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A Feast held in a Circular Portico of the Ionic Order, c. 1720-25 (oil on canvas)

A Feast held in a Circular Portico of the Ionic Order, c. 1720-25 (oil on canvas)


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A Feast held in a Circular Portico of the Ionic Order, c. 1720-25 (oil on canvas)

XIR903573 A Feast held in a Circular Portico of the Ionic Order, c.1720-25 (oil on canvas) by Pannini or Panini, Giovanni Paolo (1691/2-1765); 35x39 cm; Louvre, Paris, France; (add.info.: Festin donnesous un portique circulaire d ordre ionique
Exhibition Pannini, Louvre, 1992
); Italian, out of copyright

Media ID 12946377

© www.bridgemanimages.com

Banquet Celebrating Circular Classicism Feast Feasting Ionic Order Portico


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EDITORS COMMENTS
This print showcases "A Feast held in a Circular Portico of the Ionic Order" a magnificent oil on canvas painting created by Giovanni Paolo Pannini or Panini between 1720 and 1725. The artwork, measuring 35x39 cm, is housed in the prestigious Louvre Museum in Paris, France. The scene depicted in this masterpiece transports viewers to an opulent banquet filled with joyous celebration. Men and women gather together under the grandeur of a circular portico adorned with intricate Ionic columns. The architectural design evokes a sense of antiquity and classicism, reflecting the artist's mastery of capturing historical moments. As we delve into this feast-filled spectacle, our eyes are drawn to the vibrant array of food and drink that adorns the tables. Guests indulge themselves while engaging in lively conversations amidst an atmosphere brimming with festivity. Animals also partake in this grand affair, adding an element of whimsy to the composition. Pannini's attention to detail is evident as he skillfully captures every nuance within this bustling gathering. Through his brushstrokes, he brings life to each figure present at the feast, allowing us to witness their enjoyment firsthand. This remarkable painting serves as both a testament to Pannini's artistic prowess and a window into extravagant celebrations from centuries past. Its inclusion in various exhibitions throughout history further solidifies its significance within art history circles.

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