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Fragment of a Capital with Scenes from Marys Infancy

Fragment of a Capital with Scenes from Marys Infancy


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Fragment of a Capital with Scenes from Marys Infancy

491496 Fragment of a Capital with Scenes from Marys Infancy, workshop of The Cathedral of Monopoli, early 1100s (fine-grained limestone)
by Italian School, (12th century); without base h:26.70 w:33.00 d:22.90 cm; Cleveland Museum of Art, OH, USA; (add.info.: This sculpture relates stylistically with architrave figures from the facade of Monopolis cathedral. It is especially similar to a capital there featuring the prophet Daniel. The figure pouring water on the left probably represents an attendant in the Birth of the Virgin. The remaining figures depict the subject of the Presentation of the Virgin in the Temple. Their exquisite sculptural character gives this fragment major importance in the study of Romanesque sculpture in Apulia.
); John L. Severance Fund; Italian, out of copyright

Media ID 23386200

© John L. Severance Fund / Bridgeman Images

Architectural Detail C12th Capital Limestone Romanesque


FEATURES IN THESE COLLECTIONS

> Architecture > Cathedrals

> Architecture > Religious

> Architecture > Styles > Romanesque Architecture

> Architecture > Temples

> Arts > Artists > I > Italian School Italian School

> Europe > Italy > Sculptures

> Europe > United Kingdom > England > Cleveland

> Europe > United Kingdom > England > London > Politics > John Major

> Fine Art Finder > Architecture - Italy - Photograph

> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Italian School

> Historic > Medieval architecture > Cathedrals and churches

> Historic > Medieval architecture


EDITORS COMMENTS
This print showcases a "Fragment of a Capital with Scenes from Mary's Infancy" created by the Italian School in the early 12th century. Carved out of fine-grained limestone, this exquisite piece is currently housed at the Cleveland Museum of Art in Ohio, USA. The sculpture bears stylistic resemblance to architrave figures found on Monopoli Cathedral's facade, particularly one featuring the prophet Daniel. On the left side of the fragment, we see a figure pouring water, likely representing an attendant during the Birth of the Virgin. The remaining figures depict scenes from the Presentation of the Virgin in the Temple. With its remarkable sculptural character and intricate details, this fragment holds significant importance in studying Romanesque sculpture in Apulia. Its depiction of religious themes and architectural elements adds depth to its artistic value. As we delve into this print by Bridgeman Images, we are transported back to medieval Italy where craftsmanship flourished and Christian art thrived. This piece serves as a testament to both Italian creativity and devotion during that era. Whether you appreciate carved reliefs or have an interest in religious iconography, this photograph offers a glimpse into an extraordinary chapter of art history – one that beautifully captures moments from Mary's infancy through skillful stone carving techniques.

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