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Giovanni Battista Piranesi Collection

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Background imageGiovanni Battista Piranesi Collection: View of the Column of Marcus Aurelius in the Piazza Colonna, from the Views

View of the Column of Marcus Aurelius in the Piazza Colonna, from the Views
XJF497227 View of the Column of Marcus Aurelius in the Piazza Colonna, from the Views of Rome series, c.1760 (etching) by Piranesi

Background imageGiovanni Battista Piranesi Collection: Costume of a page to King Henry III of France, 1580. 1825 (lithograph)

Costume of a page to King Henry III of France, 1580. 1825 (lithograph)
7236850 Costume of a page to King Henry III of France, 1580. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857) (after); Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: A Map of Westmorland and Cumberland, 1576 (hand-coloured engraving)

A Map of Westmorland and Cumberland, 1576 (hand-coloured engraving)
985982 A Map of Westmorland and Cumberland, 1576 (hand-coloured engraving) by Saxton, Christopher (c.1542-c.1610); 38x48.5 cm; Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: View of the Porta Maggiore, from the Views of Rome series, c. 1760 (etching)

View of the Porta Maggiore, from the Views of Rome series, c. 1760 (etching)
XJF497220 View of the Porta Maggiore, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

Background imageGiovanni Battista Piranesi Collection: Hannibal makes the usual Neat and Appropriate Speech Previous to Killing Himself

Hannibal makes the usual Neat and Appropriate Speech Previous to Killing Himself
LLM438624 Hannibal makes the usual Neat and Appropriate Speech Previous to Killing Himself, illustration from The Comic History of Rome by Gilbert Abbott a Beckett

Background imageGiovanni Battista Piranesi Collection: Lettere di giustificazione scritte a Milord Charlemont e a di lui agenti di Roma

Lettere di giustificazione scritte a Milord Charlemont e a di lui agenti di Roma
7260348 Lettere di giustificazione scritte a Milord Charlemont e a di lui agenti di Roma... intorno la dedica della sua opera delle Antichita Rom[ane] fatta allo stesso signor ed ultimamente

Background imageGiovanni Battista Piranesi Collection: Seal of the City of Dunwich in Suffolk. A ship is represented in a rough sea

Seal of the City of Dunwich in Suffolk. A ship is represented in a rough sea
GIA4801330 Seal of the City of Dunwich in Suffolk. A ship is represented in a rough sea, probably alluding to the storms that destroyed part of the city in 1286 and 1347. 14th century

Background imageGiovanni Battista Piranesi Collection: Decorations. Drawing by Giovanni Piranesi (known as Piranese) (1720-1778)

Decorations. Drawing by Giovanni Piranesi (known as Piranese) (1720-1778)
GIA4801076 Decorations. Drawing by Giovanni Piranesi (known as Piranese) (1720-1778). by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Decorations)

Background imageGiovanni Battista Piranesi Collection: View of a tomb on Via Appia in Rome. Drawing by Giovanni Piranesi (known as Piranese

View of a tomb on Via Appia in Rome. Drawing by Giovanni Piranesi (known as Piranese
GIA4801063 View of a tomb on Via Appia in Rome. Drawing by Giovanni Piranesi (known as Piranese) (1720-1778). 1756 by Piranesi

Background imageGiovanni Battista Piranesi Collection: 'Carceri d invenzione'Internal view of an imaginary prison

"Carceri d invenzione"Internal view of an imaginary prison
GIA4801062 " Carceri d invenzione" Internal view of an imaginary prison. Drawing by Giovanni Piranesi (known as Piranese) (1720-1778)

Background imageGiovanni Battista Piranesi Collection: Girl with flowers par Zandomeneghi, Federico (1841-1917)

Girl with flowers par Zandomeneghi, Federico (1841-1917)
FIA5405185 Girl with flowers par Zandomeneghi, Federico (1841-1917). Oil on canvas, size : 46x38, , Private Collection by Zandomeneghi

Background imageGiovanni Battista Piranesi Collection: From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi

