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Predella of the Profanation of the Host: The Pope Returning the Consecrated Host to
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Predella of the Profanation of the Host: The Pope Returning the Consecrated Host to
BEN80444 Predella of the Profanation of the Host: The Pope Returning the Consecrated Host to the Altar, c.1468 (tempera on panel) (detail) by Uccello, Paolo (1397-1475); Palazzo Ducale, Urbino, Italy; Photo eRaffaello Bencini; Italian, out of copyright
Media ID 23801972
© Raffaello Bencini / Bridgeman Images
Anti Semitic Anti Semitism Antisemitic Antisemitism Apse Hatred Prejudice Processing Jews
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EDITORS COMMENTS
Caption: "Predella of the Profanation of the Host: A Controversial Depiction of Prejudice and Anti-Semitism in Renaissance Art". This print showcases a detailed section from Paolo Uccello's masterpiece, "Predella of the Profanation of the Host: The Pope Returning the Consecrated Host to the Altar". Painted around 1468, this tempera on panel artwork resides in Palazzo Ducale, Urbino, Italy. Captured by talented photographer Raffaello Bencini, this image highlights a thought-provoking detail that has sparked discussions about anti-Semitism and prejudice. The scene depicted here is set within an apse during a religious procession. However, what makes this painting controversial is its portrayal of Jews engaging in acts deemed sacrilegious towards Catholicism. This depiction perpetuates harmful stereotypes and fuels anti-Semitic sentiments prevalent during that era. Uccello's work serves as a reminder of how art can reflect societal attitudes and prejudices. It invites viewers to confront uncomfortable truths about historical discrimination while also acknowledging progress made since then. By capturing this detail with precision and sensitivity, Bencini allows us to engage with these complex themes through visual storytelling. As we admire this photograph print today, it is essential to approach it with critical thinking and empathy – appreciating its artistic value while recognizing its problematic subject matter.
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