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High angle view of Kilometer Zero, Notre Dame, Paris, France

Framed Print : High angle view of Kilometer Zero, Notre Dame, Paris, France
Framed Print : High angle view of Kilometer Zero, Notre Dame, Paris, France
Framed Print : High angle view of Kilometer Zero, Notre Dame, Paris, France
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Framed Print of High angle view of Kilometer Zero, Notre Dame, Paris, France

DGA1081020 High angle view of Kilometer Zero, Notre Dame, Paris, France; (add.info.: France - Ile-de-France - Paris (UNESCO World Heritage Site, 1991). Notre-Dame Cathedral. Kilometre zero (point zero) from which distances are traditionally measured. The bronze star marks the start of all national roads in France and the centre of Paris); © NPL - DeA Picture Library / C. Sappa.
Please note: This photograph requires additional permission prior to use. If you wish to reproduce this image, please contact Bridgeman Images and we will manage the permission request on your behalf. © Bridgeman Images

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Media ID 23782146


Mediterranean Countries Notre Dame World Heritage Site

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Modern 14"x12" (36x31cm)

Ready to Hang Contemporary Framed Prints adds style, protection, and a polished touch to your space - effortlessly.

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Wood effect frame, card mounted, 10x8 fade resistant photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: measurements provided are estimated outer dimensions, which include both the image and the frame. While we aim to keep sizing consistent, exact dimensions may vary slightly due to differences in print size or production requirements, which may result in a variation in the overall size (up to approximately 2.5cm (1"))

These are individually made so all sizes are approximate

Estimated Image Size (if not cropped) is 24.4cm x 16.3cm (9.6" x 6.4")

Estimated Product Size is 36cm x 31cm (14.2" x 12.2")

Features in These Collections

Home > Artists > Charles (after) Wild

Gallery Wall Inspiration


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Sign of cross, detail from Deposition from Cross or Altarpiece of the Holy Trinity, circa 1432, by Giovanni da Fiesole known as Fra Angelico (1400-circa 1455), tempera on wood, 176x185 cm
Egypt, Abydos, Temple of pharaoh Seti I, Osiris chapel. Detail, painted relief, New Kingdom, Dynasty XIX
Art Nouveau style lacquered wood secretary-cabinet with inlays, by Eugenio Quarti (1867-1929), winner of Grand Prix at International Exhibition in Paris in 1900, Italy, 20th century
Chapel of the Hampton Court Royal Palace, 1819, engraved by Richard Reeve (born 1780) designed by Charles Wild (1781-1835), from the History of the Royal Residences, Volume II, by William Henry Pyne (1769-1843)
German chapel at St James Palace, 1819, engraved by Daniel Havell (died ca 1826) designed by Charles Wild (1781-1835), from History of Royal Residences, Volume III, by William Henry Pyne (1769-1843)
Queen's Gallery, Engraving by Thomas Sutherland (1785-1838), Based on design by James Stephanoff (ca 1788-1874), From The History of the Royal Residences, 1816-1819, Kensington Palace, By William Henry Pyne (1769-1843), United Kingdom
Japanese room, Engraving by Richard Reeve (born in 1780), Based on design by Charles Wild (1781-1835), From The History of the Royal Residences, 1816-1819, Volume I, Queen's House Fragmore, By William Henry Pyne (1769-1843), United Kingdom
Lower vestibule, Engraving by Richard Reeve (born in 1780), Based on design by Charles Wild (1781-1835), From The History of the Royal Residences, 1816-1819, Carlton House, By William Henry Pyne (1769-1843), London, United Kingdom
Pink satin drawing room, Engraving by Richard Reeve (born in 1780), Based on design by Charles Wild (1781-1835), From The History of the Royal Residences, 1816-1819, Carlton House, By William Henry Pyne (1769-1843), London, United Kingdom
Staircase, Engraving by Richard Reeve after drawing by Charles Wild, From The History of the Royal Residences, 1816-1819, Kensington Palace, By William Henry Pyne (1769-1843), United Kingdom
Boyer Ahmadi tribeswomen weaving on horizontal loom, Qashqai people, Zohreh River valley, Fars province, Iran
Low angle view of a bell tower, St Michael's Church, Monte Sant'Angelo, Gargano National Park, Puglia, Italy
Choir of St George's Chapel at Windsor Castle, 1819, engraved by Thomas Sutherland (1785-1838) designed by Charles Wild (1781-1835), from History of Royal Residences, Volume I, by William Henry Pyne (1769 -1843)
Copper objects on display in shop in Grand Bazaar, Istanbul, Turkey
Battle in snow between men wearing fur coats, 19th century, ukiyo-e art print from Kabuki theatre series, woodcut, Japanese civilization, Edo period, 17th-19th century
Fountains in front of a tower, Place du Trocadero, Eiffel Tower, Paris, France
Blue velvet room, Engraving by Richard Reeve (born in 1780), Based on design by Charles Wild (1781-1835), From The History of the Royal Residences, 1816-1819, Carlton House, by William Henry Pyne (1769-1843), London, United Kingdom
Staircase, Engraving by Richard Reeve after drawing by Charles Wild, From The History of the Royal Residences, 1816-1819, Kensington Palace, By William Henry Pyne (1769-1843), United Kingdom
Second meeting room, Engraving by Richard Reeve (born in 1780), Based on design by James Stephanoff (ca 1788-1874), From The History of the Royal Residences, 1816-1819, Hampton Court Palace, By William Henry Pyne (1769-1843), London, United Kingdom
Gilt wood console with marble top, Rock of Fontanellato, Emilia-Romagna, Italy, 19th century
St George's Chapel at Windsor Castle, 1819, engraved by Thomas Sutherland (1785-1838) designed by Charles Wild (1781-1835), from History of Royal Residences, Volume I, by William Henry Pyne (1769-1843)
Empire style chest of drawers with Maggiolini style walnut veneer finish, Italy, 18th century
Garden in front of a castle, Soragna, Emilia-Romagna, Italy
Low angle view of a castle, San Nicandro Garganico, Gargano National Park, Puglia, Italy
Meeting room of King, Engraving by Thomas Sutherland (1785-1838), Based on design by Charles Wild (1781-1835), From The History of the Royal Residences, 1816-1819, St James's Palace, By William Henry Pyne (1769-1843), London, United Kingdom



 
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