From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi
FIA5405169 From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi, Giovanni Battista (1720-1778). Copper engraving, ca 1761, Private Collection by Piranesi

Background imageGiovanni Battista Piranesi Collection: Venise - Loggia of the Doges Palace par Chilone, Vincenzo (1758-1839)

Venise - Loggia of the Doges Palace par Chilone, Vincenzo (1758-1839)
FIA5405164 Venise - Loggia of the Doges Palace par Chilone, Vincenzo (1758-1839). Oil on canvas, size : 38x58, , Private Collection by Chilone

Background imageGiovanni Battista Piranesi Collection: Hedgehog, illustration from Historiae animalium by Conrad Gesner

Hedgehog, illustration from Historiae animalium by Conrad Gesner
GIA877023 Hedgehog, illustration from Historiae animalium by Conrad Gesner, 1555 (colour litho) by Swiss School, (16th century); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageGiovanni Battista Piranesi Collection: View of the Temples of Paestum (litho)

View of the Temples of Paestum (litho)
GIA871719 View of the Temples of Paestum (litho) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: Portrait of Vollard (litho)

Portrait of Vollard (litho)
1071442 Portrait of Vollard (litho) by Forain, Jean Louis (1852-1931); 37.5x24.8 cm; Dallas Museum of Art, Texas, USA; (add.info.: Ambroise Vollard (3 July 1866 - 21 July 1939)

Background imageGiovanni Battista Piranesi Collection: View of the rear entrance of the Basilica of S. Maria Maggiore, c. 1760-1778 (etching)

View of the rear entrance of the Basilica of S. Maria Maggiore, c. 1760-1778 (etching)
1071432 View of the rear entrance of the Basilica of S. Maria Maggiore, c.1760-1778 (etching) by Piranesi, Giovanni Battista (1720-78); 41x61.9 cm; Dallas Museum of Art, Texas

Background imageGiovanni Battista Piranesi Collection: View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c

View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c
1071431 View of the Temple of Fortuna Virilis, now the Armenian church of S. Maria Egizziaca, c.1760-78 (etching) by Piranesi, Giovanni Battista (1720-78); 37.8x58.7 cm; Dallas Museum of Art, Texas

Background imageGiovanni Battista Piranesi Collection: View of the upper storey of the Cages for Wild Animals built by the Emperor Domitian

View of the upper storey of the Cages for Wild Animals built by the Emperor Domitian
1071430 View of the upper storey of the Cages for Wild Animals built by the Emperor Domitian, associated with the Flavian Amphitheater and commonly called the Curia Hostilia

Background imageGiovanni Battista Piranesi Collection: A Cottage in the Duchy of Cornwall, 1822 (hand-coloured etching)

A Cottage in the Duchy of Cornwall, 1822 (hand-coloured etching)
478381 A Cottage in the Duchy of Cornwall, 1822 (hand-coloured etching) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: The Baths of Diocletian, 1743 (engraving)

The Baths of Diocletian, 1743 (engraving)
478371 The Baths of Diocletian, 1743 (engraving) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: Ceiling of the Upper Hall in the Painted Hall, c. 1707-27 (wall painting)

Ceiling of the Upper Hall in the Painted Hall, c. 1707-27 (wall painting)
BTN417639 Ceiling of the Upper Hall in the Painted Hall, c.1707-27 (wall painting) by Thornhill, James (1675-1734); Royal Naval College, Greenwich, London

Background imageGiovanni Battista Piranesi Collection: Plate 4 from the Carceri series, 1761 (etching)

Plate 4 from the Carceri series, 1761 (etching)
XJF417326 Plate 4 from the Carceri series, 1761 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: a series of imaginary designs for prisons; ); Italian

Background imageGiovanni Battista Piranesi Collection: Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper)

Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper)
2972398 Aristide Bruant, in His Cabaret, 1893 (colour litho on buff wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 127.3x94 cm; The Art Institute of Chicago, IL

