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Francisco Jose de Goya y Lucientes Collection

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Background imageFrancisco Jose de Goya y Lucientes Collection: The Sleep of Reason Produces Monsters, from Los Caprichos (engraving)

The Sleep of Reason Produces Monsters, from Los Caprichos (engraving)
XIR158286 The Sleep of Reason Produces Monsters, from Los Caprichos (engraving) (b/w photo) (see also 81662) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

Background imageFrancisco Jose de Goya y Lucientes Collection: I Am Still Learning (Aun Aprendo) (charcoal on paper)

I Am Still Learning (Aun Aprendo) (charcoal on paper)
BBC193310 I Am Still Learning (Aun Aprendo) (charcoal on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco Jose de Goya y Lucientes Collection: Ball at the Moulin de la Galette, 1876 (oil on canvas)

Ball at the Moulin de la Galette, 1876 (oil on canvas)
XIR36481 Ball at the Moulin de la Galette, 1876 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 131x175 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imageFrancisco Jose de Goya y Lucientes Collection: Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)

Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry)
CUL4926440 Apocalypse Tapestry or Apocalypse of Angers, 1375-80 (tapestry) by Bataille, Nicolas (fl. 1363-1400); 154x256 cm; Chateau d'Angers

Background imageFrancisco Jose de Goya y Lucientes Collection: The Arrest of Christ, 1798 (oil on panel)

The Arrest of Christ, 1798 (oil on panel)
MAE176959 The Arrest of Christ, 1798 (oil on panel) by Goya y Lucientes, Francisco Jose de (1746-1828); Treasury, Toledo Cathedral, Castilla y Leon

Background imageFrancisco Jose de Goya y Lucientes Collection: Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)

Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)
3112269 Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Background imageFrancisco Jose de Goya y Lucientes Collection: These Ladies in the Refectory, 1893-94 (oil on cardboard)

These Ladies in the Refectory, 1893-94 (oil on cardboard)
3614326 These Ladies in the Refectory, 1893-94 (oil on cardboard) by Toulouse-Lautrec, Henri de (1864-1901); 60.2x80.7 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Background imageFrancisco Jose de Goya y Lucientes Collection: Exorcism or witches. Painting by Francisco de GOYA Y LUCIENTES (1746-1828), 1797-1798

Exorcism or witches. Painting by Francisco de GOYA Y LUCIENTES (1746-1828), 1797-1798
LRI4664714 Exorcism or witches. Painting by Francisco de GOYA Y LUCIENTES (1746-1828), 1797-1798. Oil on canvas. Madrid, Lazaro Galdiano Foundation by Goya y Lucientes

Background imageFrancisco Jose de Goya y Lucientes Collection: They make their toilet, c.1820 (engraving)

They make their toilet, c.1820 (engraving)
PCT4265532 They make their toilet, c.1820 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Engraving by Francisco Goya y Lucientes (1746-1828)

Background imageFrancisco Jose de Goya y Lucientes Collection: Second grammar book, Librairie Larousse, early 20th century

Second grammar book, Librairie Larousse, early 20th century
PCT4265540 Second grammar book, Librairie Larousse, early 20th century. by Avril, Edouard-Henri (Paul) (1849-1928); (add.info.: Second grammar book, Librairie Larousse, early 20th century)

Background imageFrancisco Jose de Goya y Lucientes Collection: Hasta su abuelo (to his aieul) (engraving)

Hasta su abuelo (to his aieul) (engraving)
PCT4265537 Hasta su abuelo (to his aieul) (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Hasta su abuelo (to his aieul) engraving by Francisco Goya y Lucientes (1746-1828)

Background imageFrancisco Jose de Goya y Lucientes Collection: Portrait of Thomas Jefferson (1743-1826) President of the United States from 1801 to 1809

Portrait of Thomas Jefferson (1743-1826) President of the United States from 1801 to 1809 - Drawing by Bouch
JLJ4607226 Portrait of Thomas Jefferson (1743-1826) President of the United States from 1801 to 1809 - Drawing by Bouch (19th century), black stone, chalk top Dim: 0, 25 x 0, 20m - Malmaison

Background imageFrancisco Jose de Goya y Lucientes Collection: Still Life, c. 1908 (oil on canvas)

Still Life, c. 1908 (oil on canvas)
GLS224010 Still Life, c.1908 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 15.9x25.4 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Background imageFrancisco Jose de Goya y Lucientes Collection: Boys Playing at Soldiers, c. 1775-99 (oil on canvas)

Boys Playing at Soldiers, c. 1775-99 (oil on canvas)
GLS29679 Boys Playing at Soldiers, c.1775-99 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 29.2x41.9 cm; Stirling Maxwell Collection, Pollok House, Glasgow

Background imageFrancisco Jose de Goya y Lucientes Collection: Three Coins (engraved wooden block)

