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Ascension of Christ to Heaven, scene from Night Thoughts, by English poet Edward Young (engraving)
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Ascension of Christ to Heaven, scene from Night Thoughts, by English poet Edward Young (engraving)
7149354 Ascension of Christ to Heaven, scene from Night Thoughts, by English poet Edward Young (engraving) by Stothard, Thomas (1755-1834) (after); Private Collection; (add.info.: Ascension of Christ to Heaven, scene from Night Thoughts, by English poet Edward Young. Illustration from Night Thoughts, by Edward Young (C Whittingham, London, 1798).); © Look and Learn
Media ID 24757020
© Look and Learn / Bridgeman Images
Christ Jesus Epistles Heaven Jersus Christ Jesus Chirst Jesus Christs Jesus Of Nazareth Life Of Christ Life Of Jesus Lord Jesus Paradise Regency Period Seraph Seraphs Christinaity Litaerature Poems
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EDITORS COMMENTS
This engraving depicts the Ascension of Christ to Heaven, a scene inspired by English poet Edward Young's renowned work, Night Thoughts. Created by Thomas Stothard in the 18th century, this print beautifully captures the essence of this powerful moment. Intricately detailed, the image showcases Jesus Christ ascending towards heaven surrounded by a host of angels and seraphs. The cross stands prominently in the foreground, symbolizing his sacrifice for humanity. This illustration is taken from Night Thoughts, a collection of poems that explore themes of mortality, faith, and divine providence. The engraving transports us back to an era where literature and art intertwined seamlessly. It serves as a visual representation of Young's poetic masterpiece while also highlighting Stothard's skill as an artist. As we gaze upon this print from Fine Art Finder's private collection, we are reminded not only of the historical significance but also the enduring power of Christian symbolism. The image invites contemplation on matters beyond our earthly existence – it speaks to our spiritual yearnings and offers solace in times of uncertainty. Whether one appreciates it for its artistic merit or finds inspiration within its religious context, this engraving remains a testament to both Young's literary genius and Stothard's ability to bring words to life through visual imagery.
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