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Female anatomy, from Commentaria cum amplissimis additionibus super anatomiam
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Female anatomy, from Commentaria cum amplissimis additionibus super anatomiam
CHT236081 Female anatomy, from Commentaria cum amplissimis additionibus super anatomiam mundini, by Jacopo Berengario da Carpi (c.1460-c.1530) published in Bologna, 1521 (colour woodblock print) by Italian School, (16th century); Bibliotheque de la Faculte de Medecine, Paris, France; eArchives Charmet; Italian, out of copyright
Media ID 23363874
© Archives Charmet / Bridgeman Images
Anatomical Diagram Gynaecological Gynaecology Medical Treatise Obstetrics Uterus Womb
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EDITORS COMMENTS
This print showcases a remarkable piece of medical history - the female anatomy as depicted in Jacopo Berengario da Carpi's renowned work, Commentaria cum amplissimis additionibus super anatomiam mundini. Published in Bologna in 1521, this colour woodblock print is a testament to the advancements made during the Renaissance era. The intricate diagram offers an insightful glimpse into gynaecology and obstetrics practices of that time. It meticulously details the various components of the female reproductive system, including the uterus or womb. This invaluable resource served as a medical treatise for physicians and scholars alike. The Italian School's expertise shines through this artwork, showcasing their mastery over both artistry and scientific accuracy. The vibrant colours used in this woodblock print bring life to each element depicted on it. As we admire this historical gem from Bibliotheque de la Faculte de Medecine in Paris, France, we are reminded of how far medicine has come since then. Yet, it also serves as a reminder that knowledge builds upon itself throughout centuries. This print not only celebrates Berengario da Carpi's contribution to medical science but also pays homage to all those who have dedicated their lives to understanding and improving women's health. It stands as a testament to our collective pursuit of knowledge and progress within the field of medicine.
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