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Edward Coley Burne-Jones Collection

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1,227 items

Background imageEdward Coley Burne-Jones Collection: Study for Clyties of the Mist (chalk on paper)

Study for Clyties of the Mist (chalk on paper)
Ma199080 Study for Clyties of the Mist (chalk on paper) by Draper, Herbert James (1864-1920); 74x54 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageEdward Coley Burne-Jones Collection: The Annunciation (w / c with gouache on paper)

The Annunciation (w / c with gouache on paper)
BIR451282 The Annunciation (w/c with gouache on paper) by Burne-Jones, Edward Coley (1833-98); 37.4x52.4 cm; Birmingham Museums and Art Gallery; English, out of copyright

Background imageEdward Coley Burne-Jones Collection: The Garden at Bougival, 1884 (oil on canvas)

The Garden at Bougival, 1884 (oil on canvas)
MMT185903 The Garden at Bougival, 1884 (oil on canvas) by Morisot, Berthe (1841-95); 73x92 cm; Musee Marmottan Monet, Paris, France; French, out of copyright

Background imageEdward Coley Burne-Jones Collection: The Grave of Keats, 1873 (w / c on paper)

The Grave of Keats, 1873 (w / c on paper)
AMO101413 The Grave of Keats, 1873 (w/c on paper) by Crane, Walter (1845-1915); 24.4x34.3 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: John Keats (1795-1821)

Background imageEdward Coley Burne-Jones Collection: St Jacob, 1862 (stained glass)

St Jacob, 1862 (stained glass)
3474771 St Jacob, 1862 (stained glass) by Bayne, Robert Turnill (1837-1915); Church of St Mary, Whittlesey, UK; (add.info.: Manufactured by Heaton, Butler & Bayne); eAlastair Carew-Cox; English

Background imageEdward Coley Burne-Jones Collection: Tivoli, 1874 (oil on canvas)

Tivoli, 1874 (oil on canvas)
NGW405356 Tivoli, 1874 (oil on canvas) by Williams, Henry Penry (1798-1885); 33.2x25.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: Head crowned with leaves, c.1897 (pencil on paper)

Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: Drapery study for King Cophetua, c.1883 (graphite on paper)

Drapery study for King Cophetua, c.1883 (graphite on paper)
NGW405351 Drapery study for King Cophetua, c.1883 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 35.5x25.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: Morning on the Oise, Auvers (oil on board)

Morning on the Oise, Auvers (oil on board)
NGW238953 Morning on the Oise, Auvers (oil on board) by Daubigny, Charles Francois (1817-78); 20.8x41.9 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: Study of a Head (oil on panel)

Study of a Head (oil on panel)
NGW239411 Study of a Head (oil on panel) by Burne-Jones, Edward Coley (1833-98); 35.5x25.6 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: The south gate of Cardiff Castle, 1775 (aquatint)

The south gate of Cardiff Castle, 1775 (aquatint)
NGW322623 The south gate of Cardiff Castle, 1775 (aquatint) by Sandby, Paul (1725-1809); 25.6x33.4 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: Perseus and the Graiae, 1875-78 (mixed media)

Perseus and the Graiae, 1875-78 (mixed media)
NGW342644 Perseus and the Graiae, 1875-78 (mixed media) by Burne-Jones, Edward Coley (1833-98); 170.2x153.2 cm; National Museum Wales; (add.info.: made from: gold leaf, silver leaf)

Background imageEdward Coley Burne-Jones Collection: Dog (aluminium)

Dog (aluminium)
NGW239413 Dog (aluminium) by Gaudier-Brzeska, Henri (1891-1915); 15.5x8.6 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: Venus Discordia (oil on canvas)

Venus Discordia (oil on canvas)
NGW184264 Venus Discordia (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 128.2x209.8 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: 434104

434104

Background imageEdward Coley Burne-Jones Collection: Head, 1885 (pencil on paper)

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEdward Coley Burne-Jones Collection: Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)

Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass)
BON109582 Internally decorated and acid-cut trumpet vase by Auguste Daum (1853-1909) (glass) by Daum, Auguste (1853-1909); height:34.5 cm; Private Collection; Photo © Bonhams, London, UK

Background imageEdward Coley Burne-Jones Collection: Calendar for 1849 depicting the Bonaparte Family, 1849 (coloured engraving)