Background imageGiovanni Battista Piranesi Collection: View of the Temple of Cybele in the Piazza of the Bocca della Verita, from Views of Rome

View of the Temple of Cybele in the Piazza of the Bocca della Verita, from Views of Rome
2972343 View of the Temple of Cybele in the Piazza of the Bocca della VeritA, from Views of Rome, 1750-59 (etching on heavy ivory laid paper) by Piranesi

Background imageGiovanni Battista Piranesi Collection: Madonna and Child, c. 1470-80 (stucco or plaster)

Madonna and Child, c. 1470-80 (stucco or plaster)
ALM289705 Madonna and Child, c.1470-80 (stucco or plaster) by Verrocchio, Andrea del (1435-88) (circle of); 84x61x10 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageGiovanni Battista Piranesi Collection: Candelabra designed by Piranesi on the basis of roman antique pieces for his own tomb

Candelabra designed by Piranesi on the basis of roman antique pieces for his own tomb
XIR267117 Candelabra designed by Piranesi on the basis of roman antique pieces for his own tomb (marble) (b/w photo) by Piranesi, Giovanni Battista (1720-78); Louvre, Paris

Background imageGiovanni Battista Piranesi Collection: Layout of the San Francisco de la Espada Mission (engraving) (b / w photo)

Layout of the San Francisco de la Espada Mission (engraving) (b / w photo)
DHS242183 Layout of the San Francisco de la Espada Mission (engraving) (b/w photo) by American School, (18th century); Dallas Historical Society, Texas

Background imageGiovanni Battista Piranesi Collection: Classical Drawings (pen & ink on paper)

Classical Drawings (pen & ink on paper)
GRH242138 Classical Drawings (pen & ink on paper) by Piranesi, Giovanni Battista (1720-78); Private Collection; Italian, out of copyright

Background imageGiovanni Battista Piranesi Collection: Martin Luther (1483-1546) Burning the Papal Bull (colour litho)

Martin Luther (1483-1546) Burning the Papal Bull (colour litho)
CHT201758 Martin Luther (1483-1546) Burning the Papal Bull (colour litho) by Lessing, Carl Friedrich (1808-80) (after); Private Collection; eArchives Charmet; German, out of copyright

Background imageGiovanni Battista Piranesi Collection: Palazzo Barberini on the Quirinale, Rome (engraving)

Palazzo Barberini on the Quirinale, Rome (engraving)
CHT201757 Palazzo Barberini on the Quirinale, Rome (engraving) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: P. 332-1946 Vol. 2 f. 5 Three Pigeons and two Finches, from an album

P. 332-1946 Vol. 2 f. 5 Three Pigeons and two Finches, from an album
FIT71376 P.332-1946 Vol.2 f.5 Three Pigeons and two Finches, from an album Birds compared in Humorous Songs, 1791 (colour woodblock print) by Utamaro

Background imageGiovanni Battista Piranesi Collection: An Imaginary Prison: plate IX from the Carceri d Invenzione series, c. 1745 (etching)

An Imaginary Prison: plate IX from the Carceri d Invenzione series, c. 1745 (etching)
BOO73791 An Imaginary Prison: plate IX from the Carceri d Invenzione series, c.1745 (etching) by Piranesi, Giovanni Battista (1720-78); 55.3x40.8 cm; State Hermitage Museum, St

Background imageGiovanni Battista Piranesi Collection: From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi

From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi
FIA5405161 From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi, Giovanni Battista (1720-1778). Copper engraving, ca 1761, Private Collection by Piranesi

Background imageGiovanni Battista Piranesi Collection: From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi

From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi
FIA5405157 From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi, Giovanni Battista (1720-1778). Copper engraving, ca 1761, Private Collection by Piranesi

Background imageGiovanni Battista Piranesi Collection: The Queen and the Page ('There Once Was A King'

The Queen and the Page ("There Once Was A King"
FIA5405133 The Queen and the Page (" There Once Was A King" by Heinrich Heine) par Stokes, Marianne (1855-1927)