Three Coins (engraved wooden block)
3929996 Three Coins (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)

Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint)
3745584 Disparate de tontos (Fool's folly), 1877 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 29x43 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: Study For Pygmalion And Galatea, c. 1797 (chalk on paper)

Study For Pygmalion And Galatea, c. 1797 (chalk on paper)
6041274 Study For Pygmalion And Galatea, c.1797 (chalk on paper) by Gauffier, Louis (1761-1801); 18.1x24.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)

Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin)
3745578 Francisco Goya Y Lucientes, Pintor, 1799 (etching, aquatint, drypoint & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x23 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: The Fortress of Konigstein: Courtyard with the Brunnenhaus, 1756-58 (oil on canvas)

The Fortress of Konigstein: Courtyard with the Brunnenhaus, 1756-58 (oil on canvas)
940221 The Fortress of Konigstein: Courtyard with the Brunnenhaus, 1756-58 (oil on canvas) by Bellotto, Bernardo (1720-80); 133.9x238 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)

The Bright Cloud, 1833-34 (oil & tempera on mahogany panel)
3928982 The Bright Cloud, 1833-34 (oil & tempera on mahogany panel) by Palmer, Samuel (1805-81); 23.3x32 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint)

No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin)
3745581 No Hay Quien Los Socorra (There is no one to help them), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters)

El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint)
3745577 El Sueno De La Razon Produce Monstruos (The Dream of Reason Produces Monsters), 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)

Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing)
3745575 Modo de volar (A way of flying), 1864 (etching, aquatint, drypoint & burnishing) by Goya y Lucientes, Francisco Jose de (1746-1828); 30x42 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: List of articles sold by Sarah Thrifty, 1820-40 (print)

List of articles sold by Sarah Thrifty, 1820-40 (print)
4429312 List of articles sold by Sarah Thrifty, 1820-40 (print) by European School, (19th century); Manchester Art Gallery, UK; (add.info.: Pedlar doll, called Sarah Thrifty: jointed wood)

Background imageFrancisco Jose de Goya y Lucientes Collection: Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)

Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)
3959779 Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.3x34.5 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: Study of Willow Leaves, c. 1857 (pencil & w/c on paper)

Study of Willow Leaves, c. 1857 (pencil & w/c on paper)
3960778 Study of Willow Leaves, c.1857 (pencil & w/c on paper) by Ruskin, John (1819-1900); 29.9x13.9 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)

No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin)
3745585 No hay que dar voces (It's no use crying out), 1863 (etching, aquatint, burnishing & burin) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x34 cm; Manchester Art Gallery

Background imageFrancisco Jose de Goya y Lucientes Collection: Sir Hiram Stevens Maxim - portrait standing

Sir Hiram Stevens Maxim - portrait standing
3919255 Sir Hiram Stevens Maxim - portrait standing by Ward, Leslie Matthew (Spy) (1851-1922); (add.info.: Sir Hiram Stevens Maxim - portrait standing)

Background imageFrancisco Jose de Goya y Lucientes Collection: Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas)

Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas)
JLJ4650294 Saturn Devouring His Son, 1819-1823 (mixed media mural transferred to canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Background imageFrancisco Jose de Goya y Lucientes Collection: Une fenetre a Naples. (Vue sur le Vesuve, Vesuvio) Peinture de Franz Ludwig Catel (1778-1856) Ec

Une fenetre a Naples. (Vue sur le Vesuve, Vesuvio) Peinture de Franz Ludwig Catel (1778-1856) Ec. All. 1824
JLJ4606991 Une fenetre a Naples. (Vue sur le Vesuve, Vesuvio) Peinture de Franz Ludwig Catel (1778-1856) Ec. All. 1824. Cleveland, Museum Of Art --- A view of Naples through a window

Background imageFrancisco Jose de Goya y Lucientes Collection: La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)

La maja desnuda (The Nude Maja), c. 1800 (oil on canvas)
JLJ4667793 La maja desnuda (The Nude Maja), c. 1800 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 95x190 cm; Prado, Madrid

Background imageFrancisco Jose de Goya y Lucientes Collection: The Fall of the Vendome Column, 29th May 1871 (w/c on paper)

The Fall of the Vendome Column, 29th May 1871 (w/c on paper)
1860443 The Fall of the Vendome Column, 29th May 1871 (w/c on paper) by Pils, Isidore (1813-75); (add.info.: The Paris Commune, 1871 : Vendome square without the column brought down on may 16, 1871)

Background imageFrancisco Jose de Goya y Lucientes Collection: Se Repulen (They're doing well), c. 1802 (engraving)

Se Repulen (They're doing well), c. 1802 (engraving)
1856370 Se Repulen (They're doing well), c. 1802 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris, France; (add.info.: Se Repulen (They're doing well)