Calendar for 1849 depicting the Bonaparte Family, 1849 (coloured engraving)
XIR180455 Calendar for 1849 depicting the Bonaparte Family, 1849 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageEdward Coley Burne-Jones Collection: Spring, 1894 (pencil & red chalk)

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Background imageEdward Coley Burne-Jones Collection: The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk)

Background imageEdward Coley Burne-Jones Collection: Tapestry depicting peasants hunting rabbits with ferrets, Tournai, c. 1450-75 (wool)

Tapestry depicting peasants hunting rabbits with ferrets, Tournai, c. 1450-75 (wool)
GLS219847 Tapestry depicting peasants hunting rabbits with ferrets, Tournai, c.1450-75 (wool) by Flemish School, (15th century); 304.8x292.1 cm; Burrell Collection, Glasgow

Background imageEdward Coley Burne-Jones Collection: Danae, or The Tower of Brass, 1887-88 (oil on canvas)

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageEdward Coley Burne-Jones Collection: The Marriage of Convenience, 1883 (oil on canvas)

The Marriage of Convenience, 1883 (oil on canvas)
GLS62456 The Marriage of Convenience, 1883 (oil on canvas) by Orchardson, William Quiller (1832-1910); 104.8x154.3 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageEdward Coley Burne-Jones Collection: The Angel (oil on panel)

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

Background imageEdward Coley Burne-Jones Collection: The Body of Harold brought before William the Conqueror, 1844-61 (oil on canvas)

The Body of Harold brought before William the Conqueror, 1844-61 (oil on canvas)
MAN62927 The Body of Harold brought before William the Conqueror, 1844-61 (oil on canvas) by Brown, Ford Madox (1821-93); 105x123.1 cm; Manchester Art Gallery

Background imageEdward Coley Burne-Jones Collection: The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)

The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)
MAN63033 The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum) by Burne-Jones, Edward Coley (1833-98); 25.9x36 cm; Manchester Art Gallery

Background imageEdward Coley Burne-Jones Collection: The Ides of March, 1883 (oil on canvas)

The Ides of March, 1883 (oil on canvas)
MAN62971 The Ides of March, 1883 (oil on canvas) by Poynter, Edward John (1836-1919); 153x112.6 cm; Manchester Art Gallery, UK; (add.info.: by Edward John Poynter); © Manchester Art Gallery

Background imageEdward Coley Burne-Jones Collection: Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)

Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)
MAN63032 Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper) by Burne-Jones, Edward Coley (1833-98); 64.9x49.4 cm; Manchester Art Gallery

Background imageEdward Coley Burne-Jones Collection: Landing Boxes of Oranges in England, from the series Summer's Oranges from South Africa

Landing Boxes of Oranges in England, from the series Summer's Oranges from South Africa (colour litho)
MAN464520 Landing Boxes of Oranges in England, from the series Summer's Oranges from South Africa (colour litho) by Kortright, Guy (1877-1948); Manchester Art Gallery

Background imageEdward Coley Burne-Jones Collection: Sibylla Delphica, 1868 (oil on panel)

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Background imageEdward Coley Burne-Jones Collection: Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)

Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint)
7394162 Ruth Herbert, 1858 (watercolour and bodycolour over graphite with gold paint) by Rossetti, Dante Gabriel Charles (1828-82); 26.3x20.2 cm; Ashmolean Museum, University of Oxford

Background imageEdward Coley Burne-Jones Collection: Caricature of Algernon Charles Swinburne, 1863 (pen, brown ink and wash on paper)

Caricature of Algernon Charles Swinburne, 1863 (pen, brown ink and wash on paper)
7394159 Caricature of Algernon Charles Swinburne, 1863 (pen, brown ink and wash on paper) by Burne-Jones, Edward Coley (1833-98); 20.3x15.8 cm; Ashmolean Museum, University of Oxford

Background imageEdward Coley Burne-Jones Collection: Peony and a butterfly, 1925-36 (colour woodcut)

Peony and a butterfly, 1925-36 (colour woodcut)
7411806 Peony and a butterfly, 1925-36 (colour woodcut) by Koson, Ohara (1877-1945); 38.9--17.3 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Ohara Koson, part of the shin-hanga)

Background imageEdward Coley Burne-Jones Collection: The end of 'The Romance of the Rose', and the beginning of 'The Parlement of Foules'

The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules"
7409778 The end of "The Romance of the Rose", and the beginning of "The Parlement of Foules", ie Parliament of Fowls, from The Works of Geoffrey Chaucer, by William Morris

