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Death comes to the Knight or Count, from Der Todten Tanz, published Basel

Death comes to the Knight or Count, from Der Todten Tanz, published Basel


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Death comes to the Knight or Count, from Der Todten Tanz, published Basel

KW278038 Death comes to the Knight or Count, from Der Todten Tanz, published Basel, 1843 (litho) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: The Dance of Death; Totentanz; ); Ken Welsh; German, out of copyright

Media ID 12786393

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Danse Macabre Duel Feathers Grim Reaper Lance Nobleman Plumes Skeleton Woodcut Mortality Northern Renaissance


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EDITORS COMMENTS
This print titled "Death comes to the Knight or Count, from Der Todten Tanz" takes us back in time to the medieval era. Created by the renowned artist Holbein the Younger in 1843, this lithograph captures a powerful moment from his famous series "The Dance of Death" or "Totentanz". In this scene, we witness a chilling encounter between a noble knight and Death himself. The knight stands tall in his intricate armor adorned with feathers and plumes, representing his aristocratic status. However, even his impressive appearance cannot protect him from the inevitable fate that awaits. With its macabre imagery, this woodcut transports us into a world where mortality is ever-present. The skeleton-like figure of Death looms over the knight, reminding us of our own mortality and the fleeting nature of life itself. As they engage in a fierce duel with lances clashing against each other, it becomes evident that no amount of power or wealth can defy death's grasp. This poignant portrayal serves as a reminder for all viewers to reflect upon their own existence and contemplate what truly matters in life. Holbein's masterful technique brings every detail to life while capturing the essence of Northern Renaissance artistry. Through this evocative image, we are transported back centuries ago when such themes were prevalent throughout society. This thought-provoking print invites us to ponder our own mortality while appreciating both Holbein's artistic brilliance and humanity's enduring fascination with death throughout

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