Background imageGiovanni Battista Piranesi Collection: From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi

From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi
FIA5405126 From the series The Imaginary Prisons (Le Carceri d Invenzione) par Piranesi, Giovanni Battista (1720-1778). Copper engraving, ca 1761, Private Collection by Piranesi

Background imageGiovanni Battista Piranesi Collection: Two harnesses, seen three quarters, one from the front and the other from the back

Two harnesses, seen three quarters, one from the front and the other from the back
JLJ4598661 Two harnesses, seen three quarters, one from the front and the other from the back. Drawing by Pisano Antonio di Puccio dit Pisanello (1395-1455), 15th century

Background imageGiovanni Battista Piranesi Collection: Inside a palace: two Flying Renames crown a character. Drawing by Giovanni Piranese

Inside a palace: two Flying Renames crown a character. Drawing by Giovanni Piranese
JLJ4598623 Inside a palace: two Flying Renames crown a character. Drawing by Giovanni Piranese (1720-1778), 18th century. Paris, Musee Du Louvre

Background imageGiovanni Battista Piranesi Collection: Old Somerset House from the River Thames, London (oil on canvas)

Old Somerset House from the River Thames, London (oil on canvas)
1766785 Old Somerset House from the River Thames, London (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info.: Old Somerset House from the River Thames)

Background imageGiovanni Battista Piranesi Collection: The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)

The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)
1766782 The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink) by Piranesi, Giovanni Battista (1720-78); 24.6x29.1 cm; Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: Clovis Gauguin, 1884 (oil on canvas)

Clovis Gauguin, 1884 (oil on canvas)
LRI884145 Clovis Gauguin, 1884 (oil on canvas) by Gauguin, Paul (1848-1903); 46x55.5 cm; Private Collection; (add.info.: Clovis Gauguin (1879-1900).); Luisa Ricciarini; French, out of copyright

Background imageGiovanni Battista Piranesi Collection: View of the Temples of Paestum (litho)

View of the Temples of Paestum (litho)
GIA871723 View of the Temples of Paestum (litho) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: Large triple medallion Ushak carpet, West Anatolia, early 17th century (textile)

Large triple medallion Ushak carpet, West Anatolia, early 17th century (textile)
1219613 Large triple medallion Ushak carpet, West Anatolia, early 17th century (textile) by Turkish School, (17th century); 689x368 cm; Private Collection; Photo eChristies Images; Turkish

Background imageGiovanni Battista Piranesi Collection: Piazza Navona, plate from Vedute di Roma, 1751 (etching)

Piazza Navona, plate from Vedute di Roma, 1751 (etching)
1219573 Piazza Navona, plate from Vedute di Roma, 1751 (etching) by Piranesi, Giovanni Battista (1720-78); 39x54.5 cm; Private Collection; (add.info)

Background imageGiovanni Battista Piranesi Collection: Motherhood, 1903

Motherhood, 1903
883770 Motherhood, 1903 by Sterl, Robert (1867-1932); Minneapolis Institute of Arts, MN, USA; (add.info.: 7 1/4 x 14 in. (18.42 x 35.56 cm) (image)); eMinneapolis Institute of Art; The William M

Background imageGiovanni Battista Piranesi Collection: View of Flavian Amphitheater, called the Colosseum, from 'Views of Rome', 1776

View of Flavian Amphitheater, called the Colosseum, from "Views of Rome", 1776
883750 View of Flavian Amphitheater, called the Colosseum, from " Views of Rome", 1776 by Piranesi, Giovanni Battista (1720-78); Minneapolis Institute of Arts, MN

Background imageGiovanni Battista Piranesi Collection: The Market Woman (oil on canvas)

The Market Woman (oil on canvas)
NWP153596 The Market Woman (oil on canvas) by Strij, Abraham van (1753-1826); 69x59 cm; Newport Museum and Art Gallery, South Wales; eNewport Museum and Art Gallery; Dutch, out of copyright



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