtis, Edward Sheriff (1868-1952); Private Collection

Background imageHoward (after) Pyle Collection: The Ojibway maiden disclosing Pontiacs plot (engraving)

The Ojibway maiden disclosing Pontiacs plot (engraving)
984443 The Ojibway maiden disclosing Pontiacs plot (engraving) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: The Ojibway maiden disclosing Pontiacs plot)

Background imageHoward (after) Pyle Collection: Brutus and the Ghost of Julius Caesar (colour litho)

Brutus and the Ghost of Julius Caesar (colour litho)
2817220 Brutus and the Ghost of Julius Caesar (colour litho) by Abbey, Edwin Austin (1852-1911) (after); Private Collection; (add.info.: Brutus and the Ghost of Julius Caesar)

Background imageHoward (after) Pyle Collection: The Buccaneer was a picturesque fellow (colour litho)

The Buccaneer was a picturesque fellow (colour litho)
2817213 The Buccaneer was a picturesque fellow (colour litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: The Buccaneer was a picturesque fellow)

Background imageHoward (after) Pyle Collection: St Etheldredas Chapel, Ely Place, West Window, Geometrical Tracery (engraving)

St Etheldredas Chapel, Ely Place, West Window, Geometrical Tracery (engraving)
2780664 St Etheldredas Chapel, Ely Place, West Window, Geometrical Tracery (engraving) by English School, (19th century); Private Collection; (add.info.: St Etheldredas Chapel, Ely Place)

Background imageHoward (after) Pyle Collection: Roslyn Chapel, East End (engraving)

Roslyn Chapel, East End (engraving)
2780661 Roslyn Chapel, East End (engraving) by English School, (19th century); Private Collection; (add.info.: Roslyn Chapel, East End)

Background imageHoward (after) Pyle Collection: King Mark broods mischief (litho)

King Mark broods mischief (litho)
2781852 King Mark broods mischief (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: King Mark broods mischief)

Background imageHoward (after) Pyle Collection: Sir Tristram cometh to ye castle of Sir Nabon (litho)

Sir Tristram cometh to ye castle of Sir Nabon (litho)
2781847 Sir Tristram cometh to ye castle of Sir Nabon (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Tristram cometh to ye castle of Sir Nabon)

Background imageHoward (after) Pyle Collection: Belle Isoult and Sir Tristram drink the love draught (litho)

Belle Isoult and Sir Tristram drink the love draught (litho)
2781845 Belle Isoult and Sir Tristram drink the love draught (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Belle Isoult and Sir Tristram drink the love draught)

Background imageHoward (after) Pyle Collection: Sir Tristram harpeth before King Mark (litho)

Sir Tristram harpeth before King Mark (litho)
2781843 Sir Tristram harpeth before King Mark (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Tristram harpeth before King Mark)

Background imageHoward (after) Pyle Collection: The Lady Belle Isoult (litho)

The Lady Belle Isoult (litho)
2781841 The Lady Belle Isoult (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: The Lady Belle Isoult)

Background imageHoward (after) Pyle Collection: Sir Tristram of Lyonesse (litho)

Sir Tristram of Lyonesse (litho)
2781838 Sir Tristram of Lyonesse (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Tristram of Lyonesse)

Background imageHoward (after) Pyle Collection: Sir Launcelot takes the armor of Sir Kay (litho)

Sir Launcelot takes the armor of Sir Kay (litho)
2781837 Sir Launcelot takes the armor of Sir Kay (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Launcelot takes the armor of Sir Kay)

Background imageHoward (after) Pyle Collection: Illustration for A Tale of Two Cities by Charles Dickens (engraving)

Illustration for A Tale of Two Cities by Charles Dickens (engraving)
2780650 Illustration for A Tale of Two Cities by Charles Dickens (engraving) by McLenan, John (1827-65); Private Collection; (add.info.: " I mark this cross of blood upon him)

Background imageHoward (after) Pyle Collection: Sir Launcelot sits with Sir Hilaire and Croisette (litho)

Sir Launcelot sits with Sir Hilaire and Croisette (litho)
2781834 Sir Launcelot sits with Sir Hilaire and Croisette (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Launcelot sits with Sir Hilaire and Croisette)

