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Edward Lear Collection

Choose a picture from our Edward Lear Collection for your Wall Art and Photo Gifts

890 items

Background imageEdward Lear Collection: The Purple Bird, from Sixteen Drawings of Comic Birds (pen & ink w / c on paper)

The Purple Bird, from Sixteen Drawings of Comic Birds (pen & ink w / c on paper)
3273309 The Purple Bird, from Sixteen Drawings of Comic Birds (pen & ink w/c on paper) by Lear, Edward (1812-88); Private Collection; The Stapleton Collection; English, out of copyright

Background imageEdward Lear Collection: The Light Green Bird, from Sixteen Drawings of Comic Birds

The Light Green Bird, from Sixteen Drawings of Comic Birds
STC286228 The Light Green Bird, from Sixteen Drawings of Comic Birds (pen & ink w/c on paper) by Lear, Edward (1812-88); Victoria & Albert Museum, London, UK; The Stapleton Collection; English

Background imageEdward Lear Collection: Sir Henry Morton Stanley meeting with his rear column at Banalya, Africa, 17 August 1888

Sir Henry Morton Stanley meeting with his rear column at Banalya, Africa, 17 August 1888
5242631 Sir Henry Morton Stanley meeting with his rear column at Banalya, Africa, 17 August 1888, during his Emin Pasha Relief Expedition, from In Darkest Africa by Henry M. Stanley pub

Background imageEdward Lear Collection: There was an Old Man of Thames Ditton, who called out for something to sit on (litho)

There was an Old Man of Thames Ditton, who called out for something to sit on (litho)
966338 There was an Old Man of Thames Ditton, who called out for something to sit on (litho) by Lear, Edward (1812-88); Private Collection; (add.info.: There was an Old Man of Thames Ditton)

Background imageEdward Lear Collection: The Dark Blue Bird, from Sixteen Drawings of Comic Birds

The Dark Blue Bird, from Sixteen Drawings of Comic Birds
3273313 The Dark Blue Bird, from Sixteen Drawings of Comic Birds (pen & ink w/c on paper) by Lear, Edward (1812-88); Private Collection; The Stapleton Collection; English, out of copyright

Background imageEdward Lear Collection: Scene from Heinrich Heines poem Lorelei (chromolitho)

Scene from Heinrich Heines poem Lorelei (chromolitho)
1093921 Scene from Heinrich Heines poem Lorelei (chromolitho) by European School, (19th century); Private Collection; (add.info.: Scene from Heinrich Heines poem Lorelei)

Background imageEdward Lear Collection: Sulphur and white breasted Toucan, 19th century (colour lithograph)

Sulphur and white breasted Toucan, 19th century (colour lithograph)
BAL4822 Sulphur and white breasted Toucan, 19th century (colour lithograph) by Lear, Edward (1812-88); Private Collection; English, out of copyright

The Admiralty House, the entrance to Simon' s Town (Simonston, South Africa)
MMM5480647 The Admiralty House, the entrance to Simon's Town (Simonston, South Africa) by Picken, Thomas (fl.1838-70); 27x36 cm; National Maritime Museum, London, UK; (add.info.: The Admiralty House)

Background imageEdward Lear Collection: Whaling chart. Engraving by Bernard De Reste, 1791, Paris

Whaling chart. Engraving by Bernard De Reste, 1791, Paris
BEN5481289 Whaling chart. Engraving by Bernard De Reste, 1791, Paris.; Photo © Raffaello Bencini

French cartoon on the events of 1848 in Europe: two puppets, one of which seems to be a guignol of the Neapolitan
FGL5481111 French cartoon on the events of 1848 in Europe: two puppets, one of which seems to be a guignol of the Neapolitan theatre and the other is Emperor Ferdinand I of Austria, beat each other

Illuminated page from a version of the first book of "" L'iliad "" by the Greek poet Homere (late 8th century), 1477
FGL5481085 Illuminated page from a version of the first book of "" L'iliad "" by the Greek poet Homere (late 8th century), 1477. Biblioteca Vaticana. rome; Fototeca Gilardi

