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The Witches Sabbath, copy of an illustration from Tableau de l
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The Witches Sabbath, copy of an illustration from Tableau de l
STC202562 The Witches Sabbath, copy of an illustration from Tableau de l inconstance des mauvais anges by Pierre de Lancre, Paris 1612, used in a History of Magic, published late 19th century (engraving) by French School, (17th century) (after); Private Collection; The Stapleton Collection; French, out of copyright
Media ID 22361300
© The Stapleton Collection / Bridgeman Images
Broomstick Cauldron Coven Devil Evil Goat Occult Sabbat Satan Sorceress Sorceresses Sorcery Supernatural Superstition Witch Witchcraft Witches
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The Witches Sabbath
EDITORS COMMENTS
is a captivating print that transports us back to the 17th century, immersing us in the world of superstition and occult practices. This copy of an illustration from Tableau de l'inconstance des mauvais anges by Pierre de Lancre, Paris 1612, offers a glimpse into the dark arts and beliefs prevalent during that time. The scene depicted is both eerie and intriguing. A coven of witches gathers under a moonlit sky, their broomsticks suspended mid-air as they prepare for their unholy rituals. Surrounding them are symbols of evil and sorcery - a cauldron bubbling with mysterious potions, a goat representing supernatural forces, and even the devil himself lurking in the shadows. This engraving captures the essence of witchcraft with its intricate details and haunting atmosphere. The expressions on the faces of these sorceresses reveal their dedication to satanic practices as they partake in this forbidden gathering known as "sabbat". As we gaze upon this print, we are reminded of how deeply rooted superstitions were in society during this period. Belief in witchcraft was widespread, leading to countless accusations and trials that often ended tragically for those accused. "The Witches Sabbath" serves as a powerful reminder of our fascination with the unknown and our enduring curiosity about ancient beliefs. It allows us to delve into history's darker corners while appreciating art's ability to capture both beauty and fear simultaneously.
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