Background imageHoward (after) Pyle Collection: Repelling Pirates with a blast of the Swivel Gun (litho)

Repelling Pirates with a blast of the Swivel Gun (litho)
PNP269023 Repelling Pirates with a blast of the Swivel Gun (litho) by Hardy, Paul (19th Century) (after); Private Collection; Peter Newark Pictures; American, out of copyright

Background imageHoward (after) Pyle Collection: The Sacking of Panama by Henry Morgans Pirates, 1887 (engraving)

The Sacking of Panama by Henry Morgans Pirates, 1887 (engraving)
PNP269020 The Sacking of Panama by Henry Morgans Pirates, 1887 (engraving) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info)

Background imageHoward (after) Pyle Collection: Madonna and Child being crowned by two Angels, with St. Jerome and St. Francis, c

Madonna and Child being crowned by two Angels, with St. Jerome and St. Francis, c. 1500 (tempera on poplar wood)
BFM286535 Madonna and Child being crowned by two Angels, with St. Jerome and St. Francis, c.1500 (tempera on poplar wood) by Italian School, (16th century); 22.8x16.3 cm; Lindenau Museum, Altenburg

Background imageHoward (after) Pyle Collection: Colonel George E. Waring of the Fremont Hussars, Union Army (b / w photo)

Colonel George E. Waring of the Fremont Hussars, Union Army (b / w photo)
PNP270224 Colonel George E. Waring of the Fremont Hussars, Union Army (b/w photo) by American Photographer, (19th century); Private Collection; (add.info)

Background imageHoward (after) Pyle Collection: Walking the plank, engraved by Anderson (engraving)

Walking the plank, engraved by Anderson (engraving)
PNP270211 Walking the plank, engraved by Anderson (engraving) by Pyle, Howard (1853-1911) (after); Private Collection; Peter Newark Pictures; American, out of copyright

Background imageHoward (after) Pyle Collection: Battle of Brandywine, 11 September 1777 (litho)

Battle of Brandywine, 11 September 1777 (litho)
PNP332822 Battle of Brandywine, 11 September 1777 (litho) by Yohn, Frederick Coffay (1875-1933) (after); Private Collection; (add.info)

Background imageHoward (after) Pyle Collection: Battle of Bunker Hill, 17 June 1775 (colour litho)

Battle of Bunker Hill, 17 June 1775 (colour litho)
PNP332812 Battle of Bunker Hill, 17 June 1775 (colour litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: British victory)

Background imageHoward (after) Pyle Collection: The Secret Room (colour litho)

The Secret Room (colour litho)
STC306824 The Secret Room (colour litho) by Pyle, Howard (1853-1911); Private Collection; (add.info.: hiding Union Soldiers during the American Civil War; ); The Stapleton Collection; American

Background imageHoward (after) Pyle Collection: The defence of Fort Boonesborough, Kentucky in c. 1795, published in Harpers Magazine

The defence of Fort Boonesborough, Kentucky in c. 1795, published in Harpers Magazine
STC306775 The defence of Fort Boonesborough, Kentucky in c.1795, published in Harpers Magazine, June, 1887 (litho) by Pyle

Background imageHoward (after) Pyle Collection: The defence of Breeds Hill, Prescott in the redoubt (litho)

The defence of Breeds Hill, Prescott in the redoubt (litho)
PNP332820 The defence of Breeds Hill, Prescott in the redoubt (litho) by American School, (19th century); Private Collection; (add.info)

Background imageHoward (after) Pyle Collection: They Scrambled up the Parapet and Went over the Top, Pell Mell, upon the British, c

They Scrambled up the Parapet and Went over the Top, Pell Mell, upon the British, c
PNP332813 They Scrambled up the Parapet and Went over the Top, Pell Mell, upon the British, c.1897 (colour litho) by Pyle

Background imageHoward (after) Pyle Collection: Fastening a bomb before starting, the Airmen of our ally on the Eastern Front

