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L Assiette au Beurre, number 432, Satirique en couleurs, 1909_7_10: Colonization, England Great Britain, India, English Indies - Edward VII (1841-1910) (lithograph)
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L Assiette au Beurre, number 432, Satirique en couleurs, 1909_7_10: Colonization, England Great Britain, India, English Indies - Edward VII (1841-1910) (lithograph)
ICA4914075 L Assiette au Beurre, number 432, Satirique en couleurs, 1909_7_10: Colonization, England Great Britain, India, English Indies - Edward VII (1841-1910) (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 432, Satirique en couleurs, 1909_7_10: Colonization, England Great Britain, India, English Indies - Edward VII (1841-1910) - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25196814
© Caricadoc / Bridgeman Images
Scepter Asian Asian Caricadoc Years 1900
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EDITORS COMMENTS
This vibrant lithograph print titled "L'Assiette au Beurre, number 432, Satirique en couleurs, 1909_7_10: Colonization, England Great Britain, India, English Indies - Edward VII (1841-1910)" captures the essence of political satire and commentary during the early 20th century. Created by Leal de Camara in 1909 for the French satirical magazine L'Assiette au Beurre, this artwork offers a thought-provoking portrayal of colonization and its impact on England's relationship with India and the English Indies. The image depicts King Edward VII of Great Britain holding a scepter while surrounded by various symbols representing British imperialism. The artist skillfully incorporates elements such as a crown and an engraving to emphasize the monarchy's role in colonization. Additionally, caricatured figures from both English and Indian cultures are present in the composition to highlight their contrasting roles within this colonial dynamic. Through this lithograph print, Camara presents a critical perspective on British colonialism in India during that time period. The use of vivid colors adds depth to the illustration while capturing attention towards its powerful message. This artwork serves as a reminder of historical events and raises questions about power dynamics between colonizers and colonized nations. Overall, this piece invites viewers to reflect upon past injustices while acknowledging how art can serve as a medium for social critique throughout history.
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