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Page from La civilite puerile a laquelle avons adiouste la discipline et instruction
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Page from La civilite puerile a laquelle avons adiouste la discipline et instruction
869495 Page from La civilitepuerile a laquelle avons adioustela discipline et instruction des enfans. Aussi La doctrine et enseignemens du pere de famille A la jeunesse by Desiderius Erasmus, 1582 (print) (see also 869494) by French School, (16th century); 15.6x9.2 cm; Private Collection; (add.info.: Printed in civilitetype B1 cut by Philippe Danfrie
The name " civilite" derives from use for printing the Civilitepuerile. The printer recommends his type to the reader in the preface, stating that youth will profit not only from the content of the book, but from the letters too, " as being the writing proper to their language".
Adaptation of Erasmus De civilitate morum puerorum libellus, translated by Jean Louveau); Photo eChristies Images; French, out of copyright
Media ID 23686856
© Christie's Images / Bridgeman Images
Desiderius Erasmus Erasmus Font Grotesques Humanism Humanist Page Rare Type Typeface Moveable Type Northern Renaissance
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EDITORS COMMENTS
This print showcases a page from the renowned book "La civilite puerile a laquelle avons adiouste la discipline et instruction des enfans. Aussi La doctrine et enseignemens du pere de famille A la jeunesse" by Desiderius Erasmus, printed in 1582. The delicate page measures 15.6x9.2 cm and is part of a private collection. The image captures the essence of the Northern Renaissance with its intricate details and elegant typography. The text, translated by Jean Louveau, offers valuable lessons on civility and moral conduct for young readers. Printed using the distinctive civilitetype B1 cut by Philippe Danfrie, this rare piece exemplifies the beauty of moveable type printing during that era. The grotesque figures surrounding the text add an element of whimsy to this otherwise educational work. The name "civilite" refers to both the content and style of printing used in this book, which was specifically designed for children's education. In fact, in his preface, Danfrie recommends his type to readers as it not only enhances their understanding but also serves as an ideal writing style for their language. This print allows us to appreciate not only the intellectual significance but also the visual artistry behind this important piece of humanist literature from sixteenth-century France. It is a testament to how books were once cherished objects that combined knowledge with aesthetic pleasure.
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