Fastening a bomb before starting, the Airmen of our ally on the Eastern Front
STC311063 Fastening a bomb before starting, the Airmen of our ally on the Eastern Front, from The Illustrated War News, 1916 (b/w photo) by Russian Photographer

Background imageHoward (after) Pyle Collection: Her head and shoulders hung over the space without

Her head and shoulders hung over the space without
STC311041 Her head and shoulders hung over the space without, an illustration from The Maid of Landevennec, pub. in Harpers Magazine, 1904 (colour litho) by Pyle

Background imageHoward (after) Pyle Collection: SS United States Maiden Voyage in 1952 (colour litho)

SS United States Maiden Voyage in 1952 (colour litho)
PNP269024 SS United States Maiden Voyage in 1952 (colour litho) by American School, (20th century); Private Collection; (add.info)

Background imageHoward (after) Pyle Collection: A Pirate Chief (colour litho)

A Pirate Chief (colour litho)
PNP269017 A Pirate Chief (colour litho) by Pyle, Howard (1853-1911) (after); Private Collection; Peter Newark Historical Pictures; American, out of copyright

Background imageHoward (after) Pyle Collection: The Chimney Sweeper, plate 45 from Songs of Experience

The Chimney Sweeper, plate 45 from Songs of Experience
XYC309864 The Chimney Sweeper, plate 45 from Songs of Experience, 1794 (relief etching with w/c) by Blake, William (1757-1827); 18.4x12.1 cm; Yale Center for British Art, Paul Mellon Collection

Background imageHoward (after) Pyle Collection: The Last boatload of the British leaving New York (litho)

The Last boatload of the British leaving New York (litho)
STC309850 The Last boatload of the British leaving New York (litho) by Pyle, Howard (1853-1911) (after); Private Collection; The Stapleton Collection; American, out of copyright

Background imageHoward (after) Pyle Collection: They were overtaken by Falmouth himself (colour litho)

They were overtaken by Falmouth himself (colour litho)
2817219 They were overtaken by Falmouth himself (colour litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: They were overtaken by Falmouth himself)

Background imageHoward (after) Pyle Collection: The boy, William Smith, who become the father of English Geology (engraving)

The boy, William Smith, who become the father of English Geology (engraving)
2817222 The boy, William Smith, who become the father of English Geology (engraving) by English School, (19th century); Private Collection; (add.info.: The boy, William Smith)

Background imageHoward (after) Pyle Collection: Sir Lamorack herds the swine of Sir Nabon (litho)

Sir Lamorack herds the swine of Sir Nabon (litho)
2781848 Sir Lamorack herds the swine of Sir Nabon (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Lamorack herds the swine of Sir Nabon)

Background imageHoward (after) Pyle Collection: Sir Launcelot climbs to catch the ladys falcon (litho)

Sir Launcelot climbs to catch the ladys falcon (litho)
2781836 Sir Launcelot climbs to catch the ladys falcon (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Launcelot climbs to catch the ladys falcon)

Background imageHoward (after) Pyle Collection: Sir Launcelot of the Lake (litho)

Sir Launcelot of the Lake (litho)
2781828 Sir Launcelot of the Lake (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Launcelot of the Lake)

Background imageHoward (after) Pyle Collection: An act of devotion (colour litho)

An act of devotion (colour litho)
2782282 An act of devotion (colour litho) by French School, (20th century); Private Collection; (add.info.: An act of devotion. A woman saving a child from being run over by a milk cart)

Background imageHoward (after) Pyle Collection: 'Johnny dived to the bottom of his pocket'(engraving)

"Johnny dived to the bottom of his pocket"(engraving)
2781858 " Johnny dived to the bottom of his pocket" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageHoward (after) Pyle Collection: Sir Lamorack of Gales (litho)

Sir Lamorack of Gales (litho)
2781846 Sir Lamorack of Gales (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Sir Lamorack of Gales)

Background imageHoward (after) Pyle Collection: Queen Morgana appears unto Sir Launcelot (litho)

Queen Morgana appears unto Sir Launcelot (litho)
2781832 Queen Morgana appears unto Sir Launcelot (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info.: Queen Morgana appears unto Sir Launcelot)



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site