Portrait of the President of the Italian Council of Ministers Luigi Pelloux (1839-1924)
FGL5481029 Portrait of the President of the Italian Council of Ministers Luigi Pelloux (1839-1924). His government was very militarist and conservative. Engraving from 1892; Fototeca Gilardi

Background imageEdward Lear Collection: Revolution against the Bourbons in Calabria: death of Domenico Romeo (1796-1847)

Revolution against the Bourbons in Calabria: death of Domenico Romeo (1796-1847)
FGL5481014 Revolution against the Bourbons in Calabria: death of Domenico Romeo (1796-1847) and capture of Pietro Aristeo Romeo (1817-1886)

Lebanon: view of the city of Beirut. Engraving taken from "Peregrinatio"" by Bernhard von Breydenbach. 1480
FGL5480292 Lebanon: view of the city of Beirut. Engraving taken from "Peregrinatio"" by Bernhard von Breydenbach. 1480.; Fototeca Gilardi

Fourth Crusade (1202-1204): battle scene under the ramparts of Constantinople
FGL5480257 Fourth Crusade (1202-1204): battle scene under the ramparts of Constantinople. Miniature from "" Ogier the Danish "" by Antoine Verard (15th century) 1492; Fototeca Gilardi

Studies of Venetian boats, with full sail and mooring. Coloured watercolor drawing, by Edward Lear (1812-1888)
MMM5480945 Studies of Venetian boats, with full sail and mooring. Coloured watercolor drawing, by Edward Lear (1812-1888)

Background imageEdward Lear Collection: The Cake Seller from Les Cris de Paris, 1823-25 (litho)

The Cake Seller from Les Cris de Paris, 1823-25 (litho)
XIR189528 The Cake Seller from Les Cris de Paris, 1823-25 (litho) by Vernet, Carle (1758-1836); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Marchand de gateaux)

Background imageEdward Lear Collection: Catania, from Views of Sicily (chalk & gouache on blue paper)

Catania, from Views of Sicily (chalk & gouache on blue paper)
XYC205249 Catania, from Views of Sicily (chalk & gouache on blue paper) by Lear, Edward (1812-88); 11.7x19.5 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageEdward Lear Collection: Plage, 1928 (oil on canvas)

Plage, 1928 (oil on canvas)
NGW238929 Plage, 1928 (oil on canvas) by Nash, Paul (1889-1946); 72.8x49.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Lear Collection: Golf Juan, noon, 1865 (w/c, bodycolour, ink & pencil on paper)

Golf Juan, noon, 1865 (w/c, bodycolour, ink & pencil on paper)
NGW388583 Golf Juan, noon, 1865 (w/c, bodycolour, ink & pencil on paper) by Lear, Edward (1812-88); 31.9x50 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Lear Collection: Snowdon (oil on canvas)

Snowdon (oil on canvas)
NGW186835 Snowdon (oil on canvas) by Whaite, Henry Clarence (1828-1912); 145.4x245 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Lear Collection: Palermo, from Views of Sicily (chalk & gouache on blue paper)

Palermo, from Views of Sicily (chalk & gouache on blue paper)
XYC205252 Palermo, from Views of Sicily (chalk & gouache on blue paper) by Lear, Edward (1812-88); 6.7x12.7 cm; Yale Center for British Art, Paul Mellon Collection, USA

Background imageEdward Lear Collection: Cardiff, North Road (oil on cardboard)

Cardiff, North Road (oil on cardboard)
NGW344314 Cardiff, North Road (oil on cardboard) by English School, (19th century); 23.2x36 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Lear Collection: Kinchenjunga from Darjeeling, 1877 (oil on canvas)

Kinchenjunga from Darjeeling, 1877 (oil on canvas)
NGW344313 Kinchenjunga from Darjeeling, 1877 (oil on canvas) by Lear, Edward (1812-88); 161.2x224.7 cm; National Museum Wales; (add.info)

