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Illustration by Steinlen of Guy de Maupassants short story "
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Illustration by Steinlen of Guy de Maupassants short story "
PCT4275796 Illustration by Steinlen of Guy de Maupassants short story " The Parure". Madame Loisel looks at herself in the mirror while her husband takes off her shoes. She finds that she lost the necklace (diamond river) lent her to her by her friend Madame Forestier. Cover of Gil Blas nA'41, October 8, 1893. by Steinlen, Theophile Alexandre (1859-1923); (add.info.: Illustration by Steinlen of Guy de Maupassants short story " The Parure". Madame Loisel looks at herself in the mirror while her husband takes off her shoes. She finds that she lost the necklace (diamond river) lent her to her by her friend Madame Forestier. Cover of Gil Blas nA'41, October 8, 1893.); Photo eGusman; Swiss, out of copyright
Media ID 23661410
© Gusman / Bridgeman Images
Curse French French French French Gusman Guy From 1850 1893 Maupassant Maupassant Guy De 1850 1893 A Journal
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EDITORS COMMENTS
This black and white illustration by Steinlen brings to life Guy de Maupassant's famous short story, "The Parure". The scene depicts Madame Loisel gazing at her reflection in the mirror while her husband tenderly removes her shoes. The artist skillfully captures the moment of realization on Madame Loisel's face as she discovers that she has lost the necklace lent to her by her friend, Madame Forestier. Steinlen's attention to detail is evident in every stroke of his pen, from the intricate patterns on Madame Loisel's dress to the subtle expressions on both characters' faces. The use of light and shadow adds depth and drama to the composition, emphasizing the emotional turmoil experienced by Madame Loisel. "The Parure" explores themes of vanity, materialism, and societal expectations through its protagonist's desperate quest for social status. This poignant image encapsulates these themes perfectly, as we witness Madame Loisel confronting herself in the mirror and coming face-to-face with the consequences of her actions. Published as a cover for Gil Blas nA'41 on October 8th, 1893, this illustration stands as a testament to Steinlen's artistic prowess and ability to capture complex human emotions within a single frame. It serves as a timeless reminder of Maupassant's enduring literary legacy and continues to captivate viewers with its evocative portrayal of one woman’s tragic downfall.
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