Background imageEdward Coley Burne-Jones Collection: Three Polo Players, c. 1600-25 (ink & w/c on paper)

Three Polo Players, c. 1600-25 (ink & w/c on paper)
7393882 Three Polo Players, c.1600-25 (ink & w/c on paper) by South Indian School, (17th century); 7x23.3 cm; Metropolitan Museum of Art, New York, USA

Background imageEdward Coley Burne-Jones Collection: PB 5-2001

PB 5-2001
Pages 22-23. "The Knights Tale". The Works of Geoffrey Chaucer. William Morris, Kelmscott Press. Illustrations by Sir Edward Burne-Jones

Background imageEdward Coley Burne-Jones Collection: Albert Einstein in his study at the Institute of Advanced Study, Princeton, USA, 1940 (b/w photo)

Albert Einstein in his study at the Institute of Advanced Study, Princeton, USA, 1940 (b/w photo)
1722577 Albert Einstein in his study at the Institute of Advanced Study, Princeton, USA, 1940 (b/w photo) by Unknown photographer, (20th century)

Background imageEdward Coley Burne-Jones Collection: Scene of King Rene sculpting a figure while being watched by his new bride

Scene of King Rene sculpting a figure while being watched by his new bride
451293 Scene of King Rene sculpting a figure while being watched by his new bride (pen & india ink with wash and pencil on paper) by Burne-Jones

Background imageEdward Coley Burne-Jones Collection: Portrait of the French dancer Cleo de Merode (1875-1966), photography around 1900

Portrait of the French dancer Cleo de Merode (1875-1966), photography around 1900
XEE4144030 Portrait of the French dancer Cleo de Merode (1875-1966), photography around 1900. by Unknown photographer, (20th century); Private Collection; (add.info)

Background imageEdward Coley Burne-Jones Collection: Unpainted masterpieces (self-caricature) (pen & ink on paper)

Unpainted masterpieces (self-caricature) (pen & ink on paper)
BIR185843 Unpainted masterpieces (self-caricature) (pen & ink on paper) by Burne-Jones, Edward Coley (1833-98); 17.6x10.7 cm; Birmingham Museums and Art Gallery

Background imageEdward Coley Burne-Jones Collection: Hyderbard Deccan Model of a parrot, c. 1775-1825 (diamonds, rubies, emeralds & enamel)

Hyderbard Deccan Model of a parrot, c. 1775-1825 (diamonds, rubies, emeralds & enamel)
7389489 Hyderbard Deccan Model of a parrot, c.1775-1825 (diamonds, rubies, emeralds & enamel) by Indian School, (18th-19th century); Height: 22.2 cm; Private Collection; Photo © Christie's Images

Background imageEdward Coley Burne-Jones Collection: Study for the Briar Rose Series, 1889 (oil on canvas)

Study for the Briar Rose Series, 1889 (oil on canvas)
7388603 Study for the Briar Rose Series, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imageEdward Coley Burne-Jones Collection: Nizams of Hyderabad sarpech, c. 1607-33 (diamonds, spinel, pearls & enamel)

Nizams of Hyderabad sarpech, c. 1607-33 (diamonds, spinel, pearls & enamel)
7389487 Nizams of Hyderabad sarpech, c.1607-33 (diamonds, spinel, pearls & enamel) by Indian School, (17th century); Private Collection; Photo © Christie's Images

Background imageEdward Coley Burne-Jones Collection: Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388606 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imageEdward Coley Burne-Jones Collection: Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388604 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Background imageEdward Coley Burne-Jones Collection: The Opening of the Scottish National Exhibition in Edinburgh: Prince Arthur's Arrival on the Ground

The Opening of the Scottish National Exhibition in Edinburgh: Prince Arthur's Arrival on the Ground
3037871 The Opening of the Scottish National Exhibition in Edinburgh: Prince Arthur's Arrival on the Ground, 1908 (b/w photo) by English Photographer

Background imageEdward Coley Burne-Jones Collection: Two Female Heads, 1865-66 (chalk on paper)

Two Female Heads, 1865-66 (chalk on paper)
BIR100720 Two Female Heads, 1865-66 (chalk on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info.: by Edward Coley Burne-Jones)

Background imageEdward Coley Burne-Jones Collection: Le Sourire, 1899-1900 (woodcut)

Le Sourire, 1899-1900 (woodcut)
7388920 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); Private Collection; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack French official)



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