Background imageEdward Lear Collection: Companions of the Tour de France celebrating, c. 1845 (engraving) (b/w photo)

Companions of the Tour de France celebrating, c. 1845 (engraving) (b/w photo)
CHT163762 Companions of the Tour de France celebrating, c. 1845 (engraving) (b/w photo) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageEdward Lear Collection: View across a Meadow to a Church, 1834 (graphite on green heavy wove paper)

View across a Meadow to a Church, 1834 (graphite on green heavy wove paper)
XYC158432 View across a Meadow to a Church, 1834 (graphite on green heavy wove paper) by Lear, Edward (1812-88); 25.4x35.6 cm; Yale Center for British Art, New Haven, USA; Gift of Donald Gallup

Background imageEdward Lear Collection: Portrait of Carlo Goldoni, Venetian playwright, 1843 (illustration)

Portrait of Carlo Goldoni, Venetian playwright, 1843 (illustration)
7203501 Portrait of Carlo Goldoni, Venetian playwright, 1843 (illustration) by Mistrali, Franco (fl.1843); Private Collection; (add.info)

Background imageEdward Lear Collection: Bubo maximus or Tawny Owl, 1837 (hand-coloured litho on paper)

Bubo maximus or Tawny Owl, 1837 (hand-coloured litho on paper)
7387227 Bubo maximus or Tawny Owl, 1837 (hand-coloured litho on paper) by Lear, Edward (1812-88); Sheffield Galleries and Museums Trust

Background imageEdward Lear Collection: Malta, Near St. Angelo Hal Far, 1pm, 1866 (pen, ink and w/c)

Malta, Near St. Angelo Hal Far, 1pm, 1866 (pen, ink and w/c)
BON55259 Malta, Near St. Angelo Hal Far, 1pm, 1866 (pen, ink and w/c) by Lear, Edward (1812-88); Private Collection; Photo © Bonhams, London, UK

Background imageEdward Lear Collection: Bethlehem, c. 1870 (pencil & w/c on paper)

Bethlehem, c. 1870 (pencil & w/c on paper)
BAL234953 Bethlehem, c.1870 (pencil & w/c on paper) by Lear, Edward (1812-88); Private Collection; Courtesy of Thomas Brod and Patrick Pilkington

Background imageEdward Lear Collection: Isometrical sketch of one of the Twelve Iron Frames forming the Shield, c

Isometrical sketch of one of the Twelve Iron Frames forming the Shield, c
7315272 Isometrical sketch of one of the Twelve Iron Frames forming the Shield, c.1818-39 (sketch on wove paper, derived from woodcut) by Beamish

Background imageEdward Lear Collection: The owl and the Pussycat caracaters by Edward Lear (1812 - 1888) English artist, illustrator

The owl and the Pussycat caracaters by Edward Lear (1812 - 1888) English artist, illustrator, author and poet
1578645 The owl and the Pussycat caracaters by Edward Lear (1812 - 1888) English artist, illustrator, author and poet, by Lear

Background imageEdward Lear Collection: 'There was an Old Man of the Nile, who sharpened his nails with a file', from A Book of Nonsense

"There was an Old Man of the Nile, who sharpened his nails with a file", from A Book of Nonsense
LLM386663 " There was an Old Man of the Nile, who sharpened his nails with a file", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: 'There was an Old Person of Buda, whose conduct grew ruder and ruder', from A Book of Nonsense

"There was an Old Person of Buda, whose conduct grew ruder and ruder", from A Book of Nonsense
LLM386658 " There was an Old Person of Buda, whose conduct grew ruder and ruder", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: 'There was an Old Person of Chester, whom several small children did pester'

"There was an Old Person of Chester, whom several small children did pester", from A Book of Nonsense
LLM386713 " There was an Old Person of Chester, whom several small children did pester", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: 'There was an Old Man of Quebec- a beetle ran over his neck', from A Book of Nonsense

