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Girls of the old Maori race as they are today under British training, Auckland, c. 1908 (silver gelatin print)

Girls of the old Maori race as they are today under British training, Auckland, c. 1908 (silver gelatin print)


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Girls of the old Maori race as they are today under British training, Auckland, c. 1908 (silver gelatin print)

MGS272385 Girls of the old Maori race as they are today under British training, Auckland, c.1908 (silver gelatin print) by Underwood & Underwood (c.1881-1940); 8.2x15.4 cm; Private Collection; © Michael Graham-Stewart

Media ID 25168978

© Michael Graham-Stewart / Bridgeman Images

European Costume Group Portrait Indigenous Maoris Native New Zealanders New Zealand Schooling Zealander Black And White Photograph Stereo Card


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EDITORS COMMENTS
This photograph, titled "Girls of the old Maori race as they are today under British training, Auckland, c. 1908" offers a glimpse into the cultural exchange between the indigenous Maori people and their British colonizers in early 20th century New Zealand. The image showcases a group portrait of young Maori girls dressed in traditional European costumes, symbolizing their assimilation into Western education. Underwood & Underwood, renowned photographers from that era, skillfully captured this poignant moment on a silver gelatin print. The composition highlights both the individuality and unity of these native New Zealanders as they engage in learning within a colonial school setting. The significance of this photograph lies not only in its historical context but also in its representation of the complex dynamics between colonization and indigenous cultures. It serves as a visual testament to how education became an instrument for cultural transformation during this period. As we observe these young Maori girls undergoing British training, it prompts us to reflect on the impact that colonialism had on their lives and identities. This thought-provoking stereo card invites viewers to contemplate notions of identity formation, assimilation versus preservation of heritage, and ultimately raises questions about power dynamics inherent within such encounters. This remarkable piece is part of a private collection owned by Michael Graham-Stewart and is made available through Bridgeman Images for educational purposes only.

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