Background imageFrancisco Jose de Goya y Lucientes Collection: 7393592

7393592

Background imageFrancisco Jose de Goya y Lucientes Collection: Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)

Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas)
1109266 Don Manuel Osorio Manrique de Zuniga (1784-92), 1790 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 127x101.6 cm; Metropolitan Museum of Art, New York

Background imageFrancisco Jose de Goya y Lucientes Collection: Harbinger of Charles Quint received by Francois I, 1909 (illustration)

Harbinger of Charles Quint received by Francois I, 1909 (illustration)
1858427 Harbinger of Charles Quint received by Francois I, 1909 (illustration) by Robida, Albert (1848-1926); (add.info.: Harbinger of Charles Quint received by french king Francois 1st (1494-1547)

Background imageFrancisco Jose de Goya y Lucientes Collection: Buen Viage (Safe trip). Wing Monsters. c. 1802 (engraving)

Buen Viage (Safe trip). Wing Monsters. c. 1802 (engraving)
1856385 Buen Viage (Safe trip). Wing Monsters. c.1802 (engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: Buen Viage (Safe trip!). Monstres ailes

Background imageFrancisco Jose de Goya y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)

GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century)
CUL4870263 GOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUNIGA, Pedro (18th century). 14th Count of Miranda del Castanar and 10th Duke of Penaranda

Background imageFrancisco Jose de Goya y Lucientes Collection: A gaiety girl, ca. 1893-1899 (poster)

A gaiety girl, ca. 1893-1899 (poster)
1804744 A gaiety girl, ca.1893-1899 (poster) by Hardy, Dudley (1867-1922); (add.info.: A gaiety girl. Coll. Part.); Photo © CCI

Background imageFrancisco Jose de Goya y Lucientes Collection: monsters, engraving 1797-1799

monsters, engraving 1797-1799
1794081 monsters, engraving 1797-1799 by Goya y Lucientes, Francisco Jose de (1746-1828); (add.info.: monsters, spanish engraving by Goya series of the "Whims (Los Caprichos)" in 1797-1799

Background imageFrancisco Jose de Goya y Lucientes Collection: The Virgin of the Immaculee Conception, 1607-13 (oil on canvas)

The Virgin of the Immaculee Conception, 1607-13 (oil on canvas)
CUL4930192 The Virgin of the Immaculee Conception, 1607-13 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 347x174 cm; Museo de Santa Cruz, Toledo

Background imageFrancisco Jose de Goya y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25)

GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25. 1 x 35. 9 cm)
CUL4871900 GOYA Y LUCIENTES, Francisco de (1746-1828). Pedro Romero killing the halted bull. 1816. (25.1 x 35.9 cm). ROMERO, Pedro (1754-1839). Spanish bullfighter

Background imageFrancisco Jose de Goya y Lucientes Collection: The History of Hannibal, c. 1570 (tapestry)

The History of Hannibal, c. 1570 (tapestry)
CUL4925267 The History of Hannibal, c.1570 (tapestry) by Flemish School, (16th century); (add.info.: Battle of Zama. 16th v. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Royal Palace

Background imageFrancisco Jose de Goya y Lucientes Collection: GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)

GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm)
CUL4874394 GOYA Y LUCIENES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. (24'7 x 35'8 cm). Plate 1 of " Proverbs". Romanticism. Engraving. SPAIN

Background imageFrancisco Jose de Goya y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778

GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778
CUL4878576 GOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of Philip III of Spain. 1778. PHILIP III of Spain (1578-1621). King of Spain (1598-1621)

Background imageFrancisco Jose de Goya y Lucientes Collection: Young girl attending an immortal, So pagoda, Hanoi, 16th century (lacquered wood)

Young girl attending an immortal, So pagoda, Hanoi, 16th century (lacquered wood)
5309902 Young girl attending an immortal, So pagoda, Hanoi, 16th century (lacquered wood) by Vietnamese school, (16th century); Museum of Fine Arts, Hanoi, Vietnam; Photo © Stefano Baldini

Background imageFrancisco Jose de Goya y Lucientes Collection: GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)

GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm)
CUL4874729 GOYA Y LUCIENTES, Francisco de (1746-1828). Wrong. Until Death. 1799. (21 x 15 cm). Plate 55 of " Los Caprichos", etching and burnished aquatint. Romanticism. Engraving. Etching

Background imageFrancisco Jose de Goya y Lucientes Collection: A royal ram with a gold chain, c. 1585 (opaque w/c & gold on paper)

A royal ram with a gold chain, c. 1585 (opaque w/c & gold on paper)
XOS5884799 A royal ram with a gold chain, c. 1585 (opaque w/c & gold on paper) by Indian School, (16th century); Cleveland Museum of Art, OH, USA; (add.info.: India)



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