"There was an Old Man of Quebec- a beetle ran over his neck", from A Book of Nonsense
LLM386693 " There was an Old Man of Quebec- a beetle ran over his neck", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: Fighting at the Liverpool General Transport Strike, cover of The Illustrated London News

Fighting at the Liverpool General Transport Strike, cover of The Illustrated London News, August 19th 1911 (print)
XJF387402 Fighting at the Liverpool General Transport Strike, cover of The Illustrated London News, August 19th 1911 (print) by Koekkoek

Background imageEdward Lear Collection: 'There was an Old Man on some rocks, who shut up his wife in a box', from A Book of Nonsense

"There was an Old Man on some rocks, who shut up his wife in a box", from A Book of Nonsense
LLM386668 " There was an Old Man on some rocks, who shut up his wife in a box", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: 'There was an Old Man with a poker, who painted his face with red ochre', from A Book of Nonsense

"There was an Old Man with a poker, who painted his face with red ochre", from A Book of Nonsense
LLM386605 " There was an Old Man with a poker, who painted his face with red ochre", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: 'There was an Old Person of Tartary, who divided his jugular artery', from A Book of Nonsense

"There was an Old Person of Tartary, who divided his jugular artery", from A Book of Nonsense
LLM386709 " There was an Old Person of Tartary, who divided his jugular artery", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: 'There was a Young Person of Smyrna, whose Grandmother threatened to burn her'

"There was a Young Person of Smyrna, whose Grandmother threatened to burn her", from A Book of Nonsense
LLM386632 " There was a Young Person of Smyrna, whose Grandmother threatened to burn her", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: Hansel and Gretel: Gretel traps the witch in her oven (chromolitho)

Hansel and Gretel: Gretel traps the witch in her oven (chromolitho)
1093216 Hansel and Gretel: Gretel traps the witch in her oven (chromolitho) by European School, (19th century); Private Collection; (add.info.: Hansel and Gretel: Gretel traps the witch in her oven)

Background imageEdward Lear Collection: 'There was an Old Man of Nepaul, from his horse had a terrible fall', from A Book of Nonsense

"There was an Old Man of Nepaul, from his horse had a terrible fall", from A Book of Nonsense
LLM386612 " There was an Old Man of Nepaul, from his horse had a terrible fall", from A Book of Nonsense, published by Frederick Warne and Co

Background imageEdward Lear Collection: Conway Castle [3], 1800-59 (Watercolour)

Conway Castle [3], 1800-59 (Watercolour)
7261342 Conway Castle [3], 1800-59 (Watercolour) by Cox, David (1783-1859); 18.5x25.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Conway Castle (3); Watercolour; Cox

Background imageEdward Lear Collection: Jerusalem 3, 1858 (Watercolour, Ink)

Jerusalem 3, 1858 (Watercolour, Ink)
7261334 Jerusalem 3, 1858 (Watercolour, Ink) by Lear, Edward (1812-88); 17x24.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Jerusalem 3; May 1858. Watercolour; One of a series/group)

Background imageEdward Lear Collection: Italian market scene, 1625 (Ink)

Italian market scene, 1625 (Ink)
7261568 Italian market scene, 1625 (Ink) by Wael, Cornelis de (1592-1667); 21.3x28.1 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Italian market scene)

Background imageEdward Lear Collection: Olevano, 1841 (Pencil, Chalk)

Olevano, 1841 (Pencil, Chalk)
7261361 Olevano, 1841 (Pencil, Chalk) by Lear, Edward (1812-88); 16.5x24.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Olevano, Italy; Drawing; Lear, Edward; 19th century)

Background imageEdward Lear Collection: A Fox in Winter Woods, 1928 (oil on canvas)

A Fox in Winter Woods, 1928 (oil on canvas)
5310864 A Fox in Winter Woods, 1928 (oil on canvas) by Liljefors, Bruno Andreas (1860-1939); Private Collection; (add.info.: Liljefors, Bruno Andreas